The summer Milky Way shines over a log cabin in the woods of the Cypress Hills.
This was the view this morning, at 2 a.m., as the Milky Way of northern summer shone over my vacation log cabin on the Reesor Ranch in Saskatchewan. After the clouds cleared the sky was beautifully dark for a while before the early dawn twilight came on.
The view here takes in the Milky Way from the Scutum star cloud above the trees to the dark dust clouds of northern Cygnus overhead. The trio of Summer Triangle stars, Deneb, Vega and Altair, flank the Milky Way.
This is a composite of five tracked and stacked images for the sky and one image for the foreground shot with the iOptron Skytracker running at half speed to minimize the blurring from the tracking motion. The lens was the 14mm Samyang at f/2.8.
– Alan, July 12, 2013 / © 2013 Alan Dyer
The Milky Way appears from behind the colourful curtains of the Northern Lights.
This was the scene last Saturday night, into the pre-dawn hours of Sunday morning, May 5, as the summer Milky Way rose in the east while a display of aurora played across the northern sky. The Northern Lights weren’t particularly bright this night, but the long 2-minute exposure I used to bring out the Milly Way recorded the aurora with colours and an intensity only the camera could see this night.
The green is from oxygen glowing in the lower part of the atmosphere, though still some 80 km up, where only rockets and high-altitude balloons can fly. The tops of the auroral curtains are tinged with the pinks from another type of oxygen emission possible only at the very top of our atmosphere, where molecules are few and far between and what’s left of the air that surrounds us meets the vacuum of space some 150 km up.
From Earth it’s hard to visualize just what we are seeing when we look at display like this. But check out some of the Aurora videos at NASA’s Gateway to Astronaut Photography of Earth. You’ll see time-lapse videos taken from the Space Station as it flies by and through the same types of aurorae with green lower bands and pink upper fringes, beautifully captured floating high above the Earth in vertical curtains reaching up into the blackness of space.
– Alan, May 8, 2013 / © 2013 Alan Dyer
This is the graveyard of where a star died at the dawn of civilization.
The Veil Nebula, made of several fragments, is the remains of a star that exploded as a supernova some 5000 to 8000 years ago. With a telescope you can see this deep sky wonder high overhead these nights, in Cygnus the swan. A decent sized telescope, say 15 to 25cm diameter, can show a lot of the detail recorded here, but only in black-and-white. It takes a photo to pick up the magentas, from glowing hydrogen, and cyans, from oxygen being excited into shining by the shockwave created as the expanding cloud ploughs into the surrounding interstellar gas.
The whole complex is called the Veil Nebula but the segment at right passing through the star 52 Cygni is called the Witch’s Broom Nebula.
I shot this from home a couple of nights ago during a continuing run of typically fine fall weather, which usually brings the best nights of the year for astronomy. For this shot I used a new Lunt 80mm apochromatic refractor on loan for testing. It works very well! This is a stack of five 15-minute exposures.
– Alan, September 22, 2012 / © 2012 Alan Dyer
This is the prime celestial real estate above us now on northern summer nights.
This wide-angle shot takes in the Milky Way from Cygnus at right to Perseus at left, an area populated by lots of nebulas, both bright and dark. A couple of previous posts (The Subtle Shades of Cepheus and The Dark Clouds of Cygnus) featured close-up views of sections of this sky, the areas at centre in this wider context image in northern Cygnus and southern Cepheus.
At bottom is the elliptical glow of the Andromeda Galaxy, another “milky way” beyond ours.
I boosted the contrast and colour more than I normally do for astrophotos, to punch out the nebulas and the subtle dark lanes of dust that permeate this part of the Milky Way. I shot this last weekend from the star party in Cypress Hills, Saskatchewan. With three clear nights it was a productive weekend!
– Alan, August 26, 2012 / © 2012 Alan Dyer
The view doesn’t get any wider than this. This fish-eye image takes in the entire night sky and summer Milky Way.
I shot this last weekend at the Saskatchewan Summer Star Party in Cypress Hills. Red lights of observers streak along the horizon around the perimeter of the circular image. At centre is the zenith, the point in the sky straight overhead.
The sky was very dark, but the sky close to the horizon is tinted with the faint glows of aurora and airglow.
The Milky Way is the main feature of the summer sky, here stretching from Sagittarius in the south at bottom to Perseus at top in the north. Wide shots like this really put the giant lanes of dust into proper context; you can see their full structure and faint tendrils extending well off the Milky Way band.
For these fish-eye shots (suitable for projection in a planetarium) I used a Sigma 8mm fish-eye lens and a full-frame Canon 5D MkII camera. This is a stack of five 5-minute exposures, all tracked. The landscape is from just one of the images, to minimize blurring of the ground.
— Alan, August 23, 2012 / © 2012 Alan Dyer
Stare into the starfields of Cygnus and ponder what lies undiscovered in our part of the Milky Way.
You are looking down the spiral arm we live in, into clouds of stars seemingly packed together. Every one of those specks is a sun like ours. With planets? Very likely, as we now know.
Amid the stars float glowing red clouds of hydrogen gas. The North America Nebula shines at lower right.
Snaking northward from the “arctic” region of the bright nebula is a river of dust that broadens into a delta of dark nebulosity. Once thought to be holes in the sky allowing us to see deeper into space, we know now that these dark nebulas are really foreground dust clouds filled with the soot of dying stars, carbon dust that absorbs starlight and obscures the more distant parts of the Milky Way.
This dust cloud is called Le Gentil 3, named for the 18th century French astronomer who first noted its position in the sky. Le Gentil’s dust cloud is one of the easiest features of the summer Milky Way to see. Look north of Deneb, the bright star at the right of the image, and with the unaided eye on a dark moonless night you’ll see what looks like a dark hole in the Milky Way. That’s Le Gentil 3.
I use this dust cloud as a measure of sky brightness. On a truly dark night, Le Gentil 3 looks darker than any other area of sky, even relatively starless regions off the Milky Way. Most of the sky brightness we see from a dark site is really starlight. But Le Gentil’s proximity and opaqueness makes it appear darker than the more distant starlit sky background.
This image covers about the width of a binocular field. I shot it from the Cypress Hills in Saskatchewan this past weekend, using the Canon 5D MkII at ISO 1600 and Canon 135mm telephoto lens at f/2.8. It’s a stack of 10 five-minute exposures.
— Alan, August 22, 2012 / © 2012 Alan Dyer
Just lie back and lose yourself in the Milky Way.
That’s what one person is doing here, under the starry skies of Cypress Hills, Saskatchewan. In summertime the Milky Way is the main attraction at night. Here, it rises from the south, a region containing the centre of our Galaxy in Sagittarius, to climb up overhead through the star clouds of Scutum and Aquila, then into Cygnus in our local spiral arm, and on into Cassiopeia at the top of the frame in the north.
As in most deep sky photos, I’ve boosted the contrast and colour to make a dramatic image. To the eye the Milky Way appears in subtle shades of grey painted with the dark brushstrokes of dust lanes winding through the bright clouds of stars. But your eye does see much of this structure.
I like these types of ultra-wide images. They capture the mind’s eye impression of what the Milky Way looks like across the vault of heaven.
This is a stack of four 5-minute exposures, all tracked on a small equatorial mount, the Kenko SkyMemo, and all taken with the Canon 5D MkII at ISO 800 and Canon’s ultra-wide 15mm lens at f/4, as you can see from the photo data at left. I retained the ground from just one image, to minimize the blurring from the slowly moving camera tracking the stars. I masked out the ground in the other 3 images. They help smooth out noise in the sky.
— Alan, August 21, 2012 / © 2012 Alan Dyer