Chasing the Earth-Shadowed Moon to the Mountains


August was a fine month for eclipse chasing, ending with the last major lunar eclipse for many years โ€” and a trip to catch it from a scenic site. 

Two eclipses in two weeks! On August 12, 2026 I was in Spain to see the total eclipse of the Sun. My report on that successful expedition with the Capture the Atlas tour group is here. 

Two weeks later, on August 27, the alignment of Sun, Earth and Moon was still in effect, producing a major eclipse of the Moon. The Full Moon passed into the Earthโ€™s dark shadow, called the umbra, turning the Moon deep red. 

Solar and lunar eclipses always come in pairs, two weeks apart. But the lunars associated with a total solar eclipse are usually either barely visible penumbral or minor partial eclipses. Having a major lunar eclipse paired with a total solar is rare, and seeing both is even rarer. 

I had to look back to November 2003 for when I last saw a total lunar eclipse and a total solar eclipse two weeks apart. And I had to travel to the ends of the Earth for a flight over Antarctica to see the latter. 

However, as the chart below illustrates, the August 27 lunar eclipse was not total. At mid-eclipse about 4% of the Moonโ€™s disk remained outside the umbra and still bright white, as that northern part of the Moon was still seeing the Sun in the lunar sky, albeit partially eclipsed by Earth.

During solar eclipses the Sun must be 100% covered to be total and to reveal all the wonders of a total solar eclipse. A 99% partial is not good enough; it is arguably just 1% of the experience.

But in a lunar eclipse, a 96% partial (as it was on August 27) is close enough to being total to show most of the effects of full total eclipse (i.e. a red Moon) that appears when 100% of the Moon is immersed in the dark umbra. So this was almost as good as a total and well worth a chase. 


Picking the Site

All charts courtesy EclipseWise.com. Thank you Fred!! Click on the image to take you there.

Lunar eclipses can be seen from the half of the Earth where it is night โ€“ the white and grey zones in the map above for this eclipse. While I could have watched the August 27 eclipse from home, I decided to โ€œchase,โ€ not so much to seek a clear hole in clouds this time, but to seek out a scenic foreground for wide-angle shots. 

I had a few sites in mind in southern Alberta. Leading up to eclipse day, forecasts consistently showed Waterton Lakes National Park in the extreme southwest corner of the province as having clear skies on eclipse night. What was worrying was the now-ever-present smoke of summer, from forest fires in B.C. and Montana. Would it be clear, but murky? 

Nothing ventured โ€ฆ. So I headed south to Waterton hoping for the best. Upon arriving in the afternoon the sky was cloudy, but that was as forecast. Clearing wasnโ€™t supposed to happen until the evening.  

On site and ready to be eclipsed!

And it did! I arrived on site before moonrise to now mostly clear skies, to set up my observing gear for the evening: two telescopes โ€” a 120mm refractor to shoot through and a 90mm refractor to look through, and a MSM Nomad tracker with a camera for wide-angle shots and a panorama with the Milky Way at mid-eclipse. 

My eclipse site by day, the day after the eclipse.

The site was one I knew well from previous visits. It is the Maskinonge viewpoint on the prairie overlooking the wetlands below, and with a view toward the Rocky Mountains and peaks around the Waterton townsite to the south. 

The site is a sacred place to the local Siksikaitsitapi (Blackfoot) people who have performed annual rituals here for hundreds, if not thousands of years. The Full Moon tonight was the litamatapapittssko Moon โ€” the โ€œMoon when leaves change colour.โ€ Below is an illustration of all 13 Blackfoot Moons, in a display at the Waterton Lakes Visitor Centre.

But tonight the Moon itself was going to change colour. 


Shooting the Eclipse 

The Moon rose amid retreating horizon cloud, but soon cleared the cloud bank for telescopic close-ups with the initial partial phase underway. (Click or tap on images to bring them up full screen.)

The partial lunar eclipse with the Moon rising in eclipse. In a single 1/5th second exposure with the Askar AP120 telescope at its native f/7 focal ratio for 840mm focal length, and with the Canon R5 at ISO 200.

The rising Full Moon had a dark bite taken out of its bright disk, a bite that would grow larger as the Moon entered more deeply into the umbra. 

The Full Moon in partial eclipse rising over Maskinonge Pond. In a blend of two exposures: a long 3.2-second untracked exposure for the sky and ground, blended with a short 1/4-second exposure for the Moon. Both with the RF15-35mm lens at f/2.8 and 35mm, on the Canon R at ISO 200.

The scene with the partially eclipsed Moon casting a golden โ€œglitter pathโ€ onto the water made for a striking scene I hadnโ€™t planned on. But the wide lens (at 35mm) nicely captured the view and the iridescent clouds around the Moon. 

As the Moon entered more deeply into the umbra the moonlight diminished and what would have been a bright moonlit night turned dark with the summer Milky Way revealed to the west over Vimy Peak. 

This is a 180ยบ panorama taking in the red eclipsed Moon, at left, and the Milky Way and galactic core, at right, over the Maskinonge wetlands in Waterton Lakes National Park. All exposures for both ground and sky were 30 seconds at f/2.8 with the Canon RF15-35mm lens at 24mm, on the astro-modified Canon R at ISO 6400. The Moon comes from a blend of 8 shorter tracked exposures.

This was the panorama I was after and that dictated the site. 

It is a blend of exposures taken near mid-eclipse about 10:15 pm MDT โ€” untracked for the ground, tracked for the sky, plus shorter exposures for the Moonโ€™s disk itself, to better portray the scene as the eye saw it. As good as todayโ€™s cameras are, they still cannot record the high dynamic range of brightness of a lunar, or solar, eclipse. Shooting and blending multiple exposures is still required. 

I had to make last-minute changes to settings, opting to shoot at a much higher ISO (6400) than I normally would, to keep exposures short (30 seconds each for the main ground and sky segments), due to Watertonโ€™s infamous winds buffeting the camera. The wind was calm for most of the evening, but of course picked up at mid-eclipse! 

Mid-eclipse in a blend of 7 exposures from 1/8-second to 8-seconds with the Canon R5 at ISO 100, on the Askar APO120 refractor at its native f/7 for 840mm focal length.

Having shot the panorama, I turned my attention to the telescope, which I had been using over the previous hour and a half to shoot close-ups of the ever-increasing partial eclipse. 

But I wanted a set taken close to mid-eclipse. Again, the great range of brightness from the sunlit side to the shadowed Moon called for a range of exposures, seven in this case (what the Canon R5 camera can shoot automatically), from 8 seconds down to 1/8 second. 

The longest exposure picked up the faint stars of Aquarius surrounding the Moon, with Sigma Aquarii at lower left the brightest; it was obvious in the eyepiece of the visual telescope. That scope showed the subtle blue-grey tint along the edge of the Earthโ€™s shadow, from sunlight filtering through the ozone layer in our upper atmosphere. 

This is a composite illustrating the passage of the Full Moon through the northern portion of Earth’s umbral shadow. The sequence runs from right to left, as the Moon moved west to east through the shadow and against the background stars of Aquarius.

I kept shooting with the telescope, to capture the final partial phases. I wasnโ€™t so ambitious as to shoot every few seconds for a time-lapse. I did that at a similar eclipse in September 2015 and the result is here on YouTube.

This time I shot enough frames to create the composite above, showing the progress of the Moon through the umbra, as it moved from west to east against the stars, right to left here with north up. 

As a result the Moon โ€œdrawsโ€ Earthโ€™s large circular umbral shadow it is moving through. The effect was particularly pronounced at this eclipse, with the Moon passing along a chord across the northern portion of the umbra, which out at the Moonโ€™s distance is three times the diameter of the Moon, as you can see above. 

A deep total eclipse with the Moon moving through the centre of the umbra would not have been as effective at revealing the circular shape of the umbra in such a composite. I was glad to have had clear skies this night! Because โ€ฆ


When is the Next Eclipse? 

The next such โ€œred Moonโ€ (a full total eclipse) is not until December 31, 2028. But we donโ€™t see it well from Alberta, as the Moon sets at dawn just as totality begins. Eastern North America sees nothing of that coming eclipse; Asia and Australia are the favoured areas to see it (in white below) on New Yearโ€™s Day, January 1, 2029. 

The Americas are poorly placed for the next total lunar eclipse.

Then, as shown below, we have a run of two more total lunars six months apart in 2029: on June 26 and December 20. But neither of those is well-placed for western Canada. As the charts below show, locations much farther east are the places to be. 

For my area, the next major lunar eclipse, a total, that we see well in its entirety, is not until October 8, 2033 (as below). Another seven years! 

There’s a “tetrad” of four total lunars in a row in 2032-33, but we in western Canada see only the last in the series, charted here.

Weโ€™ve been spoiled of late, with a string of total lunars in recent years visible from here โ€” just in the last 18 months weโ€™ve had two: on March 3, 2026 (shot from home), and on March 14, 2025, which was another Waterton eclipse I blogged about here. 

The other links below will take you to my reports on earlier lunar eclipse adventures, as most have required a chase to find clear skies on cloudy winter, spring and autumn nights. The August 2026 event was the first summer (i.e. warm!) lunar eclipse Iโ€™d seen since 2007.

But for my area we are entering a seven-year lunar eclipse drought, with the eastern hemisphere about to have their turn enjoying the coming lunars. 

A self-portrait of the triumphant eclipse chaser. In a single 8-second exposure at f/2.8 with the RF15-35mm lens at 15mm on the Canon R at ISO 6400.

Just like total solar eclipses, seeing a total lunar eclipse before 2033 (at least for me) will require travel to far off locations. Iโ€™m willing to chase some, but not all, total solars. Iโ€™m not so sure about total lunars! 

So this might have been my last deep red Moon for quite a while. But it was a good one with which to end my lunar eclipse chases … for now!

โ€” Alan, September 1, 2026 / amazingsky.com  

Chasing the Moon’s Shadow to Spain


On August 12, 2026 the shadow of the Moon crossed northern Spain bringing a total eclipse of the Sun to Europe for the first time since 1999. I was there!

I was able to witness the 2026 total eclipse of the Sun. It was short but spectacular! The sky was clear, though hazy from summer dust, making the normally silvery-white solar corona appear quite yellow to the eye and camera, for a unique eclipse.

But smoke from forest fires that had been raging in Spain was not an issue. Nor did we contend with dense dust from the Sahara blown in on โ€œCalimaโ€ winds. 

Note: Click or tap on images to bring them up to full screen.

The actual weather on eclipse day. Blue = clear. Red = cloudy. We were east of Valladolid and south of Burgos. The blue dots mark the locations of other eclipse chasers logging their observations.

And the summer thunderstorms I had feared would be our downfall, especially with such a low eclipse, held off for another couple of days โ€” it was raining by departure day on the 14th. We were lucky โ€” and happy! 

My eclipse chasing log. Grey paths are central eclipses. T= Total, A = Annular. Courtesy Eclipse-Chaser-Log.com

This was my 18th total solar eclipse (TSE in the lingo). (See my log here.) The first was on February 26, 1979 from Manitoba. But this was my first TSE seen from Europe. While I had traveled to Spain in 2013 for the hybrid eclipse of November 3, that visit was to board a sailing ship in Malaga to intercept the path of totality in the mid-Atlantic. 

So as the map above shows, I have now seen total eclipses of the Sun from all seven continents, including over Antarctica in November 2003, and from two oceans. And from land, sea, and in the sky (on two “e-flight” aircraft intercepts).

The 2026 Path of Totality, in yellow, courtesy EclipseAtlas.com

The 2026 eclipse was unusual in that the path of the Moonโ€™s umbral shadow โ€” where a total eclipse would be seen โ€” did not travel from west to east as most paths do. Instead, it started in Arctic Russia, swept north over the North Pole, then travelled south over eastern Greenland and western Iceland, ending in the evening just before sunset in Spain, only then moving eastward as most paths do. 

The 2026 eclipse had a similar path and was in the same 18-year โ€œSarosโ€ series (during which similar eclipses repeat) as the August 1, 2008 eclipse I and a small group of fellow Canadian eclipse chasers saw from the air over the Canadian Arctic. That 2008 path started in the middle of the night in Canada (where we saw it) with an eclipsed midnight Sun. It swept north over the Pole, then south down into Russia and China for a sunset eclipse, just like we saw in Spain this year. 

The next eclipse in that Saros, on August 22, 2044, like the one in Spain this year, also sweeps south from the Pole and Arctic, to end before sunset โ€” where?? Right over my home in Alberta! 

The entire tour group and CTA staff on site, including Nabal staff. Courtesy CTA.

This year I was honoured to serve as one of five โ€œeclipse expertsโ€ for a group of 80 aspiring and experienced eclipse photographers, plus their companions, traveling with the very popular tour company Capture the Atlas, run by Dan and Ascen Zafra.

CTA Leader Dan Zafra introduces the event, noting this was the first total eclipse in Spain since 1905.

Do visit the CTA site and download their 2026 Capture the Atlas Magazine PDF to see their extensive offerings of photo-oriented tours worldwide. The book includes an interview with me about eclipse chasing, plus several other useful “how-to” articles on astrophotography. So it is a valuable resource apart from the tour listings.

My fellow eclipse experts, L to R: Miguel Claro, Sarah Mathews, Mike Shaw and Dan Stein 

In addition to us eclipse experts (above), for such a large group, Dan also brought on all of his other tour leaders, all of whom are also expert photographers, as well as the great CTA administrative staff who ably handled all the complex logistics. So just the experts, tour leaders, and staff made for quite a crew (below)! 

All of the CTA staff, instructors, and us 5 experts at our designated spot. I’m in the middle.

So among all of us, the hope was we could handle every question about all the brands and models of cameras, the gear people were using, and advise on their plans. Even so, a couple of camera models still stumped us โ€” I’m looking at you Nikon!

Each of us five experts had an expertise in some type of eclipse image or gear. It seemed to work! Everyone got good shots โ€” though perhaps not all that they had planned. Heck, I made mistakes, too โ€” repeating a couple from previous eclipses I had told people not to do!

The hotel conference room and the assembled multitude ready for the pre-eclipse talks.

While we five experts had each delivered on-line tutorials to the group in the months leading up to the eclipse, we all presented briefings (live at last!) the day before and the day of the eclipse. 

Our three busloads of chasers arriving on site the day before the eclipse for our dress rehearsal.

Then, rare for any eclipse I had been to, we were able to do a full dress rehearsal on site the evening before the eclipse, on August 11, allowing everyone to test their gear and routine, with each of us 5 experts assisting about a fifth of the group, so about 16 people each. 

My eclipse charges on eclipse day itself, all ready to go!

My assigned guests were mostly first-time eclipse viewers, using basic gear. Colleagues looked after folks with more advanced gear such as telescopes and tracking mounts. 

A pano of the Bodegas Nabal Winery with everyone lined up for the practice run on August 11.

Our site was very well chosen โ€” the Bodegas Nabal Winery in the Ribero del Duero wine region of northern Spain. We had exclusive use of the winery which looked west to the setting Sun, and had all the facilities needed for a comfortable eclipse in the heat of a Spanish summer. Waiters served us hors dโ€™oeuvres during the partial phases! Luxury!

We could watch as the Sun set still in eclipse at 9:20 pm. Then finish eclipse day with a late evening celebratory banquet โ€” and wine! 

However, our base was at the Sercotel Hotel in Valladolid. It was there we presented our briefings, and our post-eclipse processing tutorials (above) using images we had shot the evening before and barely had time to look at! Talk about pressure!

For the eclipse (and the practice run) everyone was assigned a marked spot along the main plaza, grouped by expertise and type of gear, for us to more easily attend to. 

We experts (above) and the CTA instructors and staff had our own assigned area below the main group. The group had clear instructions that once the eclipse began our assistance would end, with all guests then on their own, allowing us to pursue our own photo plans. (You can see Sarah’s livestream of the eclipse using a Dwarf III smart scope here on her channel.)

A principle challenge was the heat. White hotel towels were the order of the day, to help keep cameras cool in the +37ยบ C temperatures. While the air did cool somewhat during the eclipse, some cameras were flashing โ€œoverheatingโ€ warnings never seen before. One of mine did, but made it through the entire eclipse. But this was a valuable lesson for the 2027 eclipse, which will be in even hotter locations for many eclipse chasers.

Being an overseas eclipse, I kept my gear to a minimum, unlike my previous TSEs in Idaho in 2017 and Quรฉbec in 2024 (the links take you to those blogs) when I could drive to the eclipse with a carload of telescopes and mounts. 


The Main Image

My main goal was a type of eclipse image I had not shot before โ€” an โ€œin-cameraโ€ composite of the progress of the total eclipse from partial, through totality, to sunset, all shot without moving the camera, for accurate Sun sizes and positions. The low Sun (it was just 8ยบ high at totality) lent itself to framing the sequence above the landscape with a modest telephoto lens, a 70-200mm at 70mm in my case. 

I used SkySafari software to plan how to frame the scene โ€” where to place the Sun, and when, at the start โ€” so it would end up near the centre of the frame at totality, and include Regulus and two planets (maybe!), and not move off frame at sunset. It worked! 

The final composite image, with totality itself a blend of several exposures. Note the yellow corona.
The same with labels. I just managed to capture Jupiter and Mercury, and Regulus. The Sun was on the ecliptic (it always is!) but so was the New Moon, thus the eclipse.

I shot the partials through a Maven magnetic solar filter (easy to pop off and on), and the totals unfiltered using a bracketed range of exposures, the longest of which provided the sky and ground as it appeared at totality. A short exposure blended in adds the brilliant red prominence at “9 o’clock” that was obvious even to the unaided eye. (You’ll see it in full-screen view.)

The final setting Sun was shot without a filter, as by then the Sun was very dim and red. 

A “BTS” look at the layers of images in Photoshop that went into the composite. Eclipse images can be complex!

The Time-Lapse

My other image sequence is one I shoot at every eclipse, as it is easy to set up and get running on its own. This was a time-lapse, with no filter, started a few minutes before totality, with the camera taking images every second on auto-exposure. My ebook above provides the “how-to” details on shooting and processing such a series.

Do expand the video to full screen. Note the traffic on the E5 didn’t stop during totality! Except for one truck.

The finished time-lapse, from 520 frames shot at 1 fps, played back at 10 fps. Processed in Adobe Camera Raw and LRTimelapse. Assembled in TimeLapseDeFlicker.

The wide 15-35mm lens at 15mm records the right-to-left (north-to-south) passage of the Moonโ€™s dark shadow, stretched into a long ellipse over Spain. 

The Ra was on the little wood Berlebach tripod and Acratech ball head. But I had it set for +.67 EV exposure compensation not -1 EV so during totality exposures were 1.3 seconds causing frame collision with the 1s interval of the intervalometer.
A single frame from the time-lapse set, from mid-totality, with bright Venus at upper left.
The Ra was on the little wood Berlebach tripod and Acratech ball head. But I had it set for +.67 EV exposure compensation not -1 EV so during totality exposures were 1.3 seconds causing frame collision with the 1s interval of the intervalometer.
The same as above, with labels. Regulus was there, too! And Jupiter, barely.

At low eclipses like this the Moonโ€™s umbral shadow appears as a cone of darkness with the eclipsed Sun at its apex. The time-lapse worked very well. And the resulting frames provide both high-res stills and a movie. 

The complete eclipse sequence and our group enjoying the show. (Courtesy CTA)

A more ambitious time-lapse (above) from one of the CTA instructors, Francesco Dallโ€™olmo, shot from a balcony on the winery records the full sequence with all of us in the foreground. Superb! 

A white sheet in hopes of catching shadow bands. No luck! We looked!

We did set up a white ground sheet, and had the white walls of the winery behind us, where I thought we might see the subtle rippling of shadow bands just before and after totality. We looked both pre-C2 and post-C3 (and called out to remind people to look) but didnโ€™t see any shadow bands. I’ve seen them at low eclipses so the Sun’s altitude was not the issue, but likely the haze was.

Our last look at the eclipse was of its final partial phase as the Sun set. It had been a long day, with every eclipse bringing some stress. But we did not have clouds to contend with, unlike some sites elsewhere in Spain (mostly on the coasts, as had been predicted) or at sea in the Mediterranean. And in Iceland! But the ships in Scoresby Sound in Greenland saw it.

So we had good reason to celebrate that evening and toast our success with a local vintage from the wine cellars below. It had been an experience to remember for a lifetime. But not once in a lifetime โ€” as it can be repeated …!


Next Year’s Eclipse โ€” Back to Spain!

The 2027 TSE path, courtesy EclipseAtlas.com

The next total solar eclipse is only 12 New Moons โ€” a lunar year later โ€” on August 2, 2027. It is the second in a rare trio of annual TSEs from 2026 to 2028 I have written about in my “How to Capture …” ebook linked to above. 

The 2027 TSE belongs to another Saros series notable for its over-six-minute-long eclipses, such as the long eclipses of July 11, 1991 (in Mexico) and July 22, 2009 (in China and the Pacific), and the coming August 12, 2045 eclipse across the U.S. Next yearโ€™s eclipse has a path that crosses Spain, Gibraltar, and North Africa (maximum eclipse is in Luxor, Egypt), so cloudless skies are likely. But heat will be guaranteed!

And as I show above, brilliant Venus near the Sun, with bright Jupiter and Mercury not far away, all amid the winter stars, will make for a spectacular eclipse sky next year. You can see my 2027 shooting plan for Spain in the SkySafari charts above. From Egypt the Sun will be nearly overhead.

Capture the Atlas is offering a similar Summit package for the 2027 total eclipse, to southern Spain. See the page here. I understand the tour is already sold out, but has a waiting list. I will be on that trip along with four eclipse chasing colleagues, some returning from this year, as the resident experts. 

CTA Swag! And souvenir menus.

If you wish to see a total eclipse โ€” or see another โ€” the 2027 TSE is the one to get to โ€” somewhere! Details of locations and times can be found at EclipseAtlas.com. 

Happy Moonshadow chasing!

โ€” Alan, August 22, 2026 (amazingsky.com) 

The Coming Trio of Total Eclipses


If you saw the total eclipse in 2024 (or you missed it!) you have three chances in the next three years to see another. But you will have to travel. 

Typically, total eclipses of the Sun occur about 18 to 24 months apart. Unusually, in the next three years, we have a trio of total eclipses each only a year apart. Or to be precise, a lunar year โ€” 12 lunar phase cycles โ€” apart. 

The map above (courtesy EclipseAtlas.com) plots the paths of all central solar eclipses (annulars, totals and hybrids) from 2021 to 2030. Included are the paths of the 2023 annular and 2024 total in North America you might have seen.ย 

But the next total eclipse in populated North America is not until August 2044, then again in August 2045. To see a total eclipse in the next few years, those of us in the Americas will have to travel. 

However, those in Europe can drive to the next eclipse, to their first total eclipse at home since August 1999. 


August 12, 2026

Path of the August 12, 2026 TSE, courtesy EclipseWise.com

A year from now as I write this, the Moonโ€™s umbral shadow will intercept the Earth for the first time since April 8, 2024. The path of this next total eclipse is unusual in that it starts in northern Russia, travels north over the North Pole, then sweeps down from the north to cross eastern Greenland, nipping the west coast of Iceland, then crossing Spain, to end at sunset over the Balearic Islands of Spain.ย 

Weather prospects are surprisingly good for the several cruise ships planning to be in a Greenland fjord. Iceland is iffy, but had the eclipse been this year (on August 12, 2025) many people would have seen it. Spain was the opposite โ€” statistically it has the best weather prospects along the 2026 path, but on August 12, 2025 most of the country was beset by storms. 

From northern Spain, where I intend to be and as I show above, the Sun will be low in the west in the early evening sky, for a relatively short 1m40s of totality. A low eclipse can be spectacular, but riskier as thereโ€™s a greater chance of clouds hiding a low Sun.ย 

This and the other images of the Sunโ€™s position at each eclipse are pages from my eclipse ebook, described below.


August 2, 2027

Path of the August 2, 2027 TSE, courtesy EclipseWise.com

Twelve new Moons later, the lunar shadow again crosses the Earth, this time passing over North Africa where skies are almost always clear in summer. But the days are hot! The shadow crosses the Strait of Gibraltar and passes over Morocco, Algeria, Tunisia, Libya, Egypt, and Saudi Arabia. In addition to the good weather, the attraction is that this is the longest total eclipse for the rest of the 21st century. 

The spectacular temples of Luxor, Egypt are at the point of maximum eclipse, with an unusual 6m23s of totality with the Sun high overhead. Even at Gibraltar, totality is 4m35s, seven seconds longer than the maximum in Mexico in 2024. 

From Tunisia, as I show above, the Sun is 55ยบ high over the Mediterranean, and totality is a generous 5m44s.


July 22, 2028

Path of the July 22, 2028 TSE, courtesy EclipseWise.com

Another 12 lunar months later, the Moon shadow sweeps across the southern hemisphere, for another generously long eclipse. Remote Western Australia enjoys 5m10s of totality on a winterโ€™s day. 

But millions lie in the path in New South Wales, where Sydneysiders can watch a total eclipse over Sydney Harbour lasting 3m48s. The sky scene is below, with a late afternoon winter Sun heading down in the west. From Farm Cove, the eclipsed Sun will be over the Opera House and Harbour Bridge, for a never-to-be-repeated photo op. 

The South Island of New Zealand sees a sunset eclipse (the shadow passes over Milford Sound) that lasts 2m55s, longer than the 2017 eclipse in the United States. 

Coincidentally, Australia also hosts the next total eclipse to follow, after a gap of 28 months, on November 25, 2030. And the lunar shadow crosses Australia on July 13, 2037 and December 26, 2038 โ€” a Boxing Day eclipse down under. So Australia is the place to be for the next decade or so. 

But between 2026 and 2028, Spain is host to three eclipses, as the 2027 total crosses Spanish territory, and the January 26, 2028 annular eclipse ends at sunset in western Spain. At this eclipse the Moon is not large enough to completely hide the Sun, so at mid-eclipse we see a bright ring of light, similar to the annular eclipse here in North America on October 14, 2023. 


My Plans

Where will I be? For 2026 I have signed onto a trip to Spain with the well-travelled photo tour company CaptureTheAtlas.com.

They are planning a very photo-centric tour to Spain for viewing the eclipse from a winery near Burgos. Iโ€™ll be one of the instructors, among a stellar line-up of eclipse veterans and astrophoto experts. I invite you to check out the details of the tour here at its webpage. Weโ€™d love to have you join us!ย 

For 2027 I am planning to be in Tunisia, on the Mediterranean coast, with a tour group from Astro-Trails.com.ย 

For 2028 I can return to Australia on my own, to view the eclipse from the very areas I go to anyway on my trips down under for night sky photography.ย 

The path of totality passes just a few kilometres from Coonabarabran, the โ€œAstronomy Capital of Australia,โ€ as the Siding Spring Observatory is just down the Timor Road in the path. In July the Milky Way is at its best, with the centre of the Galaxy high overhead at nightfall. Thatโ€™s a sight equal to an eclipse for bucket-list spectacle.


My EBook 

The cover of my new 400-page ebook

For 2017โ€™s eclipse I prepared an ebook on how to photograph it. It proved popular, and so for the 2023 and 2024 eclipses I revised it to cover both the annular and total eclipses. 

Its popularity prompted me to revise it again, this time to cover the coming trio of eclipses, plus I included pages on the January 2028 annular, as many who visit Spain for the totals may plan to return for the sunset annular (low annulars are also the most spectacular!). 

My new ebook is 40 pages larger than the previous edition, with most of the added content in the 100-page chapter on processing eclipse images, from wide-angles, to time-lapses, and to blended exposures of totality close-ups.ย I include lots of information on choosing the right gear โ€” filters, camera, lenses, telescopes, and tracking mounts.

The slide show above presents images of sample pages.ย Do page through the gallery for a look at the content.

But for all the details and links to buy the book (from Apple Books or as a PDF for all platforms) see its webpage at my website. ย 

It will be a busy three years for eclipse chasers, as rarely do we get three-in-a-row like this. The diversity of locations and eclipse circumstances make this an exciting trio to chase. But you can just go back to Spain to see most of them! 

โ€” Alan, August 14, 2025 / AmazingSky.com ย