crescent – The Amazing Sky

April 9, 2019

The Waxing Moon of Spring

Spring is the season for Earthshine on the waxing Moon.

April 8 was the perfect night for capturing the waxing crescent Moon illuminated both by the Sun and by the Earth.

The phase was a 4-day-old Moon, old enough to be high in the sky, but young enough – i.e. a thin enough crescent – that its bright side didn’t wash out the dark side!

In the lead photo at top, and even in the single-exposure image below taken earlier in a brighter sky, you can see the night side of the Moon faintly glowing a deep blue, and brighter than the background twilight sky.

Four-Day-Old Moon in Blue Twilight — The 4-day-old waxing crescent Moon on April 8, 2019 in a single exposure when the Moon was still in the bright blue twilight. Even so, the faint Earthshine is just becoming visible. This is with the 105mm Traveler refractor and 2X AP Barlow lens for an effective focal length of 1200mm at f/12, and with the cropped-frame Canon 60Da at ISO 400, in a single 1/8-second exposure.

This, too, is from sunlight, but light that has bounced off the Earth first to then light up the night side of the Moon.

If you were standing on the lunar surface on the night side, the Sun would be below the horizon but your sky would contain a brilliant blue and almost Full Earth lighting your night, much as the Moon lights our Earthly nights. However, Earth is some 80 times brighter in the Moon’s sky than even the Full Moon is in our sky.

Four-Day-Old Moon with Earthshine — The 4-day-old waxing crescent Moon on April 8, 2019 in a blend of short and long exposures to bring out the faint Earthshine on the dark side of the Moon and deep blue twilight sky while retaining details in the bright sunlit crescent. This is with the 105mm Traveler refractor and 2X AP Barlow lens for an effective focal length of 1200mm at f/12, and with the cropped-frame Canon 60Da at ISO 400, in a blend of 7 exposures from 1/30 second to 2 seconds, blended with luminosity masks from ADP Pro3 extension panel in Photoshop.

Unlike the single image, the lead image, repeated just above, is a multi-exposure blend (using luminosity masks), to bring out the faint Earthshine and deep blue sky, while retaining details in the bright crescent.

Once the sky gets dark enough to see Earthshine well, no single exposure can record the full range in brightness on both the day and night sides of the Moon.

Waxing Moon, Mars and the Taurus Clusters — The 4-day-old waxing crescent Moon on April 8, 2019 with it below Mars (at top) and the star clusters, the Hyades (at left, with reddish Aldebaran) and Pleiades (at right) in Taurus, and set into the deep blue evening twilight. This is with the 135mm Canon telephoto at f/2.8 with the Canon 6D at ISO 400, in a blend of 7 exposures from 1/4 second to 8 seconds, blended with luminosity masks from ADP Pro3 extension panel in Photoshop, to prevent the Moon from being too overexposed while retaining the stars and blue sky. The camera was tracking the sky.

April 8 was a great night for lunar fans as the crescent Moon also appeared between the two bright star clusters in Taurus, the Hyades and Pleiades, and below reddish Mars.

It was a fine gathering of celestial sights, captured above with a telephoto lens.

April 8 Sky

This show the chart I used to plan the framing, created with StarryNight™ software and showing the field of the 135mm lens I used.

The chart also shows why spring is best for the waxing Moon. It is at this time of year that the ecliptic – the green line – swings highest into the evening sky, taking the Moon with it, placing it high in the west above obscuring haze.

That makes it easier to see and shoot the subtle Earthshine. And to see sharp details on the Moon.

$The 4-day-old waxing crescent Moon on April 8, 2019 exposed for just the bright sunlit crescent, revealing details along the terminator. This is with the 105mm Traveler refractor and 2X AP Barlow lens for an effective focal length of 1200mm at f/12, and with the cropped-frame Canon 60Da at ISO 400, for a single exposure of 1/60 second. This is not a stack or mosaic.$

The 4-day-old waxing crescent Moon on April 8, 2019 exposed for just the bright sunlit crescent, revealing details along the terminator. This is with the 105mm Traveler refractor and 2X AP Barlow lens for an effective focal length of 1200mm at f/12, and with the cropped-frame Canon 60Da at ISO 400, for a single exposure of 1/60 second. This is not a stack or mosaic.

After the sky got darker I shot the crescent Moon in a short exposure to capture just the bright crescent, included above in two versions – plain and with labels attached marking the major features visible on a 4-day Moon.

If you missed “Earthshine night” this month, mark May 7 and 8 on your calendar for next month’s opportunities.

Clear skies!

May 31, 2014

The Thin Moon of May

May ends with a thin waxing Moon returning to the evening sky.

This was the scene on a fine Friday evening, May 30, as the two-day-old Moon returned to the western sky.

Mercury was not far away, and is in this frame but at far upper right. I wasn’t really framing the shot with Mercury in mind, but the Moon and clouds.

This frame is one of 440 I shot for a time-lapse sequence of the setting Moon and moving clouds. This is the result, nicely deflickered with LRTimelapse software, an essential tool for time-lapse processing.

How many times have I tried to shoot the Moon or Mercury low in the west and been foiled by cloud near the horizon? Notice the rain falling from the western cloud. Some place near Calgary was getting wet!

June 9, 2012

Venus: 6 Degrees of Separation

This was my first look at Venus following Tuesday’s transit. Here, it’s just six degrees west of the Sun as a thin crescent in the afternoon sky. It was a beautiful sight in the eyepiece, far enough away from the Sun to not be in its glare but close enough to still appear as a razor-thin backlit crescent.

Each day now Venus is widening the gap between it and the Sun, shortly to become a brilliant morning star in the eastern sky before dawn through the rest of June, July and August.

I shot these images in broad daylight through a 130mm f/6 refractor. The big image is a full-frame shot with the Canon 60Da and a 2X Barlow lens, for an effective focal length of about 1500mm. The inset is a single frame grabbed from a 30-frame-per-second movie shot with the Canon in its Movie Crop mode, which yields a high-magnification view suitable for planet shooting, but only 640 x 480 pixels. But this mode is certainly ideal for capturing planets, though none ever appear as large as Venus is here. This is an uncommon instance of Venus as close and as large as any planet gets.

May 30, 2012May 30, 2012

Venus Descending

A wonderful sight tonight, as I caught Venus in its last days before the transit, shining as a glistening crescent low in the evening twilight.

Venus was visible to the unaided eye after sunset, but not for long. It set soon after the Sun. But for a short while it put on a beautiful show as a large crescent (large for a planet that is), easily resolvable in binoculars and stunning in a small telescope. One could almost make out, for brief moments, the sight of the backlit atmosphere going all the way around the disk. But I suspect it was more imagination at work than reality shining through.

The inset blows up the boxed area, to reveal the crescent-phased disk of Venus, despite this shot being taken with no more than a 200mm telephoto lens. I used a Canon 60Da camera at ISO 100. A plane is flying just below Venus.

So this was May 30, 6 days before the June 5 transit, with Venus 9.5° east of the Sun. How far up to the Sun can we catch it, before it crosses the Sun on Tuesday?

May 28, 2012May 28, 2012

Venus Sinks Sunward

Here’s a last look at Venus before its historic transit across the face of the Sun on June 5.

I took this Monday evening, May 28, with the Sun still up and Venus about 13 degrees east of the Sun but low in my evening sky. Venus appears as a razor-thin crescent, like a tiny “new Moon.” Most of the daylight side of Venus now faces away from us; on the side of Venus turned toward us now all but a sliver of a crescent is dark — we’re looking at the night side of Venus. On June 5, all we will see is this dark side of Venus, appearing in silhouette in front of the Sun’s brilliant disk as Venus moves across the Sun in a transit not to be repeated for another 105 years.

This is a single still-frame grab from a movie shot I shot with the Canon 60Da camera, set in Movie Crop Mode, for a movie 640 x 480 pixels wide. This mode magnified Venus considerably on the frame. I shot this through a small 80mm apo refractor at its f/6 prime focus, so with only 480mm of focal length. But Venus is now so large it doesn’t take a lot of extra magnification to show its disk and phase.

The view through the eyepiece was stunning. The rippling image and sparkling colours, though from distortion in our atmosphere, added to the beauty of Venus, fitting for the goddess of love.