Sunset over the Lonely Log Cabin


Log Cabin at Sunset

The clouds paint the sky at sunset over a pioneer cabin in the Cypress Hills.

This is a scene the original resident of this cabin would have enjoyed – and painted.

This lonely log cabin in the Battle Creek valley was built by Robert David Symons, renowned as a rancher, naturalist, game warden, and painter, in the style of western artists such as Charlie Russell.

The cabin looks like it dates from the pioneer days of the first European settlement of the area, in the late 19th century. But Symons settled here and built this log cabin in 1939, during the time he worked as a game warden in the Hills, posted at the Battle Creek Ranger Station. He lived in the cabin for only three years before selling it to Albert and Sylvia Noble in 1942.

The Nobles expanded the cabin to accommodate their family. They lived here for 10 years, working a sawmill in the area.

Today the cabin is a scenic stop on the rough and often muddy Battle Creek Road that winds from the Alberta to the Saskatchewan side of Cypress Hills Interprovincial Park. Travelling it is like being back in the 1940s, when roads were no better than improved cart tracks.

Shooting Time-Lapses at Cypress Hills Log Cabin

I spent an evening here two nights ago on a perfect summer night, shooting the sunset and then the cabin scene by moonlight using time-lapse cameras and gear.

The main scene at top is a high dynamic range stack of 6 images to preserve details in the bright sky and dark foreground.

The self-portrait is a single shot taken by moonlight. Mars and Spica are just setting as a pair of stars over the hills across the valley.

It was a magical night in the Hills.

– Alan, July 11, 2014 / © 2014 Alan Dyer

 

 

Wild Rose Sunset


Wild Rose Sunset

The sky lights up pink to match the wild roses in Cypress Hills.

Last night the twilight sky over the Cypress Hills was simply stunning. The clouds contrasted with the blues and pinks of twilight. On the way out to an evening shoot I stopped to take this image of the darkening sky colours behind the blooming wild roses, the floral emblem of Alberta.

In this photograph I’m looking east, opposite the sunset. The dark blue on the horizon is the shadow of the Earth rising. Above the shadow is a fringe of pink, the Belt of Venus, from red sunlight still lighting the upper atmosphere in that direction. Its colour nicely matches the pink roses – Earth and sky in colour coordination.

This is a high dynamic range stack of 6 exposures, to capture the bright sky and darker foreground in one image, to render the scene as the eye saw it but the camera could not, at least not with a single exposure.

– Alan, July 8, 2014 / © 2014 Alan Dyer

 

Road to the Northern Lights


Northern Lights Down the Road (July 14, 2013)

A country road winds off into the dancing Northern Lights.

The sky put on another fine show last night, the fourth in a row with some level of aurora activity. This was the scene Sunday night as a display blossomed for a while, dancing at the end of the back road through the Cypress Hills on the Alberta-Saskatchewan border.

I had one camera shooting north and devoted to the Northern Lights, while, as you can see below, I had two other cameras on rigs to shoot time-lapse movies looking south.

Self Portrait at Battle Creek, Cypress Hills (July 14, 2013)

This was the scene at the overlook to the Battle Creek valley, with the Moon setting and me getting the time-lapse gear going, to shoot the Milky Way moving over the hills. One camera was on a mount to pan across the landscape following the stars. The other camera was on a motion control dolly to travel down a track over the 3 hours of the shoot. I spent a lot of time in the car listening to BBC Desert Island Discs and The Life Scientific podcasts last night — the thrill of time-lapse shooting!

Milky Way over Battle Creek (July 14 2013)

This is one frame from one of the movies. Streaks of green and red airglow tint the sky around the Milky Way. Amazingly, the scene is lit only by starlight and by the aurora. You could never have done this with film. It’s the sensitivity of digital cameras that makes such scenes possible, though it takes some clever processing (such as Shadow Detail recovery in Raw, Shadows and Highlights, & masked Adjustment Layers) to balance Earth and sky in the final image.

– Alan, July 15, 2013 / © 2013 Alan Dyer