A clear day on Easter Eve allowed me to photograph the setting Full Moon in the morning and the rising Full Moon in the evening.
This was another of the year’s special Full Moons, and this time for a valid historical reason.
This was the “paschal” Full Moon, the one used to determine the date of Easter. It was the first Full Moon after the vernal equinox. The first Sunday after that Full Moon is Easter. This year, the Moon was full about an hour before sunrise on the morning of Saturday, March 31. Easter was the next day, Sunday, April 1.
Below is the view of the Full Moon not long after it was officially Full, as it was setting into the west as the first rays of sunlight lit the foreground at dawn on March 31.
To be precise, the actual paschal Full Moon is a fictional or calculated Moon that occurs 14 days into the lunar cycle, and isn’t an observed Moon. But this year, we really did have a Full Moon just before Easter Sunday, and on the first day of Passover, from which we get the term “paschal.”
Later on March 31, after sunset, the Moon was now half a day past Full, causing it to rise a good half hour after sunset. However, the lighting and sky colour was still good enough to place a reddened Moon rising into a deep blue sky for a wonderful colour contrast.
This was also touted as a “blue Moon,” as it was the second Full Moon in March, and it was also the second blue Moon of 2018. (January had one, too.) But as you can see the Moon was hardly “blue!” It was a fine pink Moon.
The above image is a little fun with Photoshop, and stacks hundreds of images of the rising Moon to create a “Moon trail,” showing the change in colour of the Moon as it rose.
This short HD movie includes two versions of the full time-lapse sequence:
• One showing the Moon rising normally, though the sky and ground come from the first image in the sequence.
• The second is another bit of Photoshop fun, with the Moon leaving disks behind it as it rose.
For the technically minded, I created both movies using Photoshop’s video editing capabilities to layer in various still images on top of the base video file. The stills are layered with a Lighten blend mode to superimpose them onto the background sky and video.
While Easter is a spring holiday, it hardly seems spring here in Alberta. The coldest Easter weekend in decades and lots of snow on the ground made this a winter scene.
With luck, spring will arrive here well before the next Full Moon.
Prospects looked bleak for seeing the January 31 total eclipse of the Moon. A little planning, a chase, and a lot of luck made it possible.
A mid-winter eclipse doesn’t bode well. Especially one in the cold dawn hours. Skies could be cloudy. Or, if they are clear, temperatures could be -25° C.
I managed to pull this one off, not just seeing the eclipse of the Moon, but getting a few photos.
The secret was in planning, using some helpful apps …
Because this eclipse was occurring before dawn for western North America the eclipsed Moon was going to be in the west, setting.
To plan any shoot the first app I turn to is the desktop planetarium program Starry Night™.
Shown above, the program simulates the eclipse with the correct timing, accurate appearance, and location in the sky at your site. You can set up indicators for the fields of various lenses, to help you pick a lens. The yellow box shows the field of view of a 50mm lens on my full-frame camera, essential information for framing the scene.
With that information in mind, the plan was to shoot the Moon over the Rocky Mountains, which lie along the western border of Alberta.
The original plan was a site in Banff on the Bow Valley Parkway looking west toward the peaks of the Divide.
But then the next critical information was the weather.
Not good! Home on the prairies was not an option. While Banff looked OK, the best prospects were from farther south in the Crowsnest Pass area of Alberta, as marked. So a chase was in order, involving a half-day drive south.
But what actual site was going to be useful? Where could I set up for the shot I wanted?
I needed a spot off a main highway but drivable to, and with no trees in the way. I did not know the area, but Allison Road looked like a possibility.
The TPE app shows the direction to the Sun and Moon to help plan images by day. And in its night mode it can show where the Milky Way is. Here, the thin blue line is showing the direction to the Moon during totality, showing it to the south of Mt. Tecumseh. I wanted the Moon over the mountains, but not behind a mountain!
With a possible site picked out, it was time to take a virtual drive with Google Earth.
The background map TPE uses is from Google Earth. But the actual Google Earth app also offers the option of a Street View for many locations.
Above is its view from along Allison Road, on the nice summer day when the Google camera car made the drive. But at least this confirms there are no obstructions or ugly elements to spoil the scene, or trees to block the view.
But there’s nothing like being there to be sure. It looks a little different in winter!
After driving down to the Crowsnest Pass the morning before, the first order of the day upon arrival was to go to the site before it got dark, to see if it was usable.
I used the mobile app Theodolite to take images (above) that superimpose the altitude and azimuth (direction) where the camera was aimed. It confirms the direction where the Moon will be is in open sky to the left of Tecumseh peak. And the on-site inspection shows I can park there!
There is one more new and very powerful app that provides another level of planning. From The Photographer’s Ephemeris, you can hand off your position to a companion mobile app (for iOS only) called TPE 3D …
It provides elevation maps and places you on site, with the actual skyline around you drawn in. And with the Moon and stars in the sky at their correct positions.
While it doesn’t simulate the actual eclipse, it sure shows an accurate sky … and what you’ll frame with your lens with the actual skyline in place.
Compare the simulation, above, to the real thing, below:
Zooming out with TPE 3D provides this preview of a panorama I hoped to take.
It shows Cassiopeia (the W of stars at right) over the iconic Crowsnest Mountain, and the stars of Gemini setting to the right of Tecumseh.
Here’s the real thing, in an even wider 180° view sweeping from south to north. Again, just as predicted!
Between the weather predictions – which proved spot on – and the geographical and astronomical planning apps – which were deadly accurate – we now have incredible tools to make it easier to plan the shot.
If only we could control the clouds! As it was, the Moon was in and out of clouds throughout the 70 minutes of totality. But I was happy to just get a look, let alone a photo.
The next total lunar eclipse is in six months, on July 27, 2018, but in an event visible only from the eastern hemisphere.
The next TLE for North America is a more convenient evening event on January 20, 2019. That will be another winter eclipse requiring careful planning!
The much-publicized “Blue Moon” of July rises over the skyline of Calgary.
Last night, July 31, many people looked east to see a wonderful moonrise. Did it look different than any other moonrise? No. But did it look great? You bet.
I set up my cameras at a site in northwest Calgary, picked for its sightline looking east-southeast over the downtown core of Calgary and directly toward the moonrise point.
I used the software The Photographer’s Ephemeris to plan the location and angles. It is wonderful for making sure you are in the right place at the right time for catching a photogenic moonset or moonset.
Here’s the screen shot from TPE that showed me where to be Friday evening. The blue line aims to the moonrise point.
Of course, despite the planning the Moon did not look blue! Blue Moons, as they have come to be defined, never do. The term now means the second Full Moon in a calendar month. We had a Full Moon on Canada Day, July 1, and then enjoyed a second July Full Moon one lunar cycle later on July 31.
I shot the scene with two cameras, each shooting hundreds of frames for time-lapses, from which I extracted still images.
A short 1-minute music video of the result is here at Vimeo. Enlarge the screen and be sure HD is selected.
As a technical note, for the processing I used the latest version 4.2 ofLRTimelapse and its new “Visual Deflicker” workflow which very nicely smooths out all the frame-to-frame flickering that can plague daytime and twilight shots taken under Auto Exposure.
While the shutter speed does constantly decrease, it does so in 1/3rd-f/stop steps, yielding stair-step jumps in brightness. LRT smooths all that out, with v4.2 doing a much better job than earlier versions.
On the night of a penumbral eclipse, the Full Moon shines over the harbour on the Mediterranean at Malaga, Spain.
This was the view earlier tonight of the Full Moon from Spain, on the night of a partial penumbral eclipse.
The eclipse had not yet begun when I took this shot in the early evening. But even at mid eclipse at 1 a.m. local time, any darkening from the penumbral shadow would be very tough to photograph with anything but a very long telephoto or telescope, which I don’t have with me on this trip.
The penumbral eclipse of the Moon tonight is the complement of the total eclipse of the Sun in two weeks time. Lunar and solar eclipses usually occur in pairs. It is the total solar eclipse on November 3, half a lunar cycle from now, that is the attraction.
To see it, we leave Spain tomorrow and set sail across the Atlantic – not in this century-old German sailing ship, the Eye of the Wind – but in a modern ship the Star Flyer.
This was the Full Moon rising on the night of another much-publicized “Blue Moon.” This was moonrise on Friday, August 31, 2012.
Of course, the Moon doesn’t look blue. Indeed, smoke and dust in the air made it look a dim yellow. Though this wasn’t the official Harvest Moon (that comes next month), it should have been, as around here in southern Alberta the harvest is well underway, thus the swathed fields and hay bales.
The Full Moon sits in the blue band of Earth’s shadow, rimmed on the top by the pink twilight effect called the Belt of Venus, caused by sunlight illuminating the high atmosphere to the east.
A couple of windmills from the large Wintering Hills wind farm add to the evening scene. I’ve spent the last couple of evenings shooting in the wind farm. More images are to come!
For this image, I combined six exposures in a High Dynamic Range stack to compress the wide range of brightnesses. Boosting the colour vibrancy also brings out the twilight colours.