Chasing the Earth-Shadowed Moon to the Mountains


August was a fine month for eclipse chasing, ending with the last major lunar eclipse for many years โ€” and a trip to catch it from a scenic site. 

Two eclipses in two weeks! On August 12, 2026 I was in Spain to see the total eclipse of the Sun. My report on that successful expedition with the Capture the Atlas tour group is here. 

Two weeks later, on August 27, the alignment of Sun, Earth and Moon was still in effect, producing a major eclipse of the Moon. The Full Moon passed into the Earthโ€™s dark shadow, called the umbra, turning the Moon deep red. 

Solar and lunar eclipses always come in pairs, two weeks apart. But the lunars associated with a total solar eclipse are usually either barely visible penumbral or minor partial eclipses. Having a major lunar eclipse paired with a total solar is rare, and seeing both is even rarer. 

I had to look back to November 2003 for when I last saw a total lunar eclipse and a total solar eclipse two weeks apart. And I had to travel to the ends of the Earth for a flight over Antarctica to see the latter. 

However, as the chart below illustrates, the August 27 lunar eclipse was not total. At mid-eclipse about 4% of the Moonโ€™s disk remained outside the umbra and still bright white, as that northern part of the Moon was still seeing the Sun in the lunar sky, albeit partially eclipsed by Earth.

During solar eclipses the Sun must be 100% covered to be total and to reveal all the wonders of a total solar eclipse. A 99% partial is not good enough; it is arguably just 1% of the experience.

But in a lunar eclipse, a 96% partial (as it was on August 27) is close enough to being total to show most of the effects of full total eclipse (i.e. a red Moon) that appears when 100% of the Moon is immersed in the dark umbra. So this was almost as good as a total and well worth a chase. 


Picking the Site

All charts courtesy EclipseWise.com. Thank you Fred!! Click on the image to take you there.

Lunar eclipses can be seen from the half of the Earth where it is night โ€“ the white and grey zones in the map above for this eclipse. While I could have watched the August 27 eclipse from home, I decided to โ€œchase,โ€ not so much to seek a clear hole in clouds this time, but to seek out a scenic foreground for wide-angle shots. 

I had a few sites in mind in southern Alberta. Leading up to eclipse day, forecasts consistently showed Waterton Lakes National Park in the extreme southwest corner of the province as having clear skies on eclipse night. What was worrying was the now-ever-present smoke of summer, from forest fires in B.C. and Montana. Would it be clear, but murky? 

Nothing ventured โ€ฆ. So I headed south to Waterton hoping for the best. Upon arriving in the afternoon the sky was cloudy, but that was as forecast. Clearing wasnโ€™t supposed to happen until the evening.  

On site and ready to be eclipsed!

And it did! I arrived on site before moonrise to now mostly clear skies, to set up my observing gear for the evening: two telescopes โ€” a 120mm refractor to shoot through and a 90mm refractor to look through, and a MSM Nomad tracker with a camera for wide-angle shots and a panorama with the Milky Way at mid-eclipse. 

My eclipse site by day, the day after the eclipse.

The site was one I knew well from previous visits. It is the Maskinonge viewpoint on the prairie overlooking the wetlands below, and with a view toward the Rocky Mountains and peaks around the Waterton townsite to the south. 

The site is a sacred place to the local Siksikaitsitapi (Blackfoot) people who have performed annual rituals here for hundreds, if not thousands of years. The Full Moon tonight was the litamatapapittssko Moon โ€” the โ€œMoon when leaves change colour.โ€ Below is an illustration of all 13 Blackfoot Moons, in a display at the Waterton Lakes Visitor Centre.

But tonight the Moon itself was going to change colour. 


Shooting the Eclipse 

The Moon rose amid retreating horizon cloud, but soon cleared the cloud bank for telescopic close-ups with the initial partial phase underway. (Click or tap on images to bring them up full screen.)

The partial lunar eclipse with the Moon rising in eclipse. In a single 1/5th second exposure with the Askar AP120 telescope at its native f/7 focal ratio for 840mm focal length, and with the Canon R5 at ISO 200.

The rising Full Moon had a dark bite taken out of its bright disk, a bite that would grow larger as the Moon entered more deeply into the umbra. 

The Full Moon in partial eclipse rising over Maskinonge Pond. In a blend of two exposures: a long 3.2-second untracked exposure for the sky and ground, blended with a short 1/4-second exposure for the Moon. Both with the RF15-35mm lens at f/2.8 and 35mm, on the Canon R at ISO 200.

The scene with the partially eclipsed Moon casting a golden โ€œglitter pathโ€ onto the water made for a striking scene I hadnโ€™t planned on. But the wide lens (at 35mm) nicely captured the view and the iridescent clouds around the Moon. 

As the Moon entered more deeply into the umbra the moonlight diminished and what would have been a bright moonlit night turned dark with the summer Milky Way revealed to the west over Vimy Peak. 

This is a 180ยบ panorama taking in the red eclipsed Moon, at left, and the Milky Way and galactic core, at right, over the Maskinonge wetlands in Waterton Lakes National Park. All exposures for both ground and sky were 30 seconds at f/2.8 with the Canon RF15-35mm lens at 24mm, on the astro-modified Canon R at ISO 6400. The Moon comes from a blend of 8 shorter tracked exposures.

This was the panorama I was after and that dictated the site. 

It is a blend of exposures taken near mid-eclipse about 10:15 pm MDT โ€” untracked for the ground, tracked for the sky, plus shorter exposures for the Moonโ€™s disk itself, to better portray the scene as the eye saw it. As good as todayโ€™s cameras are, they still cannot record the high dynamic range of brightness of a lunar, or solar, eclipse. Shooting and blending multiple exposures is still required. 

I had to make last-minute changes to settings, opting to shoot at a much higher ISO (6400) than I normally would, to keep exposures short (30 seconds each for the main ground and sky segments), due to Watertonโ€™s infamous winds buffeting the camera. The wind was calm for most of the evening, but of course picked up at mid-eclipse! 

Mid-eclipse in a blend of 7 exposures from 1/8-second to 8-seconds with the Canon R5 at ISO 100, on the Askar APO120 refractor at its native f/7 for 840mm focal length.

Having shot the panorama, I turned my attention to the telescope, which I had been using over the previous hour and a half to shoot close-ups of the ever-increasing partial eclipse. 

But I wanted a set taken close to mid-eclipse. Again, the great range of brightness from the sunlit side to the shadowed Moon called for a range of exposures, seven in this case (what the Canon R5 camera can shoot automatically), from 8 seconds down to 1/8 second. 

The longest exposure picked up the faint stars of Aquarius surrounding the Moon, with Sigma Aquarii at lower left the brightest; it was obvious in the eyepiece of the visual telescope. That scope showed the subtle blue-grey tint along the edge of the Earthโ€™s shadow, from sunlight filtering through the ozone layer in our upper atmosphere. 

This is a composite illustrating the passage of the Full Moon through the northern portion of Earth’s umbral shadow. The sequence runs from right to left, as the Moon moved west to east through the shadow and against the background stars of Aquarius.

I kept shooting with the telescope, to capture the final partial phases. I wasnโ€™t so ambitious as to shoot every few seconds for a time-lapse. I did that at a similar eclipse in September 2015 and the result is here on YouTube.

This time I shot enough frames to create the composite above, showing the progress of the Moon through the umbra, as it moved from west to east against the stars, right to left here with north up. 

As a result the Moon โ€œdrawsโ€ Earthโ€™s large circular umbral shadow it is moving through. The effect was particularly pronounced at this eclipse, with the Moon passing along a chord across the northern portion of the umbra, which out at the Moonโ€™s distance is three times the diameter of the Moon, as you can see above. 

A deep total eclipse with the Moon moving through the centre of the umbra would not have been as effective at revealing the circular shape of the umbra in such a composite. I was glad to have had clear skies this night! Because โ€ฆ


When is the Next Eclipse? 

The next such โ€œred Moonโ€ (a full total eclipse) is not until December 31, 2028. But we donโ€™t see it well from Alberta, as the Moon sets at dawn just as totality begins. Eastern North America sees nothing of that coming eclipse; Asia and Australia are the favoured areas to see it (in white below) on New Yearโ€™s Day, January 1, 2029. 

The Americas are poorly placed for the next total lunar eclipse.

Then, as shown below, we have a run of two more total lunars six months apart in 2029: on June 26 and December 20. But neither of those is well-placed for western Canada. As the charts below show, locations much farther east are the places to be. 

For my area, the next major lunar eclipse, a total, that we see well in its entirety, is not until October 8, 2033 (as below). Another seven years! 

There’s a “tetrad” of four total lunars in a row in 2032-33, but we in western Canada see only the last in the series, charted here.

Weโ€™ve been spoiled of late, with a string of total lunars in recent years visible from here โ€” just in the last 18 months weโ€™ve had two: on March 3, 2026 (shot from home), and on March 14, 2025, which was another Waterton eclipse I blogged about here. 

The other links below will take you to my reports on earlier lunar eclipse adventures, as most have required a chase to find clear skies on cloudy winter, spring and autumn nights. The August 2026 event was the first summer (i.e. warm!) lunar eclipse Iโ€™d seen since 2007.

But for my area we are entering a seven-year lunar eclipse drought, with the eastern hemisphere about to have their turn enjoying the coming lunars. 

A self-portrait of the triumphant eclipse chaser. In a single 8-second exposure at f/2.8 with the RF15-35mm lens at 15mm on the Canon R at ISO 6400.

Just like total solar eclipses, seeing a total lunar eclipse before 2033 (at least for me) will require travel to far off locations. Iโ€™m willing to chase some, but not all, total solars. Iโ€™m not so sure about total lunars! 

So this might have been my last deep red Moon for quite a while. But it was a good one with which to end my lunar eclipse chases … for now!

โ€” Alan, September 1, 2026 / amazingsky.com  

The Cadence of the Moving Sky


Saturn, Mars and the Milky Way over the Bow River

Saturn, Mars and the Milky Way appeared in the twilight over the Bow River.

I shot this scene on August 24 from the viewpoint at Blackfoot Crossing Historical Park, overlooking the Bow River. Mars appears between Saturn above and Antares below, in a line of objects west of the Milky Way.

The valley below is the traditional meeting place of the Blackfoot Nation, and the site of the signing of Treaty Seven between Chief Crowfoot and Colonel MacLeod of the North West Mounted Police in 1877.

The image is a panorama of two images, each 20-second exposures at f/2 and ISO 1600 with the 24mm lens. I shot them just prior to shooting time-lapses of the moving sky, using two cameras to create a comparison pair of videos, to illustrate the choices in setting the cadence when shooting time-lapses.

The movies, embedded here, will be in the next edition of my Nightscapes and Time-Lapse ebook, with the current version linked to below. The text explains what the videos are showing.

 

Choose Your Style

When shooting frames destined for a time-lapse movie we have a choice:

  • Shoot fewer but longer exposures at slower ISOs and/or smaller apertures.

OR …

  • Shoot lots of short exposures at high ISOs and/or wide apertures.

 

The former yields greater depth of field; the latter produces more noise. But with time-lapses, the variations also affect the mood of a movie in playback.

This comparison shows a pair of movies, both rendered at 30 frames per second:

Clip #1 was taken over 2 hours using 20-second exposures, all at ISO 2000 and f/2 with 1-second intervals. The result was 300 frames.

Clip #2 was taken over 1 hour using 5-second exposures also at f/2 and 1-second intervals, but at ISO 8000. The result was 600 frames: twice as many frames in half the time.

Clip #1 shows fast sky motion. Clip #2 shows slow motion.

Clip #2 exhibits enough noise that I couldnโ€™t bring out the dark foreground as well as in Clip #1. Clip 2 exhibits a slower, more graceful motion. And it better โ€œtime-resolvesโ€ fast-moving content such as cars and aircraft.

Which is better? It depends …

Long = Fast

The movie taken at a longer, slower cadence (using longer exposures) and requiring 2 hours to capture 300 frames resulted in fast, dramatic sky motion when played back. Two hours of sky motion are being compressed into 10 seconds of playback at 30 frames per second. You might like that if you want a dramatic, high-energy feel.

Short = Slow

By comparison, the movie that packed 600 frames into just an hour of shooting (by using short exposures taken at fast apertures or fast ISOs) produced a movie where the sky moves very slowly during its 10 seconds of playback, also at 30 frames per second. You might like that if you want a slow, peaceful mood to your movies.

So, if you want your movie to have a slow, quiet feel, shoot lots of short exposures. But, if you want your movie to have a fast, high-energy feel, shoot long exposures.

As an aside โ€“ all purchasers of the current edition of my ebook will get the updated version free of charge via the iBooks Store once it is published later this year.ย 

โ€” Alan, August 26, 2016 / ยฉ 2016 Alan Dyer / AmazingSky.com

 

Rainbow at Blackfoot Crossing


Rainbow at Blackfoot Crossing #2

A low rainbow shines beneath a retreating thunderstorm at Blackfoot Crossing Historical Park.

On my way home from Waterton Lakes I drove through a thunderstorm, then watched it retreat and the Sun break through in the west. I was hoping for a rainbow in the east, and sure enough, one appeared.

With the Sun still high in the late afternoon sky, the rainbow was low, with just a small arc appearing above the horizon.

By good luck, I was passing the hilltop Blackfoot Crossing Historical Park, a beautiful museum interpreting the history of the Siksika Nation, and a great place to look out over the prairie.

These photos look down a line of rock cairns running from the interpretive centre to the hilltop cemetery in the distance, below the arc of the bow.

Rainbow at Blackfoot Crossing #1

This wider angle image gives the context, with the bow at the bottom of the thundercloud, and fresh blue sky above.

I love the mountains but it’s nice to be back home on the prairies where we can see the wide horizon.

โ€“ Alan, July 20, 2014 / ยฉ 2014 Alan Dyer