The Great Aurora Show of May 10, 2024


It has been many years since we were treated to an aurora as widely seen as the show on May 10, 2024. Here’s my tale of the great display.

As the sky darkened around the world on May 10/11, 2024, sky watchers in both the northern and southern hemispheres were amazed to see the sky lit by the deep reds, greens and pinks of a massive display of aurora. For me, this was my first Kp8 to 9 show (to use one measure of aurora intensity) in more than 20 years, back in the film era!

Throughout the day, aurora chasers’ phones (mine included) had been beeping with alerts of the arrival of a major solar storm, with the usual indicators of auroral activity pinned to the top of the scale.

A NOAA satellite’s eye view of the ring of aurora May 10/11, showing it south of me in Alberta, and across the northern U.S. People in the southern U.S. saw it to their north.

As I show below, the graphic of the intensity of the band of aurora, the auroral oval, was lit up red and wide. This was a night we didn’t have to chase north to see the Northern Lights or aurora borealis — they were coming south to meet us (as I show above).

Observers in the southern hemisphere had the normally elusive aurora australis move much farther north than usual, bringing the Southern Lights even to tropical latitudes in Australia, South America and Africa.

The cause was a massive sunspot group on the Sun which had let off several intense solar flares.

Sunspot group 3664 was so big it could be seen with the naked eye, using solar eclipse glasses. Photo courtesy NASA.

The flares had in turn blown off parts of the Sun’s atmosphere, the corona, that anyone who saw the total eclipse a month earlier had admired so much. But a month later, the corona was being blown our way, in a series of Coronal Mass Ejections (CMEs), to collide with Earth.

A movie of six CMEs blasting toward Earth, captured by the SOHO satellite. Courtesy NASA/ESA.

As it happened I was scheduled to give a community talk in the nearby town early in the evening of May 10, on the topic of The Amazing Sky! Watching the indicators, I could more or less promise the audience that we would indeed see an amazing sky later that evening as it got dark.

Post talk, I hurried home to get the cameras ready, choosing to forgo more hurried driving out to a scenic site in southern Alberta, for the convenience of shooting from my rural backyard. As the sky darkened, the clouds were lit purple, and curtains of aurora appeared in the clear patches.

Clouds and aurora in twilight with the 11mm TTArtisan full-frame fish-eye lens.
A bright arc of aurora shining through the purple clouds, with the 7.5mm TTArtisan circular fish-eye lens.

Something big was going on! This was promising to be the best show of Northern Lights I had seen from home in a year. (Spring 2023 had three great shows at monthly intervals, followed by an aurora drought for many months. See The Great April Aurora.)

A selfie at the start of the great aurora show of May 10, 2024.

I shot with four cameras (a Canon EOS R, Ra, R5 and R6) — two for time-lapses, one for real-time movies, and one for still images. I used the latter to take many multi-image panoramas, as they are often the best way to capture the wide extent of an aurora across the sky.

The arc of aurora in purple and white across the northern sky from home in Alberta at the start of the great display (about 11:30 p.m. MDT).

Early in the evening the arc of aurora wasn’t the usual green from oxygen, but shades of purple, pink, and even white, likely from sunlit nitrogen. The panorama above is looking north toward a strangely coloured arc of nitrogen (?) aurora.

Then after midnight a more normal curtain appeared suddenly, but toward the south, brightening and rising to engulf much of the southern sky and the sky overhead.

Looking south with the 15mm wide-angle lens.

It is at local midnight to 1 a.m. when substorms usually hit, as we are then looking straight down Earth’s magnetic tail, toward the rain of incoming aurora particles bombarding the Earth. During a substorm, the rain turns into a deluge — the intensity of the incoming electrons increases, sparking a sudden brightening of the aurora, making it dance all the more rapidly.

This is a 300° panorama of my home sky now filled with colourful curtains.

As the aurora explodes in brightness it often swirls up to the zenith (or more correctly, the magnetic zenith) to form one of the sky’s greatest sights, a coronal outburst. Rays and beams converge overhead to form a tunnel effect. It is jaw-dropping.

I’ve seen this many times from northern sites such as Churchill and Yellowknife, where the aurora often dances straight up. And from my latitude of 51° N in western Canada, the aurora does often come down to us.

But this night, people at latitudes where, at best, the aurora might be seen just as a glow on the horizon, saw it dance overhead in a corona show to rival the solar eclipse, and that other corona we saw on April 8!

This is a panorama of a substorm outburst creating an overhead corona with rays converging to the magnetic zenith (south of the true zenith), and amid clouds. The rays show a rich mix of oxygen greens and reds, as well as nitrogen blues blending to create purples. Some greens and reds are mixing to make yellows.

Yes, the long exposures of aurora photos (even those taken with phone cameras) show the colours better than your eye can see them (insensitive as our eyes are to colour in dim light). But this night portions of the arcs and rays were bright enough that greens and pinks were easily visible to the naked eye.


This is a single 9-second exposure of the peak of a bright outburst at 1 a.m. MDT. It was with the Laowa 7.5mm circular fish-eye lens at f/2 on the Canon R5 at ISO 800. It is one frame from a time-lapse sequence.

At its peak the show was changing rapidly enough, I couldn’t get to all the cameras to aim and frame them, especially the movie camera. The brightest outburst at 1 a.m. lasted just a minute — the time-lapse cameras caught it. The sequence below shows the view in 9-second exposures taken consecutively just 1 second apart.

This series shows a brief outburst of bright aurora at the magnetic zenith overhead. The time between these 7 consecutive 9-second exposures is only 1 second, so this bright outburst did not last long (little more than a minute). With the TTArtisan 7.5mm f/2 fish-eye lens on the Canon R5. Click or tap to enlarge to full screen.

Here’s another sequence of frames taken as part of a time-lapse sequence with the 11mm lens. It shows the change in the aurora over the 80 minutes or so that it was most active for me at my site.


The time between these 12 images is usually 8 minutes, though to include some interesting activity at a bright outburst, the interval is 5 minutes for three of the images around 1 a.m. Each is a 7- or 9-second exposure taken as part of a time-lapse sequence using the 11mm TTArtisan lens at f/2.8 on the Canon R at ISO 800 or 1600.

Shooting time-lapses with fish-eye lenses captures the show with a minimum of attention needed (except to adjust ISO or exposure times when the aurora brightens!). I could use the still camera (with the Laowa 15mm f/2 lens) to take individual shots, such as more selfies and home shots.

This is a single 8-second exposure with the Laowa 15mm lens at f/2 on the Canon Ra at ISO 800. Another camera taking a time-lapse is in the scene. I had four going this night.

As colourful as the aurora was at its best between midnight and 1:30 a.m., I think the most unique shots came after the show had subsided to appear just as faint rays across the north again, much as it had begun. To the eye it didn’t look like much, but even on the camera’s live screen I could see unusual colours.

I took more panoramas, to capture one of the most unusual auroral arcs I’ve even seen — a blue and magenta aurora across the north, similar to how the night started.

This a stitch of 11 segments, each 13-second exposures, with the Laowa 15mm lens at f/2 on the Canon Ra camera at ISO 800, and turned to portrait orientation. Processed in Camera Raw and stitched with PTGui.

The colours may be from nitrogen glowing, which tends to light up in blues and purples, especially when illuminated by sunlight at high altitudes. At 2 to 2:30 a.m. the Sun might have been illuminating the aurora at a height of 150 to 400 km, and far to the north.

I’d seen blue-topped green auroras before (and there’s a green aurora off to the west at left here). But this was the first time I’d seen an all-blue aurora, no doubt a product of the intense energy flowing in the upper atmosphere this night. And the season and my latitude.

The panorama is a spherical projection spanning 360º, and reaching to the zenith 90° high at centre. This a stitch of 20 segments, each 13-second exposures, with the Laowa 15mm lens at f/2 on the Canon Ra camera at ISO 800, and turned to portrait orientation. Processed in Camera Raw and stitched with PTGui.

The weirdest aurora was at 2:30 a.m., when in addition to the blue rays of nitrogen, an odd white and magenta patch appeared briefly to the south. What was that??

The lesson here? During a bright show do not go back to sleep when things seem to be dying down. Interesting phenomena can appear in the post-storm time, as we’ve learned with STEVE and other odd red arcs and green proton blobs that we aurora photographers have helped document.

I end with a finale music video, mostly made of the time-lapses I shot this night.

Enjoy!

Bring on more aurora shows as the Sun peaks in activity, perhaps this year. But the best shows often occur in the 2 or 3 years after solar max. So we have several more years to look forward to seeing the Lights dance in our skies.

Watch in full screen and in 4K if you can. For all the tech details click through to YouTube and check the description below the video.

Thanks and clear skies!

— Alan, May 18, 2024 amazingsky.com

The Great April Aurora


On April 23, 2023 the sky erupted with a massive solar storm, bringing the aurora to millions of people around the word.

On April 23 warnings went out alerting aurora watchers that a solar storm was imminent. And as the sky darkened that night locations all across the Northern and Southern Hemispheres were treated to a great sky show.

This is what we want to see in our aurora apps! Code Red and a vast auroral oval.

When we see this on our phone apps, we know we’ll get a great show. This was the auroral oval, lit up red, as the display was underway at my location in Alberta, Canada.

All indicators were great!

The strength of the interplanetary field (Bt) was high and the direction of the field (Bz) was well south, all welcome indicators of a superb show.

Sure enough, as it got dark that night, and from my location after the clouds cleared, an aurora was underway covering much of the sky.

A fish-eye 360° view of the Great April Aurora of April 23, 2023, from home in southern Alberta, Canada. The Kp level reached 7 to 8 this day. The Big Dipper is above centre. This is looking north. A single 5-second exposure with the TTArtisan 7.5mm circular fish-eye lens at f/2 and Canon R6 at ISO 3200.

The aurora moved south to occupy just the southern half of the sky, but with incredible ribbons crossing from east to west, rippling and pulsating off and on. Seeing patches of aurora pulse off and on and flaming up to the zenith is not uncommon toward the end of a substorm outburst. But this was the first time I can recall seeing pulsating ribbons.

At times, there was a dark ribbon across the sky, as the aurora formed a gap in its curtains, looking like a “dark aurora.”

The view looking straight up is always the most jaw-dropping when an aurora fills the sky. Rays and curtains converge at the magnetic zenith to form a “corona.”

The aurora of April 23, 2023, looking straight up to the zenith to capture the converging curtains in a coronal display. The Big Dipper is at top. A single 3.2-second exposure with the Canon R5 at ISO 800 and Laowa 15mm lens at f/2.

I shot with three cameras, taking stills, time-lapses, and real-time movies. I edited them together here in a music video. Enlarge to full screen to view it. I hope you enjoy it!

A 3-minute video of the April 23, 2023 aurora show from Alberta.
An aurora selfie with the great all-sky Kp6 to 8 level aurora of April 23, 2023. This is looking south toward Arcturus and Spica. The Coma Berenices cluster is at top near the convergence point for the auroral curtains. Shot from home with the Canon Ra and 11mm TTArtisan full-frame fish-eye lens at f/2.8.

With the Sun ramping up in activity, we should get more great shows of Northern – and Southern! – Lights around the world in the next few years,

— Alan Dyer / April 29, 2023 / © 2023 AmazingSky.com

The Great Solstice Aurora of 2015


The all-sky aurora of June 22, 2015, during a level 7 to 9 geomagnetic storm, as the display began already active in the darkening twilight of a solstice night. This is one frame from a 568-frame time-lapse, taken with the 8mm Sigma fish-eye lens at f/3.5 and with the Canon 6D, composed for projection in tilt-dome digital planetariums. I was on the south shore of Crawling Valley Lake and Reservoir in southern Alberta.

Aurora watchers were on alert! Look up after sunset on June 22 and the sky should be alive with dancing lights.

And the predictions were right.

I headed out to a nearby lake in preparation for seeing and shooting the show. And as soon as the sky got dark enough the Lights were there, despite the bright solstice twilight.

The all-sky aurora of June 22, 2015, during a level 7 to 9 geomagnetic storm, as the display began already active in the darkening twilight of a solstice night. This is one frame from a 960-frame time-lapse, taken with the 15mm full-frame fish-eye lens at f/2.8 and with the Canon 60Da, looking north to the perpetual twilight of solstice. I was on the south shore of Crawling Valley Lake and Reservoir in southern Alberta.

The display reached up to the zenith, as seen in my fish-eye images, like the one below. I shot with three cameras, all shooting time-lapses, with the fish-eye camera recording the scene suitable for projection in a digital planetarium.

The all-sky aurora of June 22, 2015, during a level 7 to 9 geomagnetic storm, as the display peaked in a substorm with rays converging at the zenith in the darkening twilight of a solstice night. This is one frame from a 568-frame time-lapse, taken with the 8mm Sigma fish-eye lens at f/3.5 and with the Canon 6D, composed for projection in tilt-dome digital planetariums. I was on the south shore of Crawling Valley Lake and Reservoir in southern Alberta.

However, it was apparent we here in western Canada were seeing the end of the display that had been going on for hours during an intense geomagnetic storm. The aurora was most intense early in the evening, with a minor outburst about 11:30 to 11:45 pm MDT.

The all-sky aurora of June 22, 2015, during a level 7 to 9 geomagnetic storm, as the display began already active in the twilight of a solstice night. This is one frame from a 960-frame time-lapse, taken with the 15mm full-frame fish-eye lens at f/2.8 and with the Canon 60Da, looking north to the perpetual twilight of solstice. I was on the south shore of Crawling Valley Lake and Reservoir in southern Alberta.

The aurora then subsided in structure and turned into a more chaotic pulsating display, typical of the end of a sub-storm.

A sky-covering display of Northern Lights, here in the western sky over a distant thunderstorm on the Alberta prairies. I shot this June 22, 2015 on a night with a grand display over most of the sky, with the sky bright with solstice twilight. The site was on the south shore of Crawling Valley Lake in southern Alberta. This is one frame from a 350-frame time-lapse, taken with the Nikon D750 and 24mm lens,

However, an attraction of this display was its juxtaposition over another storm, an earthly one, flashing lightning to the northwest of me.

The all-sky aurora of June 22, 2015, during a level 7 to 9 geomagnetic storm, as the display brightened again in the middle of the night at about 1 am, with rays converging at the zenith in the perpetual twilight of a solstice night. This is one frame from a 568-frame time-lapse, taken with the 8mm Sigma fish-eye lens at f/3.5 and with the Canon 6D, composed for projection in tilt-dome digital planetariums. I was on the south shore of Crawling Valley Lake and Reservoir in southern Alberta.

By 1 a.m. MDT the display, while still widespread over a large area of the northern sky, had turned into a diffuse glow.

But 60 gigabytes of images later, I headed home. The time-lapse compilation will come later!

– Alan, June 23, 2015 / © 2015 Alan Dyer / www.amazingsky.com