A Super Eclipse of the Moon


The Full Moon rises in partial eclipse over the sandstone formations of Writing-on-Stone Provincial Park in southern Alberta, on the evening of September 27, 2015. This was the night of a total lunar eclipse, which was in progress in its initial partial phase as the Moon rose this night. The blue band on the horizon containing the Moon is the shadow of Earth on our atmosphere, while the dark bite taken out of the lunar disk is the shadow of Earth on the Moon. The pink band above is the Belt of Venus. This is a two-image panorama stitched to extend the scene vertically to take in more sky and ground than one frame could accommodate. Both shot with the 200mm lens and 1.4x extender, on the Canon 5DMkII.

I could not have asked for a more perfect night for a lunar eclipse. It doesn’t get any better!

On Sunday, September 27, the Moon was eclipsed for the fourth time in two years, the last in a “tetrad” of total lunar eclipses that we’ve enjoyed at six-month intervals since April 2014. This was the best one by far.

The Full Moon rising in partial eclipse on the night of September 27, 2015, night of a total eclipse that began with the partial phase in progress at moonrise from my location. The pink Belt of Venus colours the sky at top. The Moon sits in the blue shadow of the Earth, which also partly obscures the disk of the Moon. I shot this from Writing-on-Stone Provincial Park, Alberta. This is through the TMB 92mm refractor for a focal length of 550mm using the Canon 60Da at ISO 400 for 1/250 second.
This is through the TMB 92mm refractor for a focal length of 500mm using the Canon 60Da at ISO 400 for 1/250 second.

The timing was perfect for me in Alberta, with the Moon rising in partial eclipse (above), itself a fine photogenic site.

In the top image you can see the rising Moon embedded in the blue band of Earth’s shadow on our atmosphere, and also entering Earth’s shadow on its lunar disk. This was a perfect alignment, as lunar eclipses must be.

For my earthly location I drove south to near the Montana border, to a favourite location, Writing-on-Stone Provincial Park, to view the eclipse over the sandstone formations of the Milk River.

The image below shows a screen shot of my site plan and viewing angles using The Photographer’s Ephemeris app.

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More importantly, weather forecasts for the area called for perfectly clear skies, a relief from the clouds forecast – and which did materialize – at home to the north, and would have been a frustration to say the least. Better to drive 3 hours!

This was the second lunar eclipse I viewed from Writing-on-Stone, having chased clear skies to here in the middle of the night for the October 8, 2014 eclipse.

Me, in a selfie, observing a total eclipse of the Moon with binoculars on September 27, 2015, from Writing-on-Stone Provincial Park, Alberta. I had three cameras set up to shoot the eclipse and a fourth to shoot the scene like this. The night was perfect for the eclipse. The Moon is in totality here, with the stars and Moon trailed slightly from the long exposure.

I shot with three cameras: one doing a time-lapse through the telescope, one doing a wide-angle time-lapse of the Moon rising, and the third for long-exposure tracked shots during totality, of the Moon and Milky Way.

The Moon in total eclipse on September 27, 2015 – the “supermoon” eclipse – shining red over the Milk River and sandstone formations at Writing-on-Stone Provincial Park in southern Alberta, with the Milky Way in full view in the sky darkened by the lunar eclipse. The Sweetgrass Hills of Montana are to the south. The centre of the Milky Way is at far right. The Andromeda Galaxy is at upper left. The Moon was in Pisces below the Square of Pegasus. It was a perfectly clear night, ideal conditions for shooting the eclipse and stars. This is a stack of 5 x 2-minute tracked exposures for the sky and 5 x 4-minute untracked exposures for the ground to smooth noise. The Moon itself comes from a short 30-second exposure to avoid overexposing the lunar disk. Illumination of the ground is from starlight. All exposures with the 15mm lens at f/2.8 and Canon 5D MkII at ISO 1600. The camera was on the iOptron Sky-Tracker.
This is a stack of 5 x 2-minute tracked exposures for the sky and 5 x 4-minute untracked exposures for the ground to smooth noise. The Moon itself comes from a short 30-second exposure to avoid overexposing the lunar disk. Illumination of the ground is from starlight. All exposures with the 15mm lens at f/2.8 and Canon 5D MkII at ISO 1600. The camera was on the iOptron Sky-Tracker.

That image is above. It shows the eclipsed Moon at left, with the Milky Way at right, over the Milk River valley and with the Sweetgrass Hills in the distance.

The sky was dark only during the time of totality. As the Moon emerged from Earth’s shadow the sky and landscape lit up again, a wonderful feature of lunar eclipses.

While in the above shot I did layer in a short exposure of the eclipsed Moon into the long exposure of the sky, it is still to accurate scale, unlike many dubious eclipse images I see where giant moons have been pasted into photos, sometimes at least in the right place, but often not.

Lunar eclipses bring out the worst in Photoshop techniques.

The total eclipse of the Moon of September 27, 2015, in closeup through a telescope, at mid-totality with the Moon at its darkest and deepest into the umbral shadow, in a long exposure to bring out the stars surrounding the dark red moon. This was also the Harvest Moon for 2015 and was the perigee Full Moon, the closest Full Moon of 2015. This is a single exposure taken through the TMB 92mm refractor at f/5.5 for 500 mm focal length using the Canon 60Da at ISO 400 for 8 seconds, the longest I shot during totality. The telescope was on the SkyWatcher HEQ5 mount tracking at the lunar rate.
This is a single exposure taken through the TMB 92mm refractor at f/5.5 for 500 mm focal length using the Canon 60Da at ISO 400 for 8 seconds, the longest I shot during totality. The telescope was on the SkyWatcher HEQ5 mount tracking at the lunar rate.

Above is a single closeup image taken through the telescope at mid-totality. I exposed for 8 seconds to bring out the colours of the shadow and the background stars, as faint as they were with the Moon in star-poor Pisces.

I shot a couple of thousand frames and processing of those into time-lapses will take a while longer, in particular registering and aligning the 700 I shot at 15-second intervals through the telescope. They show the Moon entering, passing through, then exiting the umbra, while it moves against the background stars.

Me celebrating a successful total eclipse of the Moon during the final partial phases, observed and shot from Writing-on-Stone Provincial Park, Alberta, on September 27, 2015. I shot with 3 cameras, with a 4th to record the scene. Two of the cameras at centre are still shooting time-lapses of final partial phases. The camera at right was used to take long tracked exposures of the Milky Way during totality. The telescope at left was used just to look!

So I was a happy eclipse chaser! I managed to see all four of the lunar eclipses in the current tetrad, two from Alberta, one from Australia, and one from Monument Valley.

With the latest success, I’ve had my fill of lunar eclipses for a while. Good thing, as the next one is not until January 31, 2018, before dawn in the dead of winter.

With the mild night, great setting, and crystal clear skies, this “supermoon” eclipse could not have been better. It was a super eclipse.

– Alan, September 29, 2015 / © 2015 Alan Dyer / www.amazingsky.com

The Milky Way over the Milk River


The summer Milky Way with a meteor streaking at centre as a bonus. An aurora to the north off frame is lighting the foreground with a green glow. Haze and forest fire smoke obscure the horizon. I shot this at the Battle Scene viewpoint at Writing-on-Stone Provincial Park, in southern Alberta. Sagittarius and the galactic centre is on the horizon at left of centre. Capricornus is amid the haze at left of centre. On the horizon are the Sweetgrass Hills in Montana. The Milk River winds below amid the sandstone formations that are home to historic First Nations petroglyphs.  This is a single 30-second exposure with the Nikon D750 at ISO 3200 and Sigma 24mm Art lens at f/2, taken as part of a time-lapse sequence.

The summer Milky Way shines over the Milk River and the sandstone formations of Writing-on-Stone Provincial Park.

Earlier this week I spent two nights shooting at a favourite site in southern Alberta, near the U.S. border. Here, the Milk River winds through a small canyon and coulees lined with eroded sandstone formations called hoodoos. Carved on those hoodoos are ancient graffiti – petroglyphs dating back hundreds of years recording life on the plains. Thus the name: Writing-on-Stone.

It’s a beautiful place, especially so at night. I was there to shoot video scenes for an upcoming “How to Photograph the Milky Way” tutorial. And to collect images for the tutorial.

Above is a shot that is one frame from a time-lapse sequence, one that captures a meteor and the Milky Way over the Milk River, with the Sweetgrass Hills of Montana in the distance.

The summer Milky Way over the Milk River Valley and sandstone formations of Writing-on-Stone Provincial park, in southern Alberta. On the horizon are the volcanic Sweetgrass Hills in Montana. The red tint at top is from an aurora active that night and the ground is partly illuminated by green auroral light from the north. The Summer Triangle stars are at top left. Sagittarius is on the horizon sinking into the low clouds at botton right which are illuminated by lights from Sweetgrass, Montana. Clouds and smoke from forest fires to the west cut down the transparency and clarity of the sky this night, especially toward the horizon.  This is a stack of 4 x 3-minute tracked exposures for the sky, and 4 x 5-minute untracked exposures for the ground, all with the 15mm Canon full-frame fish-eye and Canon 6D at ISO 1000, on the iOptron Sky-Tracker unit.

This image is from a set of exposures I took with the camera and ultra-wide 15mm lens tracking the turning sky, to prevent the stars from trailing in long exposures. A set of images with the tracker motor turned off supplied the sharp ground.

It shows the sweep of the summer Milky Way, with some clouds and forest fire smoke intruding to the south.

In both images the ground is green because, in part, it is being lit by an aurora display going on behind the camera to the north.

An aurora display to the northeast over the Milk River Valley and Writing-on-Stone Provincial Park in southern Alberta, night of July 22/23, 2015. The ground is lit by aurora light. The view is looking east to the rising autumn constellations of Cassiopeia and Perseus at left, and Andromeda and Pegasus at centre. The Milky Way runs from left to top centre. I shot this with the 15mm full-frame fisheye and Canon 6D. The sky is from one image, but the ground is from a stack of 4 images, mean combined, to smooth noise.

Here’s the view looking east, with a green aurora fringed with red lighting the northern sky.

The arc of the auroral oval as seen from southern Alberta, July 22/23, 2015, from Writing on Stone Provincial Park, looking north over the flat prairie. The Big Dipper is at left. This is a 4-segment panorama with the Canon 60Da and 16-35mm lens at 16mm, stitched in Photoshop.

The display on the night of July 22/23 formed a classic arc across the north. This was my panoramic view of the vast auroral oval that was wrapping around the planet at far northern latitudes. Here, I was at 49° north, almost on the Canada-U.S. border, and well south of the main oval.

In all, it was a magical two nights at a scenic and sacred site.

– Alan, July 24, 2015 / © 2015 Alan Dyer / www.amazingsky.com

Red Moon over Writing-on-Stone


Red Moon over Writing-on-Stone

The red eclipsed Moon shines over the Milk River, with Orion over the Sweetgrass Hills.

This was the scene at 4:45 this morning, October 8, from my observing site for the lunar eclipse, Writing-on-Stone Provincial Park in southern Alberta.

The eclipsed red Moon shines at far right over the Milk River and sandstone formations of Writing-on-Stone Park, home to ancient petroglyphs, and a sacred site to First Nations people.

At left are the Sweetgrass Hills across the border in Montana. Above shine the stars of Orion, with his Dog Star Sirius below. Above is Taurus, with Aldebaran and the Pleiades cluster.

The night was fairly clear for the hour of totality, though with high haze fuzzing the stars and Moon. But considering the cloud I had driven 3 hours to escape I was happy.

Self-Portrait at Oct 8, 2014 Total Lunar Eclipse

Here I am in a 5:30 a.m. selfie by starlight and moonlight, with the clouds I had escaped now rolling in to cover the Moon as it began to emerge from Earth’s shadow.

No matter. I had captured what I had come for: the nightscape above (with a 14mm lens), and close-ups shot through this telescope gear, one of which I featured in my previous post.

– Alan, October 8, 2014 / © 2014 Alan Dyer

 

The Milky Way over Milk River


Milky Way over Writing-on-Stone Park #2 (Sept 1, 2013)

The summer Milky Way sets over the Milk River on the last weekend of the summer.

This was the view last night, Sunday, September 1, from the Visitor Centre hill overlooking the spectacular Milk River valley and the sandstone formations of Writing-on-Stone Provincial Park, Alberta.

The Milk River winds around the park’s campsite, filled on a beautiful long weekend with campers enjoying the clear skies and temperatures in the 30s by day. At night, conditions were perfect. Warm, dry, no bugs, no wind. The best.

I set up two cameras: one for a day-to-night time lapse and one for a time-lapse panning the scene as the Milky Way moved to the west. These two images are frames from the latter.

Above is a shot from later in the evening when the sky was dark …

Milky Way over Writing-on-Stone Park (Sept 1, 2013)

… while this image is from earlier in the shoot, when the last of the blue twilight still lit the sky and the camera was aimed a little more to the east.

On the horizon at left in the image above lie the Sweetgrass Hills of Montana, a prominent landmark in southern Alberta. The yellow sky glows are from towns in northern Montana.

Lights from the campground and car headlights illuminate the landscape and the eroded hoodoo formations.

Writing-on-Stone Park preserves ancient rock petroglyphs that record scenes from before and after contact with Europeans. It is a sacred site to First Nations people and is a marvellous place for stargazing.

– Alan, September 2, 2013 / © 2013 Alan Dyer

 

The Great Lone Land


This is one of the great places for evoking the wide open spaces of the high plains. Here we are looking south over the Milk River and the rock formations of Writing-on-Stone Provincial Park in Alberta to the peaks of the Sweetgrass Hills in Montana. The buildings at right are the modern reconstructions of the late 1800’s North West Mounted Police outpost that guarded Canada from the illegals from the U.S. (!) coming up Police Coulee smuggling whiskey from Montana into Canada.

The time is just after sunset, as the last light of the Sun still illuminates the clouds. This is the magic hour for photography, and for taking in the solitude of the “Great Lone Land” as author William Francis Butler described it in his book of that title in 1872.

As Butler wrote, “No ocean of water in the world can vie with its gorgeous sunsets; no solitude can equal the loneliness of a night-shadowed prairie…”

— Alan, July 27, 2011 / Image © 2011 Alan Dyer