The Sun rises into a pastel palette of sky and earth tones.
I woke up early, just at sunrise, looked outside and wow!
I grabbed the camera and telephoto and got another nice shot right from my back deck. The canola field next to my yard is proving to be a photogenic foreground now that it’s in full bloom, just in the last couple of weeks.
There was enough haze and humidity in the air to dull the Sun to a fiery orange. The range of shades in earth and sky was wonderful. It was a classic prairie scene worth getting up for.
Being able to see the horizon is why I live on the plains and not in the foothills or mountains. And certainly not in the city!
– Alan, July 9, 2013 / © 2013 Alan Dyer
I can count on one hand how many shots of the Sun I’ve taken in the last decade that weren’t at an eclipse, or a sunrise/sunset. I just don’t do much solar shooting. But today I had to resurrect some old gear to get this shot. The Sun was putting on a fabulous show this afternoon (Sunday, June 5, 2011) with an army of huge prominences rimming the edge of the Sun. Very impressive. And looking very HOT!
After 2 to 3 years of record low activity, the Sun is picking up, returning to its normal self, with sunspots and prominences a daily occurrence. But these were especially dramatic. Each of these prominence “flames: towers tens of thousands of kilometre above the surface of the Sun. The Earth would be a dot next to one of them.
To get this shot, I created a masked composite in Photoshop of two exposures, a short 1/13s second shot to record the disk detail, and a long 1/2 second shot to record the fainter limb prominences. For a telescope I used my little Coronado PST H-alpha scope, a special scope just for solar viewing that filters out all but a narrow wavelength of red light, allowing the prominences to be seen.
Trouble is, my DSLR cameras won’t reach focus on the Coronado scope. So I dusted off the little 2003 vintage Sony DSC-V1 point and shoot camera and a Scopetronix 40mm eyepiece and “afocal” adapter, so the camera was screwed onto and looking into the eyepiece which was then inserted into the scope. I hadn’t used an afocal setup like that since the Venus transit in 2004.
It was tough to focus the stack, so focus was a bit of a guess — it was helped here with a liberal application of Photoshop’s Smart Sharpen filter! In all, it is a crude system but in a pinch it does work. Maybe I’ll have to get better gear just to take solar shots. With the Sun becoming more active, there certainly will be lots more to shoot.
— Alan, June 5, 2011 / Image © 2011 Alan Dyer