Rocky Mountain Nights – A Time-Lapse Collage


 

My new 4-minute video presents time-lapse and still images shot in the Rockies this past summer.

It’s been a busy summer for shooting. Since July I’ve spent a week each in Banff, Jasper and Waterton Lakes National Parks shooting nightscape stills and time-lapse videos of Alberta’s famous Rocky Mountain landscapes by night. 

This compilation includes some of the best footage, plus some panned still images, set to a wonderful piece of royalty-free (i.e. legal!) music by Adi Goldstein. 

For many of the sequences I employed “motion control” (MoCo) devices that incrementally move the cameras during the one to three hours that they are taking the 200 to 450 frames needed for a time-lapse sequence. 

I used the compact single-axis Radian, the 2-axis eMotimo, and the Dynamic Perception Stage Zero dolly, now equipped with their new Stage R single-axis panning unit. This was the first summer with the eMotimo and Stage R, so I’m still learning their best settings for speed, angles, and ramping rates. 

In recent blogs you’ve seen many still images shot as part of these sequences, or with other cameras dedicated to shooting stills. Now you get to see some of the time-lapse videos that represent many nights of shooting, and many hours sitting in the car waiting for the automated camera gear to finish its shooting task. 

Time-lapse shooting is an exercise in dedication and self-denial!

I hope you enjoy the result. Do click on the Enlarge button to go full-screen. Or visit my Vimeo site to watch the video, and others, there.

– Alan, September 10, 2014 / © 2014 Alan Dyer

 

A Windy Day on the Wind Farm


Windfarm Cloudscape

It was windy day out on the wind farm, with some wonderful cloudscapes blowing by.

Shooting time-lapse movies by day is so much easier than shooting at night! Yesterday, to try out some new gear and grab footage for some demo videos, I drove to the nearby Wintering Hills Wind Farm, site of some previous images and movies I’ve posted. It’s a wonderful place for nightscapes, but in this case I shot cloudscapes by day.

The movie compiles five time-lapse clips into a short demo of cloudscapes and time-lapse techniques: using fixed cameras and using cameras on motorized devices that move the camera a little between each time-lapse frame – what’s called “motion control.”

It might take a moment to load and play through. But do expand it to full screen.

 

For two clips in the movie I used a Dynamic Perception Stage Zero dolly rail, a unit I bought two years ago and have used a lot for time-lapse shooting.

DP Stage Zero Dolly and Stage R on Induros

Here I show it on the new pair of Induro tripods, a much more stable arrangement than the single large tripod I had been using up to now. What’s also new is the Stage R panning unit, now attached to the dolly platform, here on the left (the controller is on the right).

DP Stage Zero Dolly and Stage R CU

What this motorized unit does is allow the camera to slowly turn in azimuth as it is running down the rail, to keep the camera aimed at a foreground subject, or to pan along the horizon, as I do in one of the clips in the movie.

This is a brand new piece of kit, purchased last month through Dynamic Perception’s Kickstarter campaign. I got one of the first batch of units shipped out. It works very well but takes a little practice to get the speeds set right. I’m still working on that!

I hope you enjoy the little demo movie. It shows that even cloudy skies can be photogenic at times!

– Alan, June 29, 2014 / © 2014 Alan Dyer