It was a fabulous week of clear skies and dancing auroras in and around Yellowknife in Canada’s North.
For the second year in a row I traveled due north from home in Alberta to visit Yellowknife, capitol of Canada’s Northwest Territories. At a latitude of 62° North, Yellowknife lies directly under the auroral oval and so enjoys views of the Northern Lights on almost every clear night.
During my 8-night stay from September 3 to 10 almost every night was clear and filled with auroras.
Somba K’e Park
The Lights can be seen even from within the downtown core, as the opening image shows, taken from the urban Sombe K’e Park looking over Frame Lake and the Prince of Wales Museum.
The Museum is lit with rippling bands of coloured light that emulate the aurora borealis.
A favourite urban site for viewing the Lights is the Pilot’s Monument lookout in the middle of Yellowknife’s Oldtown district. This panorama sweeps from northeast at left to west at far right, looking mostly south over the downtown core.
This night even the urban lights were not enough to wash out the Lights as they brightened during a brief substorm.
Another good urban site that gets you away from immediate lights is the open spaces of Rotary Park overlooking the houseboats anchored in Yellowknife Bay. This panorama again sweeps from east to west, looking toward to the waxing Moon low in the south.
Again, despite the urban lights and moonlight, the Lights were spectacular.
The main viewing sites for the Northern Lights are down Highway 4, the Ingraham Trail east of the city away from urban lights.. One of the closest stops is a parking lot on the shore of a backwater bay of Prosperous Lake. It’s where many tourist buses stop and unload their passengers, mostly to get their selfies under the Lights.
But with patience you can get your own photos unencumbered by other lights and people, as I show below.
On one of my nights I stopped at Prosperous on the way to sites farther down Ingraham Trail to catch the twilight colours in the stunningly clear sky.
This small lake and picnic site farther along the Trail serves as a great place to shoot the Lights reflected in the calm waters and looking north. I spent one of my nights at Madeline Lake, a popular spot for local residents to have a campfire under the Lights.
And it’s popular for tour buses, whose headlights shine out across the lake as they arrive through the night, in this case casting my long shadow across the misty lake.
However, again with patience it is possible to get clean images of the aurora and its reflections in the lake.
Reflections of the Northern Lights in the calm and misty waters of Madeline Lake on the Ingraham Trail near Yellowknife, NWT on Sept 7, 2019. This is one of a series of “reflection” images. The Big Dipper is at left. Capella is at right. This is a single 13-second exposure with the 15mm Laowa lens at f/2 and Sony a7III at ISO 1600.
Reflections of the Northern Lights in the calm waters of Madeline Lake on the Ingraham Trail near Yellowknife, NWT on Sept 7, 2019. This is one of a series of “reflection” images. The Big Dipper is at left; Capella at far right. This is a single 8-second exposure with the 15mm Laowa lens at f/2 and Sony a7III at ISO 1600.
Farther down the Trail is a spot the tour buses will not go to as a visit to the Ramparts waterfall on the Cameron River requires a hike down a wooded trail, in the dark with bears about. Luckily, my astrophoto colleague, amateur astronomer, and local resident Stephen Bedingfield joined me for a superb shoot with us the only ones present at this stunning location.
The view looking the other way north over the river was equally wonderful. What a place for viewing the Northern Lights!
The view from a viewpoint early on the trail down to the Ramparts and overlooking the Cameron River yielded a superb scene with the low Moon and twilight providing the illumination as the Lights kicked up early in the evening.
A favourite spot is the major camping and boat launch area of Prelude Lake Territorial Park. But to avoid the crowds down by the shoreline, Stephen and I hiked up to the overlook above the lake looking north. A few other ardent photographers joined us. This was another spectacular and perfect night.
September is a superb time to visit as the lakes are still open and the autumn colours make for a good contrast with the sky colours.
The panorama below takes in the Big Dipper at left, Capella at centre, and with the Pleiades and Hyades rising at right of centre.
I used the 8mm fish-eye lens to capture the entire sky, the only way you can really take in the whole scene on camera. When the Lights fill the sky you don’t know which way to look or aim your camera!
A 360° fish-eye view of the Northern Lights over Prelude Lake near Yellowknife, NWT, Canada, on September 9, 2019, with photographers in the foreground shooting the Lights from the viewpoint above the lake. Polaris is near the centre; the Big Dipper and Ursa Major are at lower left; Cassiopeia is at upper right. Andromeda and Pegasus are rising at far right. Arcturus is setting at far left. This is a single shot with the 8mm Sigma lens at f/3.5 on the Sony a7III for 10 seconds at ISO 3200. Moonlight also provides some of the illumination. Accent AI filter applied to the ground with Topaz Studio 2.0
A 360° fish-eye view of the Northern Lights over Prelude Lake near Yellowknife, NWT, Canada, on September 9, 2019. Polaris is near the centre; the Big Dipper and Ursa Major are at lower left; Cassiopeia is at upper right. Andromeda and Pegasus are rising at far right. Arcturus is setting at far left. This is a single shot with the 8mm Sigma lens at f/3.5 on the Sony a7III for 20 seconds at ISO 1000. Moonlight also provides some of the illumination. Accent AI filter applied to the ground with Topaz Studio 2.0
There are many other scenic spots along the Trail, such as Pontoon Lake, Reid Lake, and Tibbitt Lake at the very end of Ingraham Trail. For images and movies I shot last year at Tibbitt Lake, see my blog post at Aurora Reflections in Yellowknife.
But in my 8 nights in Yellowknife this year I managed to hit many of the key aurora spots for photography and viewing. I recommend a visit, especially in September before autumn clouds roll in later in the season, and while the lakes are not frozen and nighttime temperatures are mild.
Here’s a 3-minute music video of clips I shot from all these sites showing the motion of the Lights as it appeared to the eye in “real-time,” not sped up or in time-lapse.
The Northern Lights of Yellowknife from Alan Dyer on Vimeo.
As I do a couple of times a year, earlier this month I was cruising the coast of Norway chasing the Northern Lights – successfully!
One of my “retirement gigs” is to serve as a lecturer for the educational travel company Road Scholar (formerly Elderhostel) on some of their aurora cruises along the Norwegian coast on one of the Hurtigruten ferry ships.
This time, as I was last autumn, I was on Hurtigruten’s flagship coastal ferry, the m/s Trollfjord.
Our tour group was treated to five fine nights with auroras, an unusually good take out of the 12-day round trip cruise from Bergen to Kirkenes and back to Bergen. Our first look, above, was on February 27, but through cloud.
But after we reached the top end at Kirkenes and turned around for the southbound voyage, skies cleared remarkably. We had a wonderful four clear days and nights in a row, all with Northern Lights.
The best show was March 1, and when we were in port in the northern coastal village of Båtsfjord. The Lights danced overhead in the best show I had seen from Norway.
The next night we got a good show while we were in the port of Skjervøy.
As we continued south we emerged out from under the auroral oval zone, placing the Lights to the north, back in the direction we had come from.
A self-portrait on the back deck of the ms Trollfjord, southbound out of Berlevag this night and under the Northern Lights.
Aurora photographers and observers on the rear deck 9 area of the Hurtigruten ferry ship the ms Trollfjord on the southbound voyage along the Norwegian coast, on March 2, 2019. This is a single 1.6-second exposure at f/2 with the 15mm Venus Optics lens and Sony a7III at ISO 6400.
Curtains of Northern Lights over the Hurtigruten ferry ship the ms Trollfjord on March 1, 2019. This is a single 1.6-second exposure at f/2 with the 15mm Venus Optics lens and Sony a7III at ISO 10000.
A low arc of aurora late in the voyage south on March 4, 2019, our last sighting for the cruise, after we crossed the Arctic Circle. A single exposure at ISO 10000 due to the large motion of the ship. The smoke from the ship is at top, illuminated by the funnel lights that were not turned off this night.
An example of multiple concentric auroral curtains, here over the Norwegian coast on the southbound Hurtigruten ship ms Trollfjord on March 2, 2019. This is a single 1.6-second exposure at f/2 with the Venus Optics 15mm lens and Sony a7III at ISO 10000.
Equally spectacular in my mind were some of the sunsets and twilight skies we enjoyed as we sailed through the Lofoten Islands, including on our visit to the narrow Trollfjord fjord for which the ship is named.
On our aurora nights I mostly shot “real-time” video of the Lights, using the low-light capability and 4K functions of the Sony a7III camera. The result is a music video linked to below.
The Northern Lights At Sea from Alan Dyer on Vimeo.
I hope you enjoy it. Do view it full-screen and at 4K resolution.
For 11 non-stop nights in February we had clear skies and Northern Lights in Churchill.
Every year in winter I visit Churchill, Manitoba to attend to groups of aurora tourists at the Churchill Northern Studies Centre. Few groups (indeed only two over the 35 years the program has been offered) go away having not seen the Lights during the 5-night program.
But this year was the opposite exception. Even locals were impressed by the run of clear nights and displays in early February. It was non-stop Northern Lights!
Having auroras in Churchill isn’t unusual. It is located right under the auroral oval, so if it’s clear it would be unusual not to have some level of auroral activity.
But particles from a coronal hole at the Sun fired up the lights and gave us good shows every night, often starting early in evening, rather than at midnight as is typically the case. The shows pre-empted my evening lectures!
With shows every night, people soon got pretty fussy about what they’d get excited about. Some nights people viewed displays just from their bedroom windows!
Displays that on night one they would be thrilled with, by night four they were going back to bed awaiting a call later when “it gets really good!”
While auroras were active every night, the Lights showed little in the way of varied colours. Notably absent was any of the deep red from high altitude oxygen. The aurora particles were just not energetic enough I presume, a characteristic of solar minimum displays.
Increasingly, as we enter into the depths of solar minimum, with a prolonged lull expected for the next few years, aurora chasers will have to travel north to the Arctic and to the auroral oval to see displays on demand. The Lights won’t come to us!
We did see fringes of pink at times along the bottom of the auroral curtains from glowing nitrogen molecules, but even this was subtle to the eye, though obvious to the camera.
The nitrogen pinks are usually accompanied by rapid dancing motions that are amazing to watch.
The music video linked to below provides the best view of what we saw. It is made entirely of real-time video, not time-lapses, of the Lights as seen over several nights from the Studies Centre.
The video is in 4K, so do click through for the best viewing. And the Vimeo page provides more details about the video and the techniques.
We’ve embarked upon a new project to produce a comprehensive tutorial on deep-sky imaging with DSLR cameras.
This past week we launched a new KickStarter campaign to fund the production of a new multi-hour video course on how to capture deep-sky objects using entry-level telescope gear and DSLR cameras.
The emphasis in the course will be on techniques for taking and processing publication-quality images as simply and easily as possible.
The final video course will consist of several programs, including a video of one of our annual “Deep-Sky with Your DSLR” workshops presented locally here in Alberta. We’ve often had requests for a video version of those workshops, for those who cannot attend in person.
This is it! Here’s a short preview of some of the content.
We include the Workshop video, but we supplement it with much more: with video segments shot in the field by day and by night, showing how to setup and use gear, and shot in the studio showing how to process images.
While much of the content has been shot and edited, there’s more to do yet. Thus our KickStarter campaign to complete the funding and production. Backers of the project through KickStarter will get the final videos at a substantial discount off the final retail price.
All the details are on the project’s KickStarter page. Click through for the listing of course content, and options for funding levels. An FAQ page answers many of the common questions.
A week into the campaign and we’re just over 50% funded, but we have a way to go yet!
We hope you’ll consider backing our project, which we think will be unique on the market.
The Northern Lights are amazing from Yellowknife, in Canada’s Northwest Territories.
A handful of locations in the world are meccas for aurora chasers. Yellowknife is one of them and, for me, surprisingly accessible with daily flights north.
In a two-hour flight from Calgary you can be at latitude 62° North and standing under the auroral oval with the lights dancing overhead every clear night.
The attraction of going in early September, as I did, is that the more persistent clouds of late autumn have not set in, and the many lakes and rivers are not yet frozen, making for superb photo opportunities.
A faint green and red auroral curtain to the northwest over Tibbitt Lake on the Ingraham Trail near Yellowknife, NWT. The Big Dipper is right of centre; Arcturus setting on the horizon. This was September 8, 2018. This is a mean-combined stack of 8 exposures for the ground and water to smooth noise, and a single exposure for the sky, all 25 seconds at f/2 with the 15mm Laoawa lens and Sony A7III at ISO 1600.
A single image from a time-lapse sequence, of the auroral curtains converging toward the zenith during the display on September 8/9, 2018, from near Yellowknife, NWT. The curtains show some fringes of pink from nitrogen. This is 2.5 seconds at f/2.8 with the 12mm Rokinon full-frame fish-eye lens and Nikon D750 at ISO 6400.
A display of Northern Lights starting up in the twilight, over the river leading out of Tibbitt Lake, at the end of the Ingraham Trail near Yellowknife NWT, on September 8, 2018. This was the start of a fabulous display this night. Capella and Auriga are at left; the Pleiades is rising left of centre; the Andromeda Galaxy is at top. This is a mean-combined stack of 7 exposures for the ground to smooth noise and one exposure for the sky and partially for the reflection, all 25 seconds at f/2.5 with the 14mm Sigma Art lens and Nikon D750 at ISO 1600.
A single image from a time-lapse sequence, of the auroral curtains converging toward the zenith during the display on September 8/9, 2018, from near Yellowknife, NWT. This is 2.5 seconds at f/2.8 with the 12mm Rokinon full-frame fish-eye lens and Nikon D750 at ISO 6400.
Lakes down Highway 4, the Ingraham Trail, such as Prosperous, Prelude, and Pontoon are popular spots for the busloads of tourists who fly in every year from around the world.
On one magical night I and my local host and guide, Stephen Bedingfield, went to the end of the Trail, to where the Ice Road begins, to Tibbitt Lake, and had the site to ourselves. The aurora was jaw-dropping that night.
On other nights with less certain prospects I stayed in town, and still got a fine show on several nights, the Lights so bright they show up well even from within urban Yellowknife.
The Northern Lights over the “United in Celebration” sculpture at the Somba K’e Civic Plaza on Frame Lake in downtown Yellowknife, NWT, on September 14, 2018. The Prince of Wales Museum is at far right. This is a stack of 5 images for the ground to smooth noise and one image for the sky, all 6 seconds at f/2 with the 15mm Laoawa lens and Sony a7III at ISO 400.
A curtain of aurora sweeps over the houseboats moored on Yellowknife Bay in Yellowknife, NWT, on September 11, 2018. The Pleiades and Hyades star clusters in Taurus are rising at left. This is a mean-combined stack of 8 images to smooth noise for the ground and water, and a single exposure for the sky and houseboats themselves (as they were moving slightly from exposure to exposure). Each was 13 seconds at f/2 with the Venus Optics 15mm lens and Sony a7III at ISO 3200.
A selfie portrait under an all-sky display of Northern Lights in the city of Yellowknife, from the boardwalk at Rotary Park. This was on the night of Sept. 10/11, 2018 during a major solar storm, but in the subsiding hours after the sky cleared at about 2 am. The Big Dipper is at right. The Summer Triangle is at left. Cassiopeia is at the zenith. The view is looking northwest at centre. This is a mean stack of 6 exposures smoothed to reduce noise for the ground and one exposure for the sky and me, all 6 seconds at f/3.5 with the Sigma 8mm lens and Sony a7III at ISO 3200. The focus is soft.
An all-sky display of Northern Lights in the city of Yellowknife, from the end of the boardwalk at Rotary Park looking over the bay. This was on the night of Sept. 10/11, 2018 during a major solar storm, but in the subsiding hours after the sky cleared at about 2 am. The winter stars of Taurus and Gemini are rising. The Big Dipper is at far left. Cassiopeia is at the zenith. The view is looking east at centre. This is a mean stack of 8 exposures smoothed to reduce noise for the ground and one exposure for the sky, all 6 seconds at f/3.5 with the Sigma 8mm lens and Sony a7III at ISO 3200. The focus is soft.
On another night we chased into clear skies down Highway 3 to the west, to a rocky plateau on the Canadian Precambrian Shield. Even amid the clouds, the aurora was impressive.
But it was the night at Tibbitt that was the highlight.
Here is the finale music video from movies shot that night, September 8, 2018, with two cameras: the Sony a7III used to take “real-time” 4K videos of the aurora motion, and the Nikon D750 used to take time-lapses.
The movie is in 4K. The music, Eternal Hope, is by Steven Gutheinz and is used by permission of West One Music.
Aurora Reflections from Alan Dyer on Vimeo.
Click through to Vimeo for more technical info about the video.
Enjoy! And do share!
And make Yellowknife one of your bucket-list locations.
The strange aurora named Steve put on a show on Sunday, May 6.
The past weekend was a good one for Northern Lights here in Alberta and across western Canada.
A decent display lit the northern sky on Saturday, May 5, on a warm spring evening. I took in that show from a favorite spot along the Red Deer River.
The next night, Sunday, May 6, we were hoping for a better show, but the main aurora never amounted to much across the north.
Instead, we got a fine showing of Steve, an unusual isolated arc of light across the sky, that was widely observed across western Canada and the northern U.S. I caught his performance from my backyard.
Popularized by the Alberta Aurora Chasers Facebook group, Steve is the fanciful name applied to what still remains a partly unexplained phenomenon. It might not even be a true aurora (and it is NOT a “proton arc!”) from electrons streaming down, but a stream of hot gas flowing east to west and always well south of the main aurora.
Thus Steve is “backronymed” as Strong Thermal Emission Velocity Enhancement.
To the eye he appears as a grey arc, not doing much, but fading in, slowly shifting, then fading away after 30 to 60 minutes. He doesn’t stick around long.
The camera reveals his true colours.
This is Steve to the west, displaying his characteristic pink and white tints.
But overhead, in a fish-eye lens view, he displayed ever so briefly another of his talents – slowly moving fingers of green, called a picket fence aurora.
It was appropriate for Steve to appear on cue, as NASA scientists and local researchers who are working on Steve research were gathered in Calgary to discuss future aurora space missions. Some of the researchers had not yet seen Steve in person, but all got a good look Sunday night as they, too, chased Steve!
I shot a time-lapse and real-time videos of Steve, the latter using the new Sony a7III camera which can shoot 4K videos of night sky scenes very well.
The final video is here on Vimeo.
Steve Aurora – May 6, 2018 (4K) from Alan Dyer on Vimeo.
It is in 4K, if you choose to stream it at full resolution.
With summer approaching, the nights are getting shorter and brighter, but we here in western Canada can still see auroras, while aurora destinations farther north are too bright and lack any night skies.
Plus our latitude south of the main auroral oval makes western Canada Steve country!
I’m pleased to announce that after a year in production, our video tutorial series, Nightscapes and Time-Lapses: From Field to Photoshop, is now available.
It’s been quite a project! Over the last few years I’ve presented annual astrophoto workshops in conjunction with our local telescope dealer All-Star Telescope to great success.
However, we always had requests for the workshops on video. Attempts to video the actual workshops never produced satisfactory results. So we spent a year shooting in the field and in the studio to produce a “purpose-built” series of programs.
They are available now as a set of three programs, totalling 4 hours of instruction, for purchase and download at Vimeo at
For those wanting “hard copies” we will also be selling the programs on mailed USB sticks. See All-Star Telescope for info and prices. The downloaded version can also be ordered from there.
This series deals with the basics of capturing, then processing nightscape still images and time-lapse movies of the night sky and landscapes lit by moonlight and starlight.
Here’s the content outline:
Program 1 – Choosing Equipment (1 Hour)
• Tips for Getting Started • Essential Gear • Choosing A Camera • Photo 101 – Exposure Triangle • Setting Exposure • Expose to the Right • Setting a Camera – File Types • Photo 101 – Noise Sources • Setting a Camera – Noise Reduction • Setting a Camera – Focusing • Setting a Camera – Other Menus • Choosing Lenses • Choosing an IntervalometerSummary and Tips
Program 2 – Shooting in the Field (1 hour)
• Climbing the Learning Curve • Twilights • Astronomy 101 – Conjunctions • Shooting Conjunctions • Moonrises • Shooting Auroras • Astronomy 101 – Auroras • Photo 101 – Composing • Moonlit Nightscapes • Astronomy 101 – Where is the Moon? • Choosing a Location • Shooting the Milky Way • Astronomy 101 – Where is the Milky Way? • Astronomy 101 – Daily Sky Motion • Tracking the Sky • Shooting Star Trails • Shooting Time-Lapses • Calculating Time-Lapses • A Pre-Flight Checklist • Summary and Tips
Program 3 – Processing Nightscapes and Time-Lapses (2 hours)
• Workflows • Using Adobe Bridge – Importing and Selecting • Photo 101 – File Formats • Using Adobe Lightroom – Importing and Selecting • Adobe Camera Raw – Essential Settings • Adobe Camera Raw – Developing Raw Images • Adobe Lightroom – Develop Module • Adobe Photoshop – Introduction • Photoshop – Setup • Photoshop – Smart Filters • Photoshop – Adjustment Layers • Photoshop – Masking • Photoshop – Processing Star Trails & Time-Lapses • Stacking Star Trails • Assembling Time-Lapse Movies • Archiving • Summary & Finale
If this first introductory series is successful we may produce follow-up programs on more advanced techniques.