March 2013 – The Amazing Sky

March 31, 2013

Comet Caught in the Trees

Tonight’s view of the comet is a picture of Earth and sky – the comet caught in the bare trees of spring.

PANSTARRS is sure a tough comet to shoot! It remains low and skirting the treetops. Tonight, I decided to keep the camera rolling while the comet dropped into the trees. I think it made for a decent enough comet portrait that certainly tells its story.

This is a stack of six 1-minute exposures with the 200mm lens and 1.4x extender for a 280mm f/4 telephoto, on the Canon 60Da and the Kenko SkyMemo tracking platform.

Tomorrow, if skies cooperate, it’ll be a shot of the comet in the same field as the Andromeda Galaxy. I could nicely catch them both in the field of the 7x binoculars tonight. But the photo op nights are this Monday through Wednesday for the comet + galaxy portrait.

March 30, 2013March 30, 2013

The Easter Aurora

Here’s a celestial gift for the Easter season – a display of northern lights on Good Friday.

It wasn’t a particularly clear night but in this case the clouds added to the photos. In one direction I was shooting the Northern Lights to the northeast, while to the west at the other end of the yard I was shooting the winter sky setting, plus having a quick look at Comet PANSTARRS. It was certainly a sky filled with attractions.

Happy Easter to all and I hope spring is finally arriving where you live – assuming you are a northerner!

March 28, 2013

PANSTARRS Rises into Darkness

At last. A view of Comet PANSTARRS in a dark and moonless sky.

Nearly three weeks after first sighting it, I was able to finally look at and shoot the comet in a fairly dark sky, though with it still embedded in deep twilight. But at least the Moon was out of the way and the sky was dark enough to allow the comet to show off its broad fan-shaped dust tail, set against the stars of Andromeda.

The comet will climb a little higher during the next two moonless weeks as it passes the Andromeda Galaxy on April 2 and 3. However, it’s still very low in the northwest and needs binoculars to sight. You have to wait until the sky is dark to spot it. And hope for no clouds low in the northwest. The comet just dodged some here.

I shot this with a 200mm telephoto for a stack of eight 30-second exposures tracking the stars. The star at left is Delta Andromedae while the one above the comet is Pi Andromedae.

March 23, 2013

PANSTARRS in the Moonlight

Pity this comet is so low and in twilight. Tonight, it suffered the additional indignity of moonlight.

This was Comet PANSTARRS from my front yard tonight, March 23, in a view looking above the trees to the comet setting into the northwest in the bright moonlit sky.

It took binoculars to pick it out visually, and a telephoto lens to frame it photographically with enough scale to show some of the subtle tail structure, in what seems like a broad fan-shaped dusty tail.

We can only hope that next week when the Moon is out of the way, and the comet is a little higher, it will show off more of its developing tail in a darker sky.

As it is, to bring out the comet and background stars I overexposed the frames for this stack of four images, then turned down the brightness and cranked up the contrast in processing. It made for a decent enough portrait of Comet PANSTARRS amid the blue sky and faint stars of Andromeda, the constellation it is travelling through for the next two weeks.

March 20, 2013

The Ghostly Glow of Gegenschein

The band of light at right is the familiar Milky Way. But what’s that faint stream of light to the left? It’s called the Gegenschein.

My last blog showed an image of the Zodiacal Light in the west. In fact, that glow extends up and continues all the way across the sky as a very faint stream of light at the threshold of vision called the Zodiacal Band. But at the place in the sky 180° opposite the Sun the Band intensifies to become a diffuse patch of light. It’s easy to see with the naked eye from a dark site if you know to look for it, and where it is likely to be. Last week, it was sitting below the constellation of Leo, in an area of sky that is pretty blank. So any faint glow stands out.

As with Zodiacal Light, what you are seeing is sunlight reflected off comet and asteroidal dust, but for the Gegenschein (German for “counterglow”) the light is coming from dust opposite the Sun that is scattering light back toward us and the Sun, mirror-like. The back-scattering effect makes the dust appear a little brighter at the point opposite the Sun.

Spring is a good time to spot the Gegenschein (true for the northern or southern hemisphere) as it then lies in a sparse area of sky away from the Milky Way. But you need a moonless sky and a dark site free of manmade light pollution. It and the fainter Zodiacal Band are among the sky’s most subtle sights. Again, Atmospheric Optics has more details.

A bonus with this shot are some short streaks of light below and to the right of the Gegenschein. I think those are from geostationary satellites flaring at the anti-solar point as they, too, acted as mirrors briefly catching the sunlight. Being geostationary – likely communications satellites you aimed fixed dishes at – they stayed still while the stars and tracking camera moved, and so created streaks.

March 19, 2013

The Zodiacal Light from the Desert

From a dark site the glow of Zodiacal Light rivals the Milky Way in brightness.

This was the scene every night last week in the evening sky from our New Mexico observing site. The vertical glow of Zodiacal Light was a source of natural light pollution brightening the western sky. I’ve never see it more obvious in the west and this was the perfect season to see it. In March from the northern hemisphere the ecliptic – the plane of the solar system – is angled high into the western sky, almost vertical from the latitude of southern New Mexico.

The Zodiacal Light lies not in our atmosphere but comes from interplanetary space, and follows the ecliptic. What we were seeing was a glow of sunlight being reflected off fine dust particles orbiting the Sun in the inner solar system, likely spread by passing comets like PANSTARRS. I blogged about the Zodiacal Light last month, in photo taken from home in southern Alberta. You can also read about it at the excellent Atmospheric Optics website.

You don’t need to be in the desert to see it, but you do need dark skies. And no Moon in the sky.

At last week’s dark of the Moon period, Jupiter sat at the apex of the Zodiacal Light, just above the Pleiades star cluster. Near the top, right of centre, you can also see a short satellite trail, likely from a flaring Iridium satellite.

March 18, 2013March 19, 2013

VLA Dishes at Sunset

The photogenic dishes of the Very Large Array aim skywards as the setting Sun casts shadows across the sky.

If these were optical telescopes I could write that the telescopes were getting ready for a night of sky viewing. But radio telescopes can observe day and night.

Still, there is something magical about catching any type of telescope in action as the Sun sets and night falls. Here, the last beams of sunlight coming from the west illuminate the dishes, while dark shadows – crepuscular rays – cast by clouds converge toward the anti-Sun point in the east.

As part of my trek around New Mexico this past week, I shot this on Sunday, March 17, about an hour before I took the image of Comet PANSTARRS over the VLA dishes – for that image I was east of the array looking back to the west and to the comet.

But for this image I was at one of the public access areas, standing under one of the dishes, looking east.

At first, all the dishes were aimed up to the zenith, stowed I assume due to the high winds that were blowing all afternoon. But then, right on cue as I began shooting, all the dishes began to move in unison. The dishes first aimed toward me, then turned to aim up to the south, as here. It was an amazing dance to watch. It gave me goosebumps. And tears.

There is likely no more iconic image of our exploration of the universe from Earth than this array of antennas listening for the faintest signals from deep space – not alien radio programs, but the natural signals emitted by atoms and molecules where stars are forming and dying.

March 18, 2013

The Moon Meets Jupiter and the Hyades

On Sunday night, March 17, the waxing Moon came very close to Jupiter and the Hyades star cluster for one of the best conjunctions of the year.

This was certainly a night to remember. Minutes after I took the images for this shot, I took the frames for the Comet over the VLA image in the previous post. Here, I caught the Moon shining just below Jupiter (you can see a couple of its moons as well) and just above the Hyades star cluster and the bright yellow star Aldebaran at the bottom of the frame. All are set in the deep blue of twilight.

This is a high dynamic range (HDR) stack of seven exposures ranging from 6 seconds to 1/13 second, to capture the huge range in brightness from the sunlit Moon to the faint stars. Even so, the daylit side of the Moon remains overexposed. But the “dark side of the Moon” lit by Earthshine shows up well. A 135mm telephoto frames the field much as binoculars would show it.

This night recalled a similar evening on April 10, 1997, when Comet Hale-Bopp appeared low in the northwest, much as PANSTARRS is now, and the Moon actually passed in front of Aldebaran. An aurora display also broke loose that night, but not so last night – they are unlikely from New Mexico, though some northern lights were seen the night before from as far south as Colorado.

March 17, 2013

Comet PANSTARRS Over the VLA

Comet PANSTARRS hovers in the twilight above the many moonlit dishes of the VLA radio telescope.

I shot this earlier this evening, on Sunday, March 17, on an evening trek out to the VLA (Very Large Array) near Socorro, New Mexico. Light from the nearly quarter Moon high in the sky illuminates the landscape and rims the 27 dishes of the VLA, the radio telescope that has starred in many movies over the years. The comet appears in deep twilight, here with the colours accentuated. Fortunately, the array was arranged in its most compact formation – at times the dishes can be spread out over many miles.

For this shot I took two exposures moments apart: one tracked for 25 seconds for the sky and comet to ensure pinpoint stars, and one untracked for 50 seconds for the ground, to ensure sharp ground detail. I combined them in Photoshop. I used the iPad app Photographer’s Ephemeris to seek out the location, on Highway 52, the public highway leading to the entrance road for the VLA. Lights from cars on the main Highway 60 across the high Plains of San Agustin streak at right.

The comet is becoming more photogenic as it climbs higher, despite the waxing Moon. A classic curving dust tail is now obvious in photos, though here I had the advantage of a very clear sky at a high altitude desert site. Viewing condition don’t get any better than this. Still, this comet will bear watching and shooting over the next month, no matter where you are in the northern hemisphere.

March 16, 2013

The Magnificent Milky Way

What an amazing area of sky – the centre of the Galaxy hovering over the Earth below.

This was the scene two mornings ago, on our last clear night in New Mexico. This is what’s in the morning sky now and in the evening sky later in July and August. This is the area around Scorpius and Sagittarius and their rich star clouds toward the centre of the Milky Way.

It looks like a scene from an alien planet. But it’s here on Earth, gazing thousands of lights years toward the galactic core.

Enjoy!

March 15, 2013

Orion and the Winter Triangle

The Milky Way runs through the middle of the Winter Triangle, three of the bright stars of the northern winter sky.

At right is the familiar pattern of Orion the Hunter. But if you take his shoulder star, the orange-looking Betelgeuse, you can form an equilateral triangle with Sirius below centre and Procyon at upper left. The trio are sometimes called the Winter Triangle. The pattern seems obvious here but with so many other bright stars in the winter sky, I’ve never found the pattern too obvious. But in this image I’ve chosen to nicely centre and frame the Triangle.

I’ve also increased the contrast and saturation to emphasize the wealth of nebulosity that fills this area of the Milky Way. Streamers seem to reach out from Orion and connect to the reddish Seagull Nebula above Sirius, and also to the round Rosette Nebula above centre. The background sky west of the Milky Way under Orion is filled with a faint red glow, in contrast to the neutral black sky east (left) of the Milky Way.

I shot this last night, from New Mexico, on our last good clear night on a week-long observathon. This is a stack of 5 exposures, each 8 minutes long, plus two other exposures shot through a diffusion filter to add the glows around stars. I used a 35mm lens and a filter-modified Canon 5D MkII camera, riding on an iOptron Skytracker tracking platform.

March 15, 2013

Celestial Scorpion in the Desert

This is one of the few constellations that looks like what it is supposed to be – a desert-dwelling scorpion.

This is Scorpius in his native habitat of the desert. Here, from the latitude of southern New Mexico, he is standing on end, his claws at top, his curving tail and stinger at bottom.

The bright yellow star is Antares, the heart of the scorpion, embedded in a colourful mix of magenta, yellow and blue nebulas. Scattered along the Milky Way in the tail of the scorpion you can see several magenta emission nebulas shining by the combined red and blue light of hydrogen atoms.

What I love about this area of sky is the lacework of dark foreground nebulas, and the contrast between the bright star clouds and dark lanes of stardust. At centre left is the Dark Horse, the darkest part of which also carries the name Pipe Nebula.

I shot this image this morning at about 5 a.m, in the hour before the sky brightened with dawn twilight. This is a stack of seven 3-minute exposures with a 35mm lens, including two exposures taken through a diffusion filter to add the accentuated star glows. The ground details come from just one of the exposures.

As it’s been all week, the location is the Painted Pony Resort in southwest New Mexico.

March 14, 2013

The Arch of the Milky Way

On March evenings the Milky Way arches overhead in a magnificent river of starlight.

This is the panoramic view we are getting every night this week at our astronomy retreat in New Mexico, as we gaze upwards to the northern winter Milky Way running across the sky from northwest to southeast, from Cassiopeia at right to Vela at left.

In the middle you can see the stars of Orion and his familiar Belt.

On March nights we are gazing outward, to objects farther out than we are from the centre of our Galaxy. This part of the Milky Way is dominated by stars and nebulas around the Orion complex several hundred light years away.

Above the main house a pillar of light rises from the western horizon and tapers out as it reaches the Milky Way high in the west. That’s the Zodiacal Light caused by sunlight reflecting off comet dust in the inner solar system. You need to be at a fairly dark site to see it, with no prominent urban sky glows to the west. But springtime is the best season for seeing the Zodiacal Light in the evening sky. From the latitude of New Mexico the Zodiacal Light rises almost straight up, perpendicular to the horizon. Here, Jupiter sits at the apex of the Zodiacal Light.

So this panorama includes the Earth, objects in our solar system (Jupiter and comet dust), and the distant stars and nebulas of the Milky Way Galaxy we live in.

For this scene I shot a panorama of 4 segments, each consisting of 2 images stacked for noise smoothing, and the segments stitched with Photoshop. Each frame was a 3-minute exposure with the Samyang 14mm lens at f/2.8. The camera was on a tracking platform, so it followed the sky during the 25 minutes or so it took for me to shoot the entire panorama. I reframed the camera between each segment to try to get the horizon and landscape horizontal and lined up as best I could from segment to segment.

The ground is from one frame out of each segment and is blurred slightly because the camera was tracking the sky. Despite shooting a moving target, Photoshop was still able to automatically assemble the frames into a seamless panorama that, in this case, covers about 250°. This was the first time I attempted such a tracked panorama. I was impressed that it worked!

March 13, 2013

A Comet and Earthlit Moon Amid the Stars

This was the scene tonight, March 13, as Comet PANSTARRS set over the mountains in deep twilight, with the waxing Moon hanging overhead.

The small comet sits low in the orange glow of twilight, where the Moon was last night when it was down beside the comet. Tonight, a day later, the Moon appeared much higher in the sky as it waxes toward first quarter Moon in another few days. Tonight it was a crescent with most of the dark part of the lunar disk lit by Earthshine. I took this shot just before the comet set behind the mountains, to get the sky as dark as possible and the exposure longer to bring out some stars in the deepening blue of twilight.

I took this from the Painted Pony Resort in New Mexico where about 15 of us are gathered for a week-long star party and dusk to dawn “observathon.”

Indeed, I have to get back outside to continue shooting the Milky Way. It is another stunningly perfect night under New Mexico skies.

March 13, 2013

Night of the Comet on a Desert Highway

Sometimes the best sky experiences just happen spontaneously. This was one of them – a night of the comet on a desert highway.

This was the scene at our impromptu roadside star party last night, north of the Painted Pony Resort in southwest New Mexico. About a dozen of us, mostly Canadians, gathered at a highway pull off to watch the unforgettable sight of the waxing crescent Moon setting alongside Comet PANSTARRS. You can see the comet to the left of the Moon in the background wide-field image, more or less as it appeared to the naked eye. But the real treat was the view through binoculars and my own small 80mm telescope. The series of closeups with a telephoto lens captures that view.

It was amazing to watch the comet tail and dark side of the Moon setting together as the last bits to disappear behind the mountains. All the while the winter stars and Milky Way were appearing overhead in a perfect sky, all on a mild desert night. A stunning astronomical experience.

Thank you PANSTARRS!

March 12, 2013

Comet PANSTARRS Spectacle — With the Waxing Moon

This was the night for Comet PANSTARRS! How often do we get to see a view like this, with a comet sitting beside a thin crescent Moon. Spectacular!

Again tonight, about a dozen visiting and resident Canadians gathered for a roadside star party north of Rodeo, New Mexico, to view the comet and Moon setting together over the Chiricahua Mountains. It was a stunning sight and made for a picture postcard image. The two set almost simultaneously, with the tail of the comet and “dark side of the Moon” lit by Earthshine the last to disappear behind notches in the mountain ridge.

And tonight, with the comet higher, it was visible to the naked eye for the first time, but only just – the sighting was made easier because you knew exactly where to look.

The Moon was just 3o+ hours old, so appeared as a very thin crescent. The entire disk of the Moon was visible, the rest lit by Earthshine, sunlight reflected off the Earth. In the clear New Mexico air, the Earthshine was easy to see even in the bright twilight. But adding in the comet made for a once-a-lifetime view.

As soon as they set together, we all cheered and applauded, almost like at an eclipse. It was a memorable night, the kind you always hope for from a comet. PANSTARRS performed tonight!

March 12, 2013

Sagittarius and Scorpius Rising

This is the view from early this morning as the centre of the Milky Way rises above the desert landscape of New Mexico.

Sagittarius (at centre) and Scorpius (at right) contain the rich starfields of the galactic core. To the eye this scene looks as if bright clouds are moving in to hide the stars, but in fact the glows are stars – clouds of stars forming the glowing bulge of the galactic core. Superimposed on the glowing core are lanes of dark interstellar dust, such as the silhouette of the Dark Horse prancing at centre, with lanes of dust flowing across the sky and converging onto yellow Antares, the heart of Scorpius right of centre.

I shot this before dawn this morning, March 12, from our site in southwest New Mexico. Skies were perfect.

This is a stack of five 5-minute exposures with the 24mm lens at f/2.8. A sixth exposure taken through a diffusion filter added the star glows to accentuate the bright stars and their colours. The foreground is from one exposure and has been processed to bring out the details, here lit only by starlight.

March 12, 2013

Comet PANSTARRS in Twilight

This was Comet PANSTARRS as it appeared Monday night, March 11, as it set over the Chiricahua Mountains.

Tonight we drove north, away from our New Mexico resort, to find a site overlooking lower hills to the west, in order the track the comet for longer as it set toward the horizon. Friends from Winnipeg joined us, and as the Sun set, three more cars pulled up with astronomers from the area all looking for the best vantage point for comet watching. We had an impromptu roadside comet party.

Even so, it was tough picking PANSTARRS out of the twilight and it was never naked eye. Pity this comet hasn’t blossomed, as a bright long tail would have been a beautiful sight in the sunset glow. However, it is what we had expected – a first time visitor from the Oort Cloud promising great things initially but never quite delivering on the promise. Still, we were all happy to see it and shoot it. This frame is one of 140 I took in time-lapse of the comet setting over the hills.

We have ideal conditions for comet viewing each night this week, unlike many in the northern hemisphere now. So our little group of Canadians in New Mexico are taking some satisfaction in knowing we’re seeing it, and many aren’t.

March 11, 2013March 11, 2013

Skies of Enchantment – Summer Milky Way Rising

If you lived here you’d be in astronomy paradise.

This is the summer Milky Way and galactic centre in Sagittarius and Scorpius rising before dawn early this morning. The setting is the Painted Pony Resort in New Mexico, and its adobe lodges.

There’s no more spectacular sight than this in the night sky, other than perhaps an all-sky aurora display. And they don’t get too many of those down here at 31° North in southern New Mexico.

This image is a stack of ten 3-minute exposures for the sky (to smooth out noise) but the ground is from just 2 of those exposures and is blurred because the camera was tracking the sky. Light from walkway lights, plus starlight itself, added just enough illumination to provide details in the foreground.

So to be clear – this is a real scene. The Milky Way has not been pasted onto a separate image of the foreground. However, colour and contrast have been boosted to bring out details your eye would not have seen had you been standing here early this morning in the frosty New Mexico night.

Again, as with my previous image taken earlier in the night, I used the new Samyang 14mm ultra-wide angle lens, at f/2.8. It works very well!

March 11, 2013March 11, 2013

Skies of Enchantment – Winter Milky Way Setting

In the land of enchantment, the winter Milky Way sets over our adobe house.

I’m in New Mexico, enjoying wonderfully clear skies. In the early evening the winter Milky Way runs north and south then turns to set over in the west, as it’s doing here, over the main house at the Painted Pony Resort near Rodeo, in southwest New Mexico.

Jupiter and the stars of Taurus are at upper right, and Orion is just right of centre. Above the house shine Sirius and the stars of Canis Major and Puppis. The area of red in the Milky Way just above the house is the massive Gum Nebula in Vela, an area of sky hidden from us in Canada.

For this image I combined a stack of five 5-minute tracked exposures taken with the Canon 5D MkII at ISO 800 and 14mm Samyang lens wide open at f/2.8. The ground details are from two of the exposures.

This was a fabulous night with more to come this week.

March 10, 2013March 11, 2013

Comet PANSTARRS at Perihelion

Got it! After a few days of cloud, the skies cleared perfectly tonight for our first look at Comet PANSTARRS.

This is the comet on March 10, the day it rounded the Sun at perihelion, its closest point to the Sun. The comet, which came from the Oort Cloud, is now on its way back to where it came from. But for the next few days, it will be at its best in our evening sky in the northern hemisphere. Friends down under in the southern hemisphere have been enjoying views of the comet for the last two weeks, but the comet has now moved far enough north it has entered our northern hemisphere skies.

The view is actually best from higher latitudes but I’m here at latitude 31° N, in southwestern New Mexico, seeking the clearest skies for the comet. We got them tonight. This view is of the comet about 7° up, just above the rim of the Chiricahua Mountains to the west of us, in Arizona.

The comet will climb higher over the next few days, with a prime night on March 12 when the waxing Moon appears near the comet.

March 2, 2013

The Wide-Angle Winter Sky

Orion and his friends are beginning their descent into the evening sky, signalling the welcome end of winter and the coming of spring.

I shot this last night from home, in a scene similar to some earlier posts, such as Winter Stars Rising. But the difference here is that I’m using a new lens, testing it for the first time. I wasn’t really after a “keeper” shot, but I think this one turned out pretty well!

The lens is the Samyang (aka Rokinon) 14mm f/2.8, an ultra-wide angle lens that sells for a bargain price, a fraction of the cost of name brand 14mm lenses. The reason is that this lens dispenses with all the automatic features and electronic communication and is a classic manual lens, just like we used to recommend people buy for astrophotography in the old film days. For shooting stars you don’t need autofocus or having the aperture stay wide-open until you take the photo. So we’re not missing much employing a no-frills manual lens like the Korean-made Samyang series – they make well-respected 24mm and 35mm lenses as well.

Star images are quite sharp across the very wide field, with very good control over coma at the corners. Stopping the lens down to f/4 does sharpen them up but the lens is perfectly usable at f/2.8, as it is here. The big issue is the extreme amount of vignetting — darkening of the corners of the frame. In star shots, we often have to boost the contrast a lot to make the shot presentable, and that increases the visibility of any vignetting, making the photo look like it was taken through a porthole. For this shot I “flattened” the image by applying very generous levels (almost maximum) anti-vignetting both in Adobe Camera Raw (at the start of processing) and again in Photoshop (at the end of processing) with its Lens Correction routine. The final result looks very good and natural I think.

Another drawback to the Samyang manual lenses is that they feed no information to the camera about what lens is attached. The “EXIF” data that the camera records lacks any info on aperture and focal length. So in the photo info at left (which is picked off the image automatically by WordPress), you’ll see the lens listed as a 50mm and with no aperture specified.

So the verdict? The Samyang/Rokinon 14mm is a very nice lens for wide-angle piggyback shooting (like this stack of five 5-minute tracked exposures), and for nightscapes and time-lapse work. A bargain at ~ $360. Recommended!