Alan Dyer – Page 3 – The Amazing Sky

December 10, 2014December 10, 2014

My new eBook on Nightscapes & Time-Lapse Photography

I’m pleased to announce my new ebook, How to Photograph and Process Nightscapes and Time-Lapses

The ebook describes —

How to shoot and process still image “nightscapes” – images of landscapes taken at night by the light of the Moon or stars … and …

How to shoot and assemble time-lapse movies of the stars and Milky Way turning above Earthly scenes, all using DSLR cameras.

Available worldwide only for MacOS and iPads through the Apple iBookstore.

See http://tiny.cc/urdoqx for more about the book at iTunes.

The 400-page multi-touch book includes —

50 embedded HD videos (no internet connection required) demonstrating time-lapse techniques.

60 multi-page tutorials with step-by-step instructions of how to use software: Adobe Bridge, Adobe Camera Raw, Photoshop, Lightroom, LRTimelapse, Advanced Stacker Actions, StarStaX, Panolapse, Sequence, GBTimelapse, and more.

Numerous Photo 101 sections explaining the basic concepts of photography and video production (f-stops, ISOs, file types, aspect ratios, frame rates, compression, etc.).

Numerous Astronomy 101 sections explaining the basics of how the sky works (how the sky moves, where the Moon can be found, when the Milky Way can be seen, when and where to see auroras).

Reviews of gear – I don’t just mention that specialized gear exists, I illustrate in detail how to use popular units such as the Time-Lapse+, Michron, and TriggerTrap intervalometers, and the All-View mount, Radian, Mindarin Astro, eMotimo, and Dynamic Perception motion-control units, with comments on what’s good – and not so good – to use.

You’ll learn —

• What are the best cameras and lenses to buy (cropped vs. full-frame, Canon vs. Nikon, manual vs. automatic lenses, zooms vs. primes).

• How to set your cameras and lenses for maximum detail and minimum noise (following the mantra of “exposing to the right” and using dark frames).

• How to shoot auroras, conjunctions, satellites, comets, and meteor showers.

• How to shoot nightscapes lit only by moonlit, and how to determine where the Moon will be to plan a shoot.

• How to shoot & stitch panoramas of the night sky and Milky Way, using Photoshop and PTGui software.

• How to shoot tracked long exposures of the Milky Way using camera trackers such as the iOptron Star Tracker and Sky-Watcher Star Adventurer.

• How to develop Raw files, the essential first step to great images and movies.

• How to process nightscape stills using techniques such as compositing multiple exposures, masking ground and sky, and using non-destructive adjustment layers and smart filters.

• How to shoot and stack star trail images made of hundreds of frames.

• How to assemble time-lapse movies from those same hundreds of frames.

• How to plan a time-lapse shoot and calculate the best balance of exposure time vs. frame count vs. length of shoot, and recommended apps to use.

• How to process hundreds of frames using Adobe Camera Raw, Bridge, Photoshop, and Lightroom.

• How to shoot and process advanced “Holy Grail” time-lapse transitions from day to night.

• How to shoot motion-control sequences using specialized dolly and pan/tilt devices.

• How to use time-lapse processing tools such as LRTimelapse, Panolapse, Sequence, and Advanced Stacker Actions.

• What can go wrong and how best to avoid problems in the field.

It’s a large, multi-media book available only for MacOS and iPads through the Apple iBookstore.

For technical and economic reasons, the book’s size and media content prevent it from being offered via other platforms such as Kindles and Android devices. It is not available as a static PDF or traditional print book. It’s subject makes use of an ebook’s ability to contain interactive and video content.

See http://tiny.cc/urdoqx for more about the book at iTunes. Available worldwide. It’s $24.95 in the U.S.

December 7, 2014December 7, 2014

Supernova Remnant & Star Cluster

A bubble of glowing gas blows away from an ancient dying star, next to a cluster of new stars in Gemini.

This image, from a week ago, captures contrasting stages in the life of a star.

At left is a crescent-shaped bubble of gas called IC 443, or the Jellyfish Nebula, billowing away from the site of an ancient supernova explosion, when a giant star ended its life in a blast thousands of years ago. Estimates put its age as between 3,000 and 30,000 years.

At upper right is the bright open star cluster, Messier 35, a gathering of hundreds of comparatively new stars at the beginning of their lives. M35 lies 2,800 light years away, close enough that its stars are nicely resolved in my photo and in any small telescope. M35 is one of the showpieces of the winter northern sky.

Just below M35 you can see a fuzzy glow. It’s another star cluster, NGC 2158. However, its great distance of 11,000 light years makes it appear as a small, partially-resolved glow, a nice contrast in clusters near and far.

This image focuses on IC 443, sitting between the stars Eta (right) and Mu Geminorum. The field is filled with other faint nebulosity, all part of the cycle of star birth and death.

December 4, 2014

Ring Around the Moon

Ice crystals create a ring of light around the waxing Moon.

Clouds have moved in this week in New Mexico but the advancing weather system also brought an atmosphere filled with high altitude ice crystals.

Earlier this week they created a lunar halo – a ring around the Moon. If you look closely you’ll see there are two rings. On the left and right sides (east and west) the halo splits into two. This is an effect of two haloes superimposed: the classic 22° halo and what’s called the “circumscribed halo” which changes shape and size depending on the altitude of the Sun or Moon.

In this case, the Moon was 62° up, and the appearance of the circumscribed halo exactly matches what computer simulations predict for this altitude.

See Les Cowley’s wonderful website on Atmospheric Optics and the page on the shape of the circumscribed halo.

The long 30-second exposure brought out the stars in the moonlit sky.

They say such haloes presage poor weather. This week that proved true as clouds and rain moved in.

November 29, 2014November 29, 2014

A Stellar Occultation by the Moon

The double star Beta Capricorni disappears in a wink behind the Earthlit edge of the Moon.

The evening of Wednesday, November 26 provided a bonus celestial event, the eclipse of a double star by the Moon.

The star is Beta Capricorni, also known as Dabih. I had a ringside seat Wednesday night as the waxing Moon hid the star in what’s called an occultation.

Dabih is a wide double star, composed of a bright magnitude 3 main star, Beta1 Capricorni, and a fainter magnitude 6 companion, Beta 2 Capricorni. You can see both in the still image view at top. Their wide separation makes them easy to split in binoculars.

In reality, they are separated in space by an enormous gap of 21,000 times the distance from the Earth to the Sun. By comparison, distant Pluto lies an average of just 40 times the Earth-Sun distance.

With such a wide separation Beta1 and Beta2 take an estimated 700,000 years to orbit each other.

Beta1 is a giant orange star 600 times more luminous than our own Sun and 35 times bigger. Beta2 is a blue subgiant 40 times more luminous that the Sun.

Adding to the complexity of the system, Beta2 is also a close double, while Beta1 is a tight triple star, making for a quintuple star system.

The movie below records each occultation, first of the fainter blue Beta2 star, then of the brighter Beta1 star.

Each occultation happens in an instant to the eye. However, stepping through the video shows that the brighter star took 4 video frames to dim, about 1/10th of a second. Whether this is real, due to the star’s giant size, or just an effect of the twinkling of the atmosphere, is questionable.

Technical notes:

The still photo is a “high dynamic range” stack of 12 exposures from 4 seconds to 1/500th second, taken with the Canon 60Da camera at ISO 400, to capture the huge range in brightness, from the dark side of the Moon and stars, to the bright sunlit crescent. I used Photoshop’s HDR Pro module to stack the images and Adobe Camera Raw in 32-bit mode to do the tone-mapping, the process that compresses the brightness range into a final image.

I shot the video with the 60Da camera as well, setting it to ISO 6400, and using its video mode to record real-time video clips, both in HD 1920×1080 for the wide-field “establishing shots,” and in its unique 640×480 Movie Crop mode for the close-ups of the actual occultations. Those two clips appear as inset movies. I edited and processed the clips, plus added the titles, using Photoshop and its video capabilities.

All were shot from New Mexico with the TMB 92mm refractor at f/5.5.

November 25, 2014November 25, 2014

The Dark Side of the Moon in Twilight

The waxing crescent Moon shines amid the stars and deep blue twilight.

This was the scene last night, as the two-day-old Moon reappeared in the evening sky as a thin crescent.

The Moon looks full because most of the side facing us was brilliantly lit by Earthshine, sunlight reflected off the Earth and lighting the Moon. Here, only the thin crescent at right is directly lit by the Sun.

This was a particularly bright example of Earthshine, likely because so much of the northern part of the Earth is now covered with cloud and snow, making Earth even more reflective than it usually is.

To capture this scene through a telescope, I shot a set of high-dynamic-range exposures, from long to short, to capture the huge range in brightness from the dayside to the darkside of the Moon. The long exposure also captured the stars in the deep blue twilight of a clear New Mexico sky.

November 23, 2014

Stargazing under the Milky Way

What a wonderful night for stargazing under the Milky Way and amid the rock formations of southern New Mexico.

This was the scene last night, November 22, at a monthly stargazing session hosted by the City of Rocks State Park and the local Silver City Astronomy Club. You couldn’t ask for a better night … and site.

The Milky Way swept overhead, from Sagittarius setting in the west at left, to Taurus rising in the east at right. The faint glow of Zodiacal Light sweeps up from the last glow of western twilight to the left. Some faint green bands of airglow that only the camera can capture are also visible near the horizon.

Matt is doing a laser tour, following which the group convened to the beautiful roll-off roof observatory that houses a Meade 14-inch telescope. It was a fine evening indeed.

Technical notes:

The panorama, which spans about 300° (I cropped the edges a little from the full 360°) consists of 8 segments, shot at 45° spacings, with a 15mm full-frame fish-eye lens at f/2.8, for 1 minute untracked exposures for each frame at ISO 800 with the Canon 6D. I stitched the segments in PTGui software, but processed them in Adobe Camera Raw and Photoshop.

November 19, 2014

The Seven Sisters in a Silver Braid

“Many a night I saw the Pleiads, rising thro’ the mellow shade,

Glitter like a swarm of fireflies tangled in a silver braid.”

– Alfred, Lord Tennyson

These are the famous Seven Sisters, the Pleiades, caught two nights ago in New Mexico skies. This bright star cluster stands out easily to the unaided eye in the winter sky, shining in the shoulder of Taurus.

What the eye does not see is the “silver braid” – the dim dust that surrounds the Pleiades. The stars light the dust, causing it to shine blue near the stars. Farther out, the dust is much dimmer and glows with pale tints of cyan and red.

The dust clouds were once thought to be what was leftover from the formation of the stars, now estimated to have occurred about 100 million years ago. However, current theory suggests that the natal dust of the Pleiads would have long since dispersed.

Instead, the silvery braids of dust that surround the Seven Sisters are just nearby dust clouds in Taurus that the stars are passing through, and illuminating with their hot blue light.

The Pleiades, as familiar as they are – they have been mentioned in ancient texts and myths dating back thousand of years – remain a source of scientific controversy. Astronomers argue over their distance, with different methods providing different results. But the best recent measurement puts them 440 light years away.

Technical notes: This is a stack of 10 x 12 minute exposures at ISO 400 with the Canon 5D MkII camera and 92mm TMB refractor at f/4.4. I shot the images November 16 from near Silver City, New Mexico.

November 18, 2014

Both the Heart and Soul of Cassiopeia

Here are both the heart and the soul of Cassiopeia the Queen.

Two days ago I posted an image of the Soul Nebula. Now, here is the matching Heart Nebula, in a mosaic of the glorious region of the Milky Way called the Heart and Soul Nebulas located in the constellation of Cassiopeia.

They are otherwise respectively called IC 1805 and IC 1848. Amid the swirls of nebulosity are numerous clusters of stars, such as NGC 1027 just above centre. The separate patch of nebulosity at upper right is NGC 896.

I shot the frames for this 3-segment mosaic over two nights, with one segment taken from the frames that made up the previous post. Plus I shot two others to span the region of the Milky Way that is about seven degrees long, a binocular field.

Each of the 3 segments is a stack of 12 frames, with each frame a 6-minute exposure. I used the filter-modified Canon 5D MkII and shot through the TMB 92mm apo refractor at f/4.4. All processing was in Photoshop, including the mosaic assembly.

In all, it’s the best image I’ve taken of this much-shot area of the sky. It really brings out the diversity in star colours, and sky colours, from the dusty orange-brown region at left, to the inky dark dustless region at far right.

November 16, 2014

The Soul of Cassiopeia

The Soul Nebula glows from within the constellation of Cassiopeia the Queen.

I shot this image last night, capturing an object prosaically known as IC 1848, but more popularly called the Soul Nebula.

It is often depicted framed with a companion nebula just “off camera” here to the right, called the Heart Nebula. Thus they are the Heart and Soul. Both shine on the eastern side of Cassiopeia the Queen.

Here I’m framing just the Soul, taking in some of the faint nebulosity to the left of the main nebula, including a tiny object called IC 289, a star-like planetary nebula at upper left.

I like this image for its variety of subtle colours, not only the reds and magentas in the bright nebula, but also in the dark sky around it from dim dust adding faint yellows, browns and even a touch of green.

The Soul Nebula lies 6,500 light years away in the Perseus Arm, the next spiral arm out from ours in the Milky Way. On northern autumn nights this region of the sky and Milky Way lies high overhead.

For the technically minded:

The image is a stack of 20 six-minute exposures, taken with a filter-modified Canon 5D Mark II at ISO 800. I was shooting through one of my favourite telescopes for deep-sky photography, the TMB (Thomas M. Back-designed) 92mm apo refractor, working at a fast f/4.4 using a Borg 0.85x field flattener and focal reducer.

I used one of Noel Carboni’s “Astronomy Tools” Photoshop actions to add the “diffraction spikes” on the stars. They are artificial (refractors don’t produce spikes on stars) but they add a photogenic touch to a rich starfield.

I shot this from the backyard of my New Mexico winter home.

November 9, 2014

Truly Interstellar

We gaze into the interstellar depths of the Milky Way through uncountable stars.

In this telescopic scene we look toward the Scutum Starcloud, and next spiral arm in from ours as we gaze toward the core of the Galaxy.

The field is packed with stars, seemingly crowded together in interstellar space. In fact, light years of empty space separate the stars, even in crowded regions of the Milky Way like this.

Two dense clusters of stars stand out like islands in the sea of stars. At lower right is Messier 26, an open cluster made of a few dozen stars. Our young Sun probably belonged to a similar family of stars billions of years ago. M26 lies 5,200 light years away.

At upper left is a condensed spot of light, made of hundreds of thousands of density packed stars in the globular cluster known only as NGC 6712. Though much larger and denser than M26, NGC 6712 appears as a tiny spot because of its remoteness – 23,000 light years away, a good part of the distance toward the centre of the Galaxy.

Look carefully (and it may not be visible on screen) and you might see a small green smudge to the left of NGC 6712. That’s a “planetary nebula” called IC 1295. It’s the blown off atmosphere of an aging Sun-like star. It’s what our Sun will become billions of years from now.

At top is a vivid orange-red star, S Scuti, a giant pulsating star nearing the end of its life.

A truly interstellar scene.

November 8, 2014November 8, 2014

Mars and M22

Mars shines near the globular star cluster Messier 22 in Sagittarius.

This week Mars has been passing near one of the brightest globular star clusters, M22. I caught the pair tonight, November 8, as they sank into the southwestern sky.

The two form a contrasting pair, with red Mars now 260 million kilometres away, far enough that its light takes 13 minutes to reach Earth. However, blue M22 lies so far away, toward the galactic core, that its light take 10,000 years to reach Earth.

Mars appeared closer to M22 earlier this week but tonight was the first night with a narrow window of dark sky between twilight and moonrise, allowing me to shoot the pair.

I shot the image through a telescope with a short focal length of 400mm, taking in a field of about 5 by 3 degrees, the field of high-power binoculars. The image is a stack of eight 2-minute exposures at f/4.5 with the TMB 92mm refractor and Canon 6D at ISO 800.

November 7, 2014November 7, 2014

Sagittarius Setting over the City of Rocks

Sagittarius, with Mars, set behind the granite pillars of City of Rocks State Park.

From home in Canada the summer constellation of Sagittarius is long gone by November. But here, from a latitude of 32° north, Sagittarius, now with Mars shining amid its “teapot” shape of stars, still shines in the southwest.

This was the scene last night in the early evening, as the Full Moon lit the rock formations at New Mexico’s City of Rocks State Park. Sagittarius is above the rocks at left. Some bright bits of the Milky Way just manage to appear in the clear, bright sky lit blue by moonlight.

This view looks northwest, with the stars of the Big Dipper just clearing the rocks at right.

In two weeks, with the Moon gone from the sky, the local astronomy club hosts one of its monthly star parties at the Park, making use of the public observatory in the Park, near the “Orion” group campground area – all the campsites are named for constellations and stars.

This is a very sky-friendly Park.

November 6, 2014November 6, 2014

New Mexico Moonrise

The Full Moon rises with the blue arc of Earth’s shadow over a New Mexico landscape.

I’m now in New Mexico for the winter, enjoying the clear skies and mild temperatures. After a few days of settling into the winter home, tonight was my first venture out to take advantage of the skies and shoot some images.

Tonight was Full Moon, a month after the total lunar eclipse. I drove out to the City of Rocks State Park to capture the moonrise over the unique desert landscape.

The main image above captures the Full Moon sitting amid the dark blue arc of Earth’s shadow rising in the east projected onto Earth’s atmosphere. It is rimmed above with a pink band, the “Belt of Venus,” caused by red sunlight still illuminating the high atmosphere. The image is a 5-section panorama.

In the clear air of New Mexico the shadow and Belt of Venus really stand out.

A few minutes later, with the Moon higher and sky darker, I trekked amid the unusual rock formations of the Park, to shoot the Moon amid an alien lunar landscape.

These two images are both “high dynamic range” stacks of 7 to 8 images, from short to long exposures, to capture the wide range of brightness in a twilight scene, from the dark foreground to the bright Moon.

I’m looking forward to a productive winter, photographing the sky and writing about photo techniques, rather than shovelling snow!

October 30, 2014October 30, 2014

Open Road, Open Sky

A desert highway leads off into an open blue sky with the waxing Moon.

This week I’m on the road heading south for the winter. Today, I was on US 89, one of the most spectacular roads on the continent, passing through southern Utah and northern Arizona.

At left are the Vermilion Cliffs in Arizona, contrasting with the blue sky and the quarter Moon rising in the east at right.

I took this view minutes earlier, from a viewpoint above the desert as US 89 descends from the Kaibab Plateau and the area around the North Rim of the Grand Canyon.

I have not driven through this area of the U.S. Southwest in 20 years. I’ll be back through here in spring, when I hope to shoot the April 4 total lunar eclipse from the Four Corners area.

October 25, 2014October 28, 2014

Celebrating Dark Skies in Jasper, Alberta

This weekend Jasper National Park in Alberta, Canada celebrates the night sky at its annual Dark Sky Festival.

Last night was wonderful. Skies cleared at Lake Annette for a star party with 1000 people in attendance. The event was a core program of a week-long Festival celebrating Jasper National Park’s status as a Dark Sky Preserve.

The top photo shows what we’re celebrating – the stars and Milky Way reflected in the still waters of Lake Annette. What you don’t see in that image are the hundreds of people behind me enjoying the star party.

I’m one of the featured guest speakers, though last night my role at the star party was to assist at informal tutorials to help people take their own night sky images. And lots of people showed up with cameras and tripods and got great shots.

While I was not able to make the rounds of all the activities, elsewhere at Lake Annette (just follow the coloured rope lights!) there were talks, First Nations performances and storytelling, laser tours of the sky, activities for kids, and lots of telescopes to look through. Everyone got to see amazing sights in the sky.

Shuttle buses from town came and went through the night, to avoid a parking lot jam. The Festival is a huge hit, with hotels in town filled – there isn’t a room available.

The event went very well, at what was perhaps Canada’s largest public star party ever held under dark skies.

October 23, 2014October 23, 2014

The Partial Solar Eclipse from Jasper, Alberta

A successful solar eclipse! Always a great thing to celebrate!

Today, several hundred people, including students from the nearby elementary and high schools, enjoyed views of the Moon eclipsing the Sun from Jasper, Alberta. The eclipse event in Centennial Park was part of the Park’s annual Dark Sky Festival, held to celebrate the National Park’s status as a Dark Sky Preserve.

The photo above is a long 1/25 second exposure, though still taken through a solar filter, of the eclipsed Sun dimmed by clouds. The longer exposure enabled me to pick up the clouds and iridescent colours around the Sun.

The photo below is a single exposure capturing the viewing through the many telescopes supplied by volunteers from the Royal Astronomical Society of Canada (Edmonton and Regina Centres), as well as capturing the crescent Sun, seen here though a handheld solar filter.

Clouds came and went over the afternoon, but when they needed to be gone, clouds cleared off around the Sun for great views of the Moon hiding then revealing the giant sunspot that was the highlight of this eclipse.

The image below, which I shot through a small telescope at 1/8000th second through a filter, shows the big spot group about to be hidden by the advancing limb of the Moon.

This event was our last solar eclipse visible from most of Canada until the long-awaited “Great American Eclipse” of August 21, 2017, when the lunar umbral shadow will sweep across the United States, bringing a total eclipse to the U.S. and a substantial partial eclipse to Canada.

October 22, 2014October 22, 2014

Pre-Eclipse Day in Jasper

It’s the day before the eclipse, and the skies are not clear!

On Thursday, October 23 the Moon covers the Sun in a substantial partial eclipse. I’m in Jasper National Park, participating in the Park’s annual Dark Sky Festival.

One of the events is a public viewing session of the solar eclipse. Let’s hope for some clearing skies and breaks in the clouds, so we can see 66% of the Sun eaten by the Moon!

I shot this image at eclipse time the day before – today! – from a viewpoint looking west toward the Sun on the Icefields Parkway south of Jasper townsite.

The Sun is trying to break through and is casting its beams down onto the famed Athabasca Pass, the route over the mountains pioneered by David Thompson in the early 1800s when his preferred route over Howse Pass to the south was blocked by the Pikanii who objected to Thompson trading with their enemies over the Rockies.

I show the area of Howse Pass in this previous big post from earlier this summer.

Thompson was one of the first astronomers in western Canada, using the Sun, Moon, Jupiter and stars to navigate his way and map the country. The lower sign explains. Click on the image for a larger view.

The Dark Sky Festival continues the tradition of stargazing in Jasper, a science Thompson depended upon in his travels.

October 8, 2014

Red Moon over Writing-on-Stone

The red eclipsed Moon shines over the Milk River, with Orion over the Sweetgrass Hills.

This was the scene at 4:45 this morning, October 8, from my observing site for the lunar eclipse, Writing-on-Stone Provincial Park in southern Alberta.

The eclipsed red Moon shines at far right over the Milk River and sandstone formations of Writing-on-Stone Park, home to ancient petroglyphs, and a sacred site to First Nations people.

At left are the Sweetgrass Hills across the border in Montana. Above shine the stars of Orion, with his Dog Star Sirius below. Above is Taurus, with Aldebaran and the Pleiades cluster.

The night was fairly clear for the hour of totality, though with high haze fuzzing the stars and Moon. But considering the cloud I had driven 3 hours to escape I was happy.

Here I am in a 5:30 a.m. selfie by starlight and moonlight, with the clouds I had escaped now rolling in to cover the Moon as it began to emerge from Earth’s shadow.

No matter. I had captured what I had come for: the nightscape above (with a 14mm lens), and close-ups shot through this telescope gear, one of which I featured in my previous post.

October 8, 2014October 8, 2014

Eclipse of the Hunter’s Moon

The Hunter’s Moon of 2014 turned deep red during a total lunar eclipse.

It wouldn’t be an eclipse without a chase!

To see and shoot this total eclipse of the Hunter’s Moon I had to chase clear skies, seeking out the only clear area for hundreds of miles around, requiring a 3-hour drive to the south of me in Alberta, to near the Canada-US border, at Writing-on-Stone Provincial Park.

It was worth the midnight trek, though I arrived on site and got set up with just 10 minutes to go before the start of totality.

But I was very pleased to see the sky remain mostly clear for all of totality, with only some light haze adding the glow around the eclipsed Moon. Remarkably, the clouds closed in and hid the Moon just after totality ended.

This is a single 15-second exposure at ISO 400 with a Canon 60Da, shooting through an 80mm apo refractor at f/6 and on an equatorial mount tracking the sky at the lunar rate. I shot this shortly after mid-totality. It shows how the Moon’s northern limb, closest to the edge of the umbral shadow, remained bright throughout totality.

It shows lots of stars, with the brightest being greenish Uranus at the 8 o’clock position left of the Moon, itself shining in opposition and at a remarkably close conjunction with the Moon at eclipse time.

More images are to come! But this is the result of fast processing after a dawn drive back home and an all-nighter chasing and shooting an eclipse.

October 6, 2014

The Rising of a Pre-Eclipse Moon

‘Twas the night before the night before … an eclipse of the Moon.

This was the beautiful moonrise tonight, on Monday, October 6, two days – by calendar date – before the total lunar eclipse on October 8.

However, as the eclipse occurs at pre-dawn on October 8, it’s really just a day and half to go before the Moon turns red as it passes through Earth’s shadow.

I shot these as the gibbous Moon, waxing toward Full, rose over the harvested field to the east of home. The setting Sun nicely lit the clouds which partly hide the Moon.

Earlier in the evening, I grabbed this shot as the Moon appeared and two white-tailed deer ran through the yard and out into the field below the rising Moon. Moon deer!

This is the sequence that will happen early on October 8, in a diagram courtesy Fred Espenak at EclipseWise.com. The times are for Mountain Daylight, my local time zone. The eclipse will be total from 4:25 to 5:24 a.m. MDT (6:25 to 7:24 a.m. EDT) when the Moon will be immersed in the umbral shadow and will appear deep red.

Use binoculars for the best view of the colours. An eclipsed Moon looks wonderful, like a glowing red globe lit from within, but it’s really lit by the red sunlight from all the sunsets and sunrises going on around the world at once.

The next total lunar eclipses are April 4, 2015 (again pre-dawn) and September 27, 2015 (at convenient early evening hours), both visible from North America.

Clear skies and happy eclipsing!

September 27, 2014

Aurora and Airglow Panorama

The sky lights up in greens and reds from aurora and airglow.

This has been a good week for aurora watching. Friday night the Northern Lights danced again, this time in a sky already filled with a more subtle phenomenon, airglow.

Airglow adds its own bands of reds and greens across the sky, seen here as arcs from left (west) to centre (north) and into the east. Airglow is light from fluorescing air molecules releasing energy absorbed from the Sun by day.

The aurora adds the brighter green curtains across the north with vertical beams of yellow and red shooting up.

A weird structure which I assume is from the aurora is the sharp-edged yellow band at left in the west. It lasted no more than 2 or 3 minutes, enough to record in three frames of this 7-segment 180° panorama taken near home at an array of grain bins, now filled from the harvest.

To the west and east urban light pollution adds glows of yellow to the horizon.

September 26, 2014

Autumn Stars Rising over Dinosaur Park

The autumn constellations rise into a colourful sky at Dinosaur Provincial Park, Alberta.

Last night the sky started out beautifully clear but as it got darker it was apparent even to the eye that the sky wasn’t really dark, despite the lack of any Moon.

The camera captured the culprit – extensive green airglow, to the east at right. A faint aurora also kicked up to the north, at left, adding a red glow. Light pollution from gas plants nearby and from Brooks 50 km away added yellow to the sky scattered off haze and incoming cloud.

The sky colours added to the scene of the autumn constellations of Cassiopeia, Andromeda, Perseus and Pegasus rising in the east. The Andromeda Galaxy is at centre. The Pleiades is (are?) just rising over the hill.

This is a composite of five stacked and tracked exposures for the sky (with the camera on the Star Adventurer tracking mount) and four stacked but untracked exposures I took at the end of the sequence for the sharp ground (I just turned the tracker motor off for these).

September 25, 2014

Red Rock Canyon by Starlight

The Milky Way illuminates the trail at Red Rock Canyon, in Waterton Lakes National Park.

Last Sunday night was incredibly clear. I trekked around Waterton Lakes National Park, taking panoramas at various sites. This is Red Rock Canyon, a popular spot by day.

By night it is one of the darkest accessible places in the Park. Here the landscape is lit only by the light of the stars and Milky Way.

This is a composite of two exposures, both on a tripod with no tracking of the sky motion:

– one exposure was 60 seconds for the sky to minimize star trailing.

– the other exposure, taken immediately following, was 3 minutes for the ground, to bring out detail in the dark, starlit landscape.

I blended the two exposures in Photoshop, creating a single image with the best of both worlds, earth and sky.

September 19, 2014

Milky Way Over the Icefields

The Milky Way towers over the moonlit peaks around the Columbia Icefields

Last Sunday was a productive night, resulting in several 5 Star images in my catalog!

This is another, shot shortly after the Galaxy and Glacier image. In that image the sky was still dark. In this image the sky is beginning to light up with moonlight from the rising waxing Moon.

The peaks are being lit by the Moon, though the valley below is still in moonshadow.

What light there is on the foreground moraines is from starlight, and from the unfortunate wash from unshielded sodium vapour lights on the Icefields Centre. They proudly claim their lights are dark-sky friendly. They aren’t! This is proof.

The top image is a stack of tracked (for the sky) and untracked (for the ground) exposures to create a deep, rich Milky Way over a sharp landscape.

The image is helped by being shot with a filter-modified camera that records the red nebulas along the Milky Way better than stock cameras. That’s why the North America Nebula at top in Cygnus really pops!

This 360° panorama image is a stitch of 8 segments at 45° spacings, each untracked, shot in rapid succession with the same 15mm ultra-wide lens I used for the main image, again oriented portrait, with the frames stitched in PTGui.

I shot it on the road, literally, that leads down to the toe of Athabasca Glacier.

I took the pan just after the image at top, so the peaks are lit more and the sky is bluer with moonlight. The Moon itself is still behind the mountains to the left (east) about to clear the ridge moments after I finished this pan. It was a busy night of getting shots timed right!

But waning Moon nights are superb for nightscape imaging as they provide both dark and moonlit skies but without the immense light of a Full Moon that tends to wash out the sky too much. Waning Moon nights are great for shooting landscape features to the west, as they get lit by the rising Moon after midnight.

P.S.: A tip – hit “Tips and Techniques” under Category at left for more blogs with tips and techniques!

September 10, 2014September 10, 2014

Rocky Mountain Nights – A Time-Lapse Collage

My new 4-minute video presents time-lapse and still images shot in the Rockies this past summer.

It’s been a busy summer for shooting. Since July I’ve spent a week each in Banff, Jasper and Waterton Lakes National Parks shooting nightscape stills and time-lapse videos of Alberta’s famous Rocky Mountain landscapes by night.

This compilation includes some of the best footage, plus some panned still images, set to a wonderful piece of royalty-free (i.e. legal!) music by Adi Goldstein.

For many of the sequences I employed “motion control” (MoCo) devices that incrementally move the cameras during the one to three hours that they are taking the 200 to 450 frames needed for a time-lapse sequence.

I used the compact single-axis Radian, the 2-axis eMotimo, and the Dynamic Perception Stage Zero dolly, now equipped with their new Stage R single-axis panning unit. This was the first summer with the eMotimo and Stage R, so I’m still learning their best settings for speed, angles, and ramping rates.

In recent blogs you’ve seen many still images shot as part of these sequences, or with other cameras dedicated to shooting stills. Now you get to see some of the time-lapse videos that represent many nights of shooting, and many hours sitting in the car waiting for the automated camera gear to finish its shooting task.

Time-lapse shooting is an exercise in dedication and self-denial!

I hope you enjoy the result. Do click on the Enlarge button to go full-screen. Or visit my Vimeo site to watch the video, and others, there.

September 8, 2014September 9, 2014

Stars on Ice – The Columbia Icefields by Moonlight

The stars trail over the glaciers of the Columbia Icefields.

What an amazing night this was! You rarely get pristine cloudless skies over the Icefields. Some cloud is almost always blowing off the ice. But last Saturday in Jasper National Park was as clear as it gets.

The Moon was bright, as a waxing gibbous just off frame at left. It lit the landscape like it was day.

I shot with two cameras, one doing a time-lapse motion control sequence panning across the scene. The other was a fixed camera shooting 20-second exposures at 1-second intervals. The resulting frames from the fixed camera, 270 in this case, are multi-purpose:

– I stacked about 100 of them to make the star trail composite above. Two frames supplied the stars at the beginning and end of the trails. Another single frame supplied the ground, to avoid the shadows being blurred by the Moon’s motion if you used the ground composited from all 100 frames.

– I can also take the full set of 270 frames and sequence them into a time-lapse movie of the stars moving over the landscape.

Before beginning the time-lapse sequences I shot this 180° panorama, made of 5 segments stitched in PTGui software. It extends from the southwest at left, where the Milky Way is barely visible, to the north at right, with the Big Dipper over the Icefields Parkway.

Click on it for a bigger view.

This is the camera setup, with the camera on the right taking the star trail image I feature at top.

The Athabasca Glacier is at left, the Stutfield Glacier at right.

Midnight under moonlight is when to see the Icefields! This is the lower parking lot, at the start of the trail up to Athabasca Glacier. This is packed with cars, RVs and buses by day, but at night I was the only one there.

September 8, 2014

Stars over Mt. Edith Cavell

The stars of the summer sky shine over the North Face of Mt. Edith Cavell.

The valley below Mt. Edith Cavell in Jasper National Park is one of the most impressive locations in the Canadian Rockies. At few other sites do you get the sense of standing at the foot of a vertical mountain face.

I shot this view last Friday night, when the waxing Moon was behind the mountain, lighting the clouds and sky but not the mountain and valley directly.

But enough scattered light came from the sky to light the foreground and mountain face to make a nice photo with detail in both earth and sky.

Use of highlight and shadow recovery in Adobe Camera Raw also helps a lot!

This view is a 360° ground-to-zenith panorama I shot earlier in the evening in twilight. It’s from the Trail of the Glacier path, where the path crosses Cavell Creek.

Mt. Edith Cavell was named in 1916 after the World War One nurse who was executed by the Germans for assisting allied soldiers escape occupied Belgium.

September 4, 2014

Star Trails over Athabasca Falls

The autumn stars rise in trails over Athabasca Falls and Mt. Kerkeslin in Jasper National Park.

Last night was a good one for shooting nightscapes in Jasper. Skies cleared for a beautiful moonlit night, ideal for nightscape shooting.

I went to Athabasca Falls, a popular scenic attraction in Jasper but deserted after dark. I set up cameras at the usual overlook, shooting both a time-lapse and star trail set.

The main image above is the result of stacking 100 images in the star trail set. I used the Advanced Stacker Plus actions from Star Circle Academy.

The foreground comes from one image, shot early in the sequence when the Moon lit more of the landscape. The Falls themselves remained in shadow, as I had expected from my lighting angle calculation and knowing the site.

The star trail image shows the autumn stars of Andromeda, Cassiopeia ad Perseus rising over Mt. Kerkeslin, the famous backdrop to Athabasca Falls on the Athabasca River, making its way to the Arctic Ocean

This image is a 4-segment panorama I shot earlier in the evening in the twilight, with the waxing Moon over the Athabasca River.

In the early 1800s, after explorer, astronomer, and fur trader David Thompson had to abandon his original route over the Rockies at Howse Pass, he came north, and followed the Athabasca and Whirlpool Rivers up over the Athabasca Pass, his new main route to the B.C. interior.

September 2, 2014

Big Dipper over Pyramid Mountain

The Big Dipper shines through clouds over Pyramid Mountain in Jasper National Park.

This week I am in Jasper National Park for a shoot of moonlit nightscapes, weather permitting.

It barely permitted last night, as clouds cleared briefly to the north. I visited a favourite spot on the shore of Patricia Lake, with Pyramid Mountain as a backdrop to the north.

The sky was still lit by the setting Moon, and by some faint aurora. The landscape is lit by starlight.

With luck I’ll get more images of Jasper by night this week, in one of Canada’s largest Dark Sky Preserves.

August 31, 2014

Marvelling at the Milky Way

People gather at a rural observatory to gaze at the Milky Way on a summer night.

The clouds drifted through now and then but skies were mostly clear for the last of the Rothney Astrophysical Observatory‘s annual Milky Way Nights for 2014.

A tradition since 2009 and the Year of Astronomy, these dark-of-the-moon nights at the Observatory have proven hugely popular each summer despite the 10 p.m. start and 2 a.m. finish!

The main image at top shows a 360° panorama as people were gathering at the portable telescopes and lining up – in a blur – for a look inside the observatory domes.

Roland from the Royal Astronomical Society of Canada provided laser-guided star tours. How did we point out the stars and constellations before green lasers? In the hands of responsible astronomers they are a great tool for public education.

Here he’s pointing out Vega and the stars of the Summer Triangle. Look way up!

About 400 people attended on Saturday night, the last in a trio of nights this past week. As you can see, the event attracts people of all ages. It’s even a popular date night attraction.

At these summer stargazing sessions many people bring blankets to just lie back and look up, at a site away from the ugly glow of the city, here lighting up the clouds to the north.

It was a great night of public stargazing!

August 29, 2014August 29, 2014

Mars, Saturn and the Milky Way in Twilight

Mars and Saturn meet in conjunction beside the Milky Way.

As it was getting dark two nights ago, I shot this view of Mars and Saturn (the “double star” at right, with Mars below Saturn) paired together now in the evening twilight. The location was Grasslands National Park, on the Park’s main loop tour road.

At the centre of the image is Scorpius and its bright star Antares, just behind the gate of the old corral.

At left are the star clouds of the Milky Way and the galactic core. Just above the horizon are the naked-eye star clusters Messier 6 and Messier 7, the most southerly of the popular Messier objects.

The sky is blue from the last of the twilight glow.

The image is a composite of two exposures, both 1 minute but one tracking the sky and one with the drive turned off to provide the sharper foreground.

August 28, 2014

Starlight at the Old Corral

The Milky Way shines behind the rustic corral of the 76 Ranch in Grasslands National Park.

It’s not a gunfight at the OK Corral, but starlight at the 76 Ranch Corral. I shot this Tuesday night in the Frenchman River valley in Saskatchewan’s Grasslands National Park.

The scene captures the summer Milky Way, some green bands of airglow, and the old corral lit by starlight and some aurora beginning to brighten to the north.

Some occasional flashes of distant spotlights from down the valley also provide foreground illumination. The lights came from ferret spotters out at night checking on the nocturnal black-footed ferret.

The corral once belonged to the 76 Ranch, one of the largest in Canada in its day and owned by Sir John Lister-Kaye, one of many upper class Brits who came to Canada in the 1880s to make their fortune in the newly opened range lands — until drought and hard winters of the southern Prairies forced them to sell out and break up their once huge land holdings.

This image is a composite, but of five frames all shot at the same place in quick succession. I did not fake the sky into a foreground shot at some other time and place.

Four shots are tracked, to follow the sky for pinpoint stars. I used the new Sky-Watcher Star Adventurer tracker.

For one shot at the end of the sequence I turned the tracker’s drive off to take a single sharp image of the foreground.

Using masking in Photoshop I removed the blurry foreground from the sky images and the blurry trailed sky from the ground image.

Each was a 3-minute exposure at ISO 1600 with the 24mm lens at f/2.5.

August 28, 2014

The Northern Lights at the Old Larson Ranch

The northern lights dance, and light the pioneer homes at the old Larson Ranch in Grasslands National Park.

What a night this was! I arrived at the Larson Ranch site in the Frenchman River valley to shoot some Milky Way panoramas, when, right on cue, the aurora broke loose.

Some aurora had been there since nightfall as a diffuse arc, but about 11 p.m. local time (Central Standard Time in Saskatchewan) the curtains began to dance and pulse with activity as a sub-storm hit, raining solar particles onto our atmosphere from down the magnetic tail of the Earth.

The aurora glow lit the old pioneer buildings of the Larson Ranch, one of the stops on the scenic backroad drive through the Park.

The Larsons ran their ranch by the Frenchman, or Whitemud River, from the 1920s until 1985 when they sold their ranch to the National Park system, forming the first land for the new Grasslands National Park.

The house at left is the original home of cowboy author Will James, who lived here for a time working on ranches in the valley before moving to the United States. He was from Quebec, where he was Ernest Dufault.

I shot this 360° panorama using a 15mm lens, shooting 8 segments at 45° spacings, each a 1-minute exposure at ISO 2500 and f/3.2 with the Canon 6D. I used PTGui software to stitch the segments into a equi-rectangular projection pan.

August 27, 2014

Aurora over Grasslands Park

The Northern Lights dance over the prairie landscape of Grasslands National Park.

The aurora warnings were out for last night but I hadn’t expected to see much. But about 10:30 pm a faint arc appeared to the northeast. The display brightened about local midnight (Central Standard Time here in Saskatchewan) and became fairly active for a time.

The main arc increased in intensity and moved with fine structure and detail. The eye could see some faint, colourless curtains extending upward but the camera picks them up as red, typical of auroral curtains reaching into the top of the atmosphere.

I shot these from the Frenchman River valley, a wide coulee formed by glacial rivers and now the heart of the West Block of Grasslands National Park.

It was a beautifully dark site except for flashes of spotlights now and then (not seen in the photos here) from naturalists doing census studies of the nocturnal and endangered black-footed ferret recently re-introduced to the Park. Ironically, their lights spoiled the otherwise pristine and pitch-black night in this dark sky preserve.

August 26, 2014August 30, 2014

Standing Under the Stars at Grasslands Park

Grasslands National Park is one of the finest places in Canada to revel in the dark night sky.

This was the scene last night, in far south Saskatchewan, under clear and super dark night skies, at long last after a week of rain, wind and wintery cold.

I’m at Grasslands National Park south of Val Marie, Saskatchewan, to shoot night sky panoramas in what must rank as Canada’s darkest Dark Sky Preserve.

The park itself is new, created only a decade and half ago. It preserves original prairie grasses and is home to unique and rare species. Bison roam here, allowing you to travel back to pre-European times as you gaze out onto a landscape much as it was for thousands of years.

But look up at night and you can gaze at a sky as it was seen for thousands of years, mostly unblemished by the artificial glows of light pollution. Grasslands National Park is a “dark sky preserve,” allowing visitors to see the stars and Milky Way as they should be seen.

I shot this 360° panorama from the Eagle Butte Loop Trail just inside the boundary of the Park. The main hill is 70 Mile Butte, a landmark to the early NorthWest Mounted Police as it lay 70 miles from their posts at Wood Mountain to the east and Eastend to the west.

This view looks out across the farmland to the west and a handful of yard lights. But little else spoils the view around the rest of the horizon. The last vestiges of evening twilight provide a backdrop for the lone silhouette.

The Milky Way arches overhead, and some bands of green airglow, a natural night sky phenomenon, stretch from east to west. The centre of the Milky Way Galaxy lies to the far right, with its glowing clouds of stars.

August 18, 2014

Dawn Conjunction of Venus and Jupiter

It was a fine celestial sight to begin the week, as Venus met Jupiter in the dawn sky.

This morning, August 18, Venus and Jupiter appeared just 1/2 degree apart, as close as they’ve appeared to each other since 1999.

The top image shows the wide-angle setting, with Venus and Jupiter tightly paired near the horizon, and the waning Moon above, itself in conjunction with Aldebaran in the Hyades star cluster.

This zooms into the main event, the Venus-Jupiter pairing, as they were emerging from the horizon haze.

I shot this from home, off the back deck, having little ambition at 5 a.m. to venture any further afield. I had planned to shoot this from Dinosaur Park but had second thoughts on the hour drive there and back!

This zooms into the secondary show this morning, the meeting of the waning crescent Moon with the brightest star in Taurus, Aldebaran, and its companion stars in the Hyades star cluster. This is a telephoto lens shot with a fixed camera, no tracking.

Thus begins a fine two weeks of stargazing, weather permitting, as the Moon exits the sky to leave us the summer Milky Way at its best, and dual pairs of planets in the dusk and dawn sky – Mars and Saturn converging in the evening and Venus and Jupiter, now parting ways, in the morning.

August 16, 2014

Twilight and Moonlight at Waterfowl Lakes

Peaks of the Continental Divide reflect in the calm waters of Lower Waterfowl Lake.

These images provide a sense of what a beautiful night this was, last Monday on the Icefields Parkway in Banff.

The evening started with a super-clear twilight providing subtle shadings – from the last glow of sunset on the horizon, through the “twilight purple” above, to the deep blue of the darkening sky at top.

The purple hue comes from red sunlight still illuminating the upper atmosphere and blending with the blue sky from the usual scattering of short blue wavelengths.

The twilight scene is a high-dynamic range blend of several exposures processed with Photoshop’s HDR Pro as a 32-bit file in Adobe Camera Raw.

Taking different frames from the same set that I used to capture the Space Station I created this star trail scene, of the western stars setting over Mt. Cephren. Light from the one-day-past Full Moon illuminated the peaks that line the Continental Divide.

The star trail scene is a composite – of many images stacked to create the star trails, blended with a masked single image from the set to supply the landscape.

For the star trail stacking I used the excellent Advanced Stacker Plus actions from Star Circle Academy. To separate and mask out the sky from the landscape image I used Photoshop’s Quick Selection tool and its wonderful Refine Mask function.

August 15, 2014

Moonbow at Bow Falls

A small moonbow forms in the light of the full “super moon” at Bow Falls in Banff.

This was Sunday night, August 10, on the night of the bright “super moon” that lit the landscape. In this case, I was at Bow Falls, a popular tourist spot in the townsite of Banff below the Banff Springs Hotel.

However, by night only a handful of people appeared, including two who stayed still long enough to record on one frame, above.

The sky, however, is made of many frames, exposed over an hour to add the star trails. But the landscape is from one exposure, and includes a short arc of a moonbow, a rainbow created from moonlight.

In an alternative version, sans moonbow, I shot one short and several long exposures to capture the stars of the Big Dipper streaking over the falls.

These are two more examples of how magical the mountains are by moonlight. And how quiet the usually busy tourist spots are!

August 14, 2014August 14, 2014

Sunset over David Thompson Country

The setting sun lights the clouds over the river plains of the North Saskatchewan.

This was the panoramic view two evenings ago from the Howse Pass viewpoint on the Icefields Parkway in Banff.

We’re looking south over the North Saskatchewan River near its junction with the Howse and Mistaya Rivers. The spot is near where Highway 11, the David Thompson Highway, comes in from the east to join the Parkway. It’s a modern highway now but 200 years ago this was a main canoe route for the fur trade.

The area is known as David Thompson Country, named for the great explorer, surveyor, and celestial navigator who mapped much of western Canada in the early 1800s.

Until about 1810, Thompson passed this way every year en route to the fur trade forts he set up in the B.C. interior, his main job for the North West Company.

Conflicts with the local Pikanii people, who objected to Thompson trading with and arming their traditional enemies, the Kootenais, forced Thompson to find a new route across the Rockies, the Athabasca Pass in what is now Jasper National Park.

The top image is a 180° panorama, the bottom image is a full 360° panorama from the viewpoint. In the distance are Mt. Murchison, at left, and Mt. Cephren in the far distance, the prominent peak by Waterfowl Lakes.

I shot these with a 14mm lens, in portrait orientation, and stitched them with PTGui software. The top image is made from 6 segments, the bottom from 12 segments.

The software blended them perfectly, no small feat in such a uniform twilight sky. I’m always impressed with it!

August 13, 2014August 16, 2014

Meteors and Space Stations over Mt. Cephren

A couple of Perseid meteors streak across the moonlit sky above Mt. Cephren in Banff National Park.

The night before the peak of the annual Perseid meteor shower was very clear for the first couple of hours. On Monday, August 11, I positioned myself at the shore of Lower Waterfowl Lake, at a roadside viewpoint on the Icefields Parkway in Banff National Park, Alberta.

I had two cameras going, one on a fixed tripod aimed west in hope of catching some meteors in a few frames. Two did, and the main image is a composite of those two frames, as the Perseids shoot over the pyramid peak of Mt. Cephren.

Later, the Space Station also flew over, accompanied by the European ATV cargo ship, captured here in a stack of 18 frames from the 555-frame time-lapse, showing their pass from west to east (bottom to top) of the composite image. The gaps are from when the shutter was closed for 1 second between the 15-second-long exposures with the 14mm ultra-wide lens.

In all, it was a warm and beautiful night, with the normally busy viewpoint all to myself all night, under the light of the nearly Full Moon.

The mountains by moonlight are truly magical.

August 11, 2014

Super Moonrise over Banff

A much-publicized “super moon” rises over Mt. Rundle and Banff townsite.

I joined a small crowd of moon watchers at the Mt. Norquay viewpoint last night, Sunday, August 10, to view the rising of the super moon, the closest Full Moon of 2014.

Of course, no one could possibly detect that this moon was any bigger or brighter than any other moon. Nevertheless, everyone saw an impressive sight and went away happy.

I shot this image at the end of a 700-frame time-lapse, at about 10:15 p.m. This is an HDR “high-dynamic-range” stack of 8 exposures, from dark and underexposed (to capture the bright sky around the Moon) to bright and overexposed (to capture the foreground and dark trees).

Yes, I have cranked up the HDR effect a little, to beyond “natural.” But I think the result looks striking and brings out the structure in the clouds that hid the Moon at first.

Think what you will of “super moons,” they get people outside, looking up and marvelling. In this case, the PR prompted a moonwatch party on a fine summer Sunday evening in one of the most scenic places on the planet.

August 10, 2014August 11, 2014

Super Moonrise at Bow Lake

The nearly Full Moon rises over Bow Lake, Banff then lights up the landscape.

Saturday night was a stunning night to shoot nightscapes in Banff. Skies were mostly clear, allowing the nearly Full Moon, a day before the much-hyped “SuperMoon,” to light the landscapes.

I began last night’s shoot at Bow Lake looking south toward the rising Moon over the mountain fireweed flowers.

Shooting the other way toward Bow Glacier reveals this moonlit scene, in a frame I shot as part of the set up for a time-lapse movie. I had three cameras going, each shooting about 350 frames. The computer is processing them as I type. Still-image “nightscapes” like these are so much easier!

When I arrived I thought I wouldn’t be surprised to find other time-lapsers present, at such a great spot on a perfect night.

Sure enough, Shane Black from Ohio was setting up for a twilight shoot with much the same gear I use – a Dynamic Perception Stage Zero dolly system and eMotimo 2-axis motion controller. I was able to help Shane out by supplying a battery to power the rig when his was dying. Glad to help a fellow time-lapser! Good luck on the rest of your cross-country tour!

August 9, 2014

Andromeda Rising

The stars of Andromeda and Perseus rise over the Rockies and Bow River in Banff.

It was a beautifully moonlit night last night, in Banff National Park. I shot the images for this star trail at a well-trodden viewpoint overlooking the Bow River. We’re looking east to the stars of the autumn sky in Andromeda and Perseus rising over the Front Ranges of the Rockies.

The waxing gibbous Moon behind me lights the landscape and sky.

The photo is a stack of 5 images: one a short 40-second exposure at ISO 1600 for the point-like stars, followed after a gap in time by a set of four closely-spaced 6-minute exposures at ISO 100, to give the long star trails.

Shooting a handful of long exposures is the alternative to shooting dozens or hundreds of short exposures when you’re after star trails, and you don’t have any desire to collect a set you can turn into a time-lapse movie.

Indeed, shooting any time-lapses from this spot would have been futile – the location was a busy rest stop on the Trans-Canada Highway with cars and trucks pulling in, their headlights lighting up the foreground from time to time. But for still images, the site worked fine.

August 6, 2014August 6, 2014

Prairie Sunset Panorama

What a spectacular sunset tonight. The Sun is just going down in a blaze of red, while the waxing Moon shines in the deep blue twilight.

I grabbed the camera fast when I saw this happening out my front window, and raced out to the ripening wheat field across the road.

The top image is a 360° panorama of the sky, with the Sun at right and the Moon left of centre. The zenith is along the top of the image.

I used a 14mm lens in portrait mode to cover the scene from below the horizon to the zenith, taking 7 segments to sweep around the scene.

You can see the darkening of the sky at centre, 90° away from the Sun, due to natural polarization of the skylight.

I shot this sunset image a little earlier, when the Sun was higher but still deep red in the smoky haze that has marked the sky of late. It certainly gives the scene a divine appearance!

This is a 5-exposure high-dynamic-range composite to capture the tonal range from bright sky to darker ground, the wheat field. I increased the contrast to bring out the cloud shadows – crepuscular rays.

I boosted colour vibrancy but didn’t alter the actual colours – it was a superb sky.

I used PTGui v10 to stitch the panorama at top and Photomatix Pro to stack and tone the HDR set. While Photoshop is wonderful it did not work for assembling either of these images.

August 5, 2014

Sagittarius and Sagebrush

Sagittarius and Scorpius shine above the pines and sagebrush of the summit of Mount Kobau, BC.

I’m still working through images I took last week at the Mt. Kobau Star Party. This one looks south toward Washington state amid some smoky air, toward the centre of the Galaxy.

Note the dark lanes in the Milky Way, particularly the prancing “Dark Horse.”

I shot this image the first night I was on the mountain, using a new Sky-Watcher Star Adventurer tracking system.

The image is a stack of five 5-minute tracked exposures with a 24mm lens. The ground is from just one of the exposures to minimize blurring of the ground from the moving camera.

It nicely captures both the sagebrush and the stars of the Milky Way, a quintessential Kobau sky scene.

August 1, 2014

Wheatfield Moon and Planets

The waxing Moon begins its three-day passage past Spica, Mars and Saturn in the twilight sky.

This was the scene tonight, August 1, from a wheat field near home, as the waxing Moon appeared to the right of the star Spica in Virgo.

To the east, or left, of those two objects lies Mars, at the centre of the frame. To the left of Mars is Saturn, flanked by stars in Libra.

The Moon was near Spica tonight but will appear near Mars Saturday night and near Saturn on Sunday night.

Look low in the southwest as the sky is getting dark.

July 30, 2014

Mount Kobau Nightscapes

The pines and sagebrush landscape of the summit of Mount Kobau are illuminated by the light of just the stars and Milky Way.

This collection of images from Monday night, July 28, captures the night sky above and the land below in classic “nightscapes.”

I took all of these with a camera on a static tripod, with no tracking system involved here. All are about 40-second exposures at ISO 3200 to 6400 with a fast 24mm lens at f/2.5 on a Canon 6D.

However, for the image above I composited two exposures: a shorter 40 second shot for the sky and a longer 1 minute 40 second shot for the ground. I used Photoshop’s Quick Selection tool to make a rough selection of the ground, then the Refine Mask and Smart Radius tool to refine the edge to precisely mask the sky separately from the ground, for individual processing.

The top image shows the Big Dipper and a well-timed meteor, at the end of the summit road on Mt. Kobau, near Osoyoos, BC.

This image takes in the Big Dipper at right pointing down to Arcturus at left. I used Photoshop’s Content Aware Fill to neatly eliminate a power pole and wires.

Looking southwest reveals the Milky Way above the sagebrush and pine trees. This is a single exposure, with the ground processed with Shadow detail recovery to bring out the starlit ground.

This image, taken about 2 a.m., records the Pleiades star cluster rising down the end of the summit road, with Capella at left. It is a dual-exposure composite: 40 seconds for the sky and 1m40s for the ground.

I gave a talk at this year’s Mt. Kobau Star Party on how to shoot these kinds of nightscapes, illustrated with some of these images shot on site the night before. Very nice!

July 30, 2014

Mt Kobau Milky Way

The Milky Way towers over the pine trees and sagebrush of Mt. Kobau in the South Okanagan, BC.

It’s been a fine two nights renewing friendships and seeing stars at the summit of Mount Kobau near Osoyoos. I’ve not been here for a dozen years but the timing worked out this year for me to visit the annual Mt. Kobau Star Party, the first star party I attended back in the 1980s.

It’s a rough road to the summit but the reward is a beautiful landscape and skyscape.

The main image above is from Monday night and takes in the Milky Way from horizon to zenith, from Sagittarius to Cygnus. I used a 15mm lens and Canon 5D MkII riding on a new Sky-Watcher Star Adventurer tracking unit, which worked beautifully.

This image, similar to one I took a few nights ago at the Table Mountain Star Party, is a 360° panorama of the land and sky at the Kobau summit. It is a stitch of 8 segments, each 45-second exposures at ISO 6400 with the Canon 6D and 14mm Rokinon lens.

Unfortunately, it shows the light pollution glows from Osoyoos and Oliver that have grown over the last 3 decades and now impinge upon the Kobau skies.

This image is a tracked closeup of the Cygnus and Lyra area of the Milky Way, taken with a 50mm lens and the 5D Mark II riding on the Star Adventurer for a stack of five 10-minute exposures. It is rich in the red nebulosity of the Cygnus spiral arm and takes in the field that the Kepler satellite stared at for 4 years looking for alien planets.

I’m heading home but the star party continues all week, building to the weekend when most people will be attending, under prospects of clear skies and warm weather.

July 29, 2014

Swirling Stars at a Star Party

The stars of the northern sky swirl in circles around the North Star.

This is admittedly a fanciful effect but an attractive one. The above image records the rotating night sky as it spins around the north celestial pole near Polaris. I stacked 250 image to create this concentric star swirl.

To produce the image I used the excellent Advanced Stacker Actions from StarCircleAcademy, using the new version 14e actions. They include this novel “elastic” effect which produces trails with point-like stars at the beginning and end of the trails.

Another variation, the Short Comets effect, produced this image, with the stars turned into swirling comets.

I took the images for these composites at the Table Mountain Star Party near Oroville, Washington last week under superb skies. The same images that went into these still image stacks can be used to create time-lapse movies.

July 27, 2014July 27, 2014

Panoramas of the Summer Milky Way

The Milky Way spans the sky on a summer night at a dark-sky star party.

What a fabulous weekend! For the last few nights I’ve enjoyed the skies and hospitality of the Table Mountain Star Party in northern Washington state, near Oroville, just south of the Canada-US border. The site is the Eden Valley Guest Ranch, under superbly dark skies.

About 300 people, mostly from Washington, enjoyed getting under the Milky Way.

As I wandered around the telescope field I heard all kinds of excited comments in the dark: “Wow, look at that!” “Hey, take a look at the Swan Nebula!” “Want to see the Veil Nebula?”

I was impressed with the great mix of ages and demographics at the TMSP – it wasn’t just “old timers.” There were young families, couples, teens, even a pair of grannies pulled in for a look at the starry sky!

The summer Milky Way arches across the sky in these 360-degree “pans.”

But the other main feature is the green fingers of airglow rising out of the east (at left in the circular image above). Only the camera picked these up – the sky looked very dark to the eye. There’s even a faint magenta glow on the northern horizon (at top in the circular image) from aurora.

Both images capture the entire sky, in a panorama set I took using a 14mm Rokinon lens, shooting vertically for 8 segments at 45° spacings. Each frame was a 45-second exposure at f/2.8 and ISO 6400, on a standard tripod, no tracking.

I used PTGui software to stitch and blend the images, then Photoshop CC 2014 to finish them off.

The top image uses “equirectangular” projection; the bottom image “stereographic” projection for a fish-eye effect. Both take in the entire sky from horizon to horizon, plus a lot of ground, filled with red-lighted and happy observers.

July 20, 2014

Rainbow at Blackfoot Crossing

A low rainbow shines beneath a retreating thunderstorm at Blackfoot Crossing Historical Park.

On my way home from Waterton Lakes I drove through a thunderstorm, then watched it retreat and the Sun break through in the west. I was hoping for a rainbow in the east, and sure enough, one appeared.

With the Sun still high in the late afternoon sky, the rainbow was low, with just a small arc appearing above the horizon.

By good luck, I was passing the hilltop Blackfoot Crossing Historical Park, a beautiful museum interpreting the history of the Siksika Nation, and a great place to look out over the prairie.

These photos look down a line of rock cairns running from the interpretive centre to the hilltop cemetery in the distance, below the arc of the bow.

This wider angle image gives the context, with the bow at the bottom of the thundercloud, and fresh blue sky above.

I love the mountains but it’s nice to be back home on the prairies where we can see the wide horizon.

July 18, 2014July 18, 2014

Wild Rose Twilight at Red Rock Canyon

Evening light illuminates the peaks around Red Rock Canyon in Waterton Lakes National Park.

I took this image last evening as part of a time-lapse sequence, framing the wild roses in the foreground and the peaks of Mount Blakiston (at left) and Mount Anderson (at right) in the distance. The site is the popular Red Rock Canyon area of the Park.

The last rays of sunlight are hitting Blakiston.

That peak is named for Thomas Blakiston, the first scientific explorer to map the area of Waterton and the passes of the southern Canadian Rockies. Although at the time he was here in 1858, this was still British colonial territory separated from the United States by an ill-defined border running along the 49th parallel just south of this spot.

Blakiston was part of the British Palliser Expedition, led by John Palliser, whose mission was to survey the little-known region south of the South Saskatchewan River to assess its suitability for settlement.

Palliser concluded that the parched rain-shadow area of what is now southern Saskatchewan and Alberta was “desert, or semi-desert in character, which can never be expected to become occupied by settlers.” That area became known as the Palliser Triangle. Only extensive irrigation made settlement possible.

Blakiston was the expedition’s magnetical observer, taking readings of the Earth’s magnetic field strength and direction throughout the region. He disputed Palliser’s leadership and soon broke away from the expedition to conduct his own treks and compile his own reports. It was Blakiston who named the area after Charles Waterton, a famous British naturalist of the time. The region became a nationally-recognized park in 1895.

July 17, 2014

Sunset over Waterton Lakes

The setting Sun lights the clouds over Upper Waterton Lake, Alberta.

Waterton Lakes National Park is certainly one of my favourite places. The scenery is wonderful and the town small and quiet. It has all the beauty of Banff with none of the retail sprawl and traffic jams.

I shot the scene above two evenings ago, July 15, from the viewpoint at the Prince of Wales Hotel. It overlooks Middle and Upper Waterton Lakes, the latter lighting up as it reflects the sunset clouds. This is a frame from a motion-control time-lapse.

Last night I shot a time-lapse from the lakeshore, looking through the windswept trees toward the south end of the Upper Lake, as the Milky Way begins to appear in the darkening twilight.

Lights from the campground illuminate the trees with just enough light to balance the foreground and sky. Sometimes you can make use of man-made light.

I’m here at Waterton to conduct some public programs Friday and Saturday night. Skies are clear but hazy with smoke and cirrus clouds. But the days and nights are warm and aren’t windy, a welcome treat in Waterton!

July 12, 2014

Super Moonrise over Canola Field

The orange Full Moon – a hyped “super moon” – rises over a yellow field of canola.

What a colourful sky this was tonight – the pink Belt of Venus twilight band above the blue shadow of the Earth, above the yellow ripening canola.

And the orange Full Moon embedded in our planet’s shadow.

The onslaught of publicity about super moons this week – it seems we now have not one but several a year making them all a lot less super! – does serve one purpose: it gets people out looking at the Moon they might otherwise take for granted.

Supermoon or not, this confluence of colours can occur any time the Full Moon rises. But if you aren’t outside watching you miss it.

July 12, 2014

Super Moonrise at Red Rock Coulee

The Full Moon rises over the sandstone formations of Red Rock Coulee, Alberta.

This was moonrise – a super Moonrise – on Friday, July 11, 2014.

Publicized as yet another “super moon,” this moonrise was certainly excellent for me, with superb skies at Red Rock Coulee in southern Alberta. There’s no way anyone would be able to detect the fact this Moon was a little closer and larger than most Full Moons of 2014. But it was still a fine sight.

Here, you see it sitting in the pink Belt of Venus fringing the dark blue band of Earth’s shadow rising in the east just after sunset. The already red rocks are lit by the warm light of the western twilight.

The main photo is an HDR stack of 6 exposures, to capture the range in brightness from bright sky to darker foreground.

This night, as it is for a week or so at mid-month, reddish Mars was sitting just above blue-white Spica in Virgo. They are visible here as a double star in the moonlit southwestern sky. Saturn is to the left. This is a single exposure.

It was another perfect night – warm, dry and bug free, for 3 hours of moonlight time-lapse shooting, as well as taking these still images.

July 11, 2014July 11, 2014

Sunset over the Lonely Log Cabin

The clouds paint the sky at sunset over a pioneer cabin in the Cypress Hills.

This is a scene the original resident of this cabin would have enjoyed – and painted.

This lonely log cabin in the Battle Creek valley was built by Robert David Symons, renowned as a rancher, naturalist, game warden, and painter, in the style of western artists such as Charlie Russell.

The cabin looks like it dates from the pioneer days of the first European settlement of the area, in the late 19th century. But Symons settled here and built this log cabin in 1939, during the time he worked as a game warden in the Hills, posted at the Battle Creek Ranger Station. He lived in the cabin for only three years before selling it to Albert and Sylvia Noble in 1942.

The Nobles expanded the cabin to accommodate their family. They lived here for 10 years, working a sawmill in the area.

Today the cabin is a scenic stop on the rough and often muddy Battle Creek Road that winds from the Alberta to the Saskatchewan side of Cypress Hills Interprovincial Park. Travelling it is like being back in the 1940s, when roads were no better than improved cart tracks.

I spent an evening here two nights ago on a perfect summer night, shooting the sunset and then the cabin scene by moonlight using time-lapse cameras and gear.

The main scene at top is a high dynamic range stack of 6 images to preserve details in the bright sky and dark foreground.

The self-portrait is a single shot taken by moonlight. Mars and Spica are just setting as a pair of stars over the hills across the valley.

It was a magical night in the Hills.

July 11, 2014

Circling Stars Over the Open Range

The stars swirl in circles above the big sky country of the Canadian Prairies.

For these images I set the camera to take hundreds of images over the course of about 4 hours, then stacked about 100 frames for each of the composites. I stacked the images with the application StarStax.

The result shows the stars circling the North Celestial Pole and Polaris in the northern sky. The top image is from earlier in the night when the Moon was still up lighting the landscape.

The image above is from late in the night, after moonset, and with the glow of dawn beginning to brighten the northern sky. Some low noctilucent clouds are also appearing on the horizon.

This was a beautiful night at Reesor Ranch in Saskatchewan, on the edge of Cypress Hills Interprovincial Park, on the Alberta-Saskatchewan border. I’ve just wrapping up a week of shooting here with clear nights every night but two. The hard drives are full!

July 8, 2014July 8, 2014

Wild Rose Sunset

The sky lights up pink to match the wild roses in Cypress Hills.

Last night the twilight sky over the Cypress Hills was simply stunning. The clouds contrasted with the blues and pinks of twilight. On the way out to an evening shoot I stopped to take this image of the darkening sky colours behind the blooming wild roses, the floral emblem of Alberta.

In this photograph I’m looking east, opposite the sunset. The dark blue on the horizon is the shadow of the Earth rising. Above the shadow is a fringe of pink, the Belt of Venus, from red sunlight still lighting the upper atmosphere in that direction. Its colour nicely matches the pink roses – Earth and sky in colour coordination.

This is a high dynamic range stack of 6 exposures, to capture the bright sky and darker foreground in one image, to render the scene as the eye saw it but the camera could not, at least not with a single exposure.

July 7, 2014

Moon on the Water

The Moon shines over the still waters of a prairie lake.

On Saturday, July 5, the Moon put on a super show in the twilight sky. The Moon was exactly at first quarter phase 90° from the Sun, and it shone between Mars and the star Spica, for a tidy 3-world conjunction in the evening sky.

For these shots I was at one of my favourite places for nightscape shooting, Reesor Lake in Cypress Hills Interprovincial Park. These are still shots taken with one camera while two others were shooting time lapses of the fall of night and the Moon moving over the lake.

Later in the evening, some photogenic cirrus clouds moved through the scene, nicely filling out the composition.

Here, you can see Mars to the right of the Moon and Spica to the left of the Moon. Below, on the water swim three white American pelicans that frequent the prairie lakes around here.

This was a perfect night. The anglers weren’t catching too much despite the fish leaping from the water every few seconds. But I managed to catch some nice photos and movies. It was a fine summer night to enjoy the sky.

July 7, 2014

Sunset on the Range

The setting Sun provided a fine light show on the open range of the Canadian Prairies.

This was the scene Friday evening, July 4, as the Sun lit up the clouds in the big sky of the Historic Reesor Ranch.

I’m here for a week of intensive shooting and writing. On the first night the setting Sun put on a fine show, captured in still images, like the high dynamic range composite above, and in time-lapses captured with the motion control gear below.

When I took these shots I was likely right on the 105th meridian, the line of longitude that marks the boundary of Alberta and Saskatchewan. Either way, the land is expansive and stunning.

Just to the south the land rises to the Cypress Hills and the namesake provincial park where I’m spending most nights shooting stills and time-lapses. More to come this week I’m sure!

July 4, 2014

Waxing Moon on the Water

The waxing crescent Moon shines over water at Bow Valley Provincial Park, Alberta.

What an excellent evening this was. On July 2 I was at a newly discovered spot, the Whitefish picnic area, in Bow Valley Provincial Park between Calgary and Canmore, Alberta.

I was there with colleagues doing a shoot for a promotional video for a project I’m involved with. But after the business shoot, I stuck around to take my own shots for time-lapse movies and still images.

In the scene above the Moon is reflected in the still waters of Middle Lake in the Park. It’s a high dynamic range stack of seven exposures.

Here, a little earlier in the evening is the scene on the banks of the Bow River, with the Moon over the swiftly flowing waters of the glacier-fed Bow. Its waters nourish much of southern Alberta, making farming, industry and life possible in an otherwise dry, rain-shadow climate.

Though a year ago its flood-swollen waters were bringing disaster to many people along the Bow.

This evening I shot motion-control time-lapses by the Bow, using some new gear that slowly pans or turns cameras during a time-lapse shoot. This is me playing with the new eMotimo controller, while the Dynamic Perception dolly does its thing below.

Lots of fun!

June 29, 2014

A Windy Day on the Wind Farm

It was windy day out on the wind farm, with some wonderful cloudscapes blowing by.

Shooting time-lapse movies by day is so much easier than shooting at night! Yesterday, to try out some new gear and grab footage for some demo videos, I drove to the nearby Wintering Hills Wind Farm, site of some previous images and movies I’ve posted. It’s a wonderful place for nightscapes, but in this case I shot cloudscapes by day.

The movie compiles five time-lapse clips into a short demo of cloudscapes and time-lapse techniques: using fixed cameras and using cameras on motorized devices that move the camera a little between each time-lapse frame – what’s called “motion control.”

It might take a moment to load and play through. But do expand it to full screen.

For two clips in the movie I used a Dynamic Perception Stage Zero dolly rail, a unit I bought two years ago and have used a lot for time-lapse shooting.

Here I show it on the new pair of Induro tripods, a much more stable arrangement than the single large tripod I had been using up to now. What’s also new is the Stage R panning unit, now attached to the dolly platform, here on the left (the controller is on the right).

What this motorized unit does is allow the camera to slowly turn in azimuth as it is running down the rail, to keep the camera aimed at a foreground subject, or to pan along the horizon, as I do in one of the clips in the movie.

This is a brand new piece of kit, purchased last month through Dynamic Perception’s Kickstarter campaign. I got one of the first batch of units shipped out. It works very well but takes a little practice to get the speeds set right. I’m still working on that!

I hope you enjoy the little demo movie. It shows that even cloudy skies can be photogenic at times!

June 23, 2014

The Clouds of Solstice Twilight Are Here!

Look north in June and July from the Canadian Prairies and you are likely to see iridescent clouds shimmering in the mid-summer twilight.

It’s been a good couple of nights for sighting noctilucent clouds – literally “night shining” clouds, or NLCs. These are odd water vapour clouds that form at the edge of space 80 km up where no self-respecting cloud has a right to exist.

But there they are. Existing and moving in waves in a near vacuum.

We see them because at solstice time the Sun’s light pours over the pole (where the midnight Sun is shining) and lights up the clouds that hang over the Canadian Northwest Territories and Nunavut.

From the Prairies we see them far in the distance to the north, as here, shining low on the horizon amid the deep blues and reds of a perpetual twilight that never ends on our short summer nights.

The top photo, taken Saturday night, is a 5-section panorama with a short telephoto lens. The bottom image, taken early this morning, is just the opposite – a very wide angle shot showing the clouds in context, with the Big and Little Dippers at top left and centre.

Some images and movies from last year’s NLC season are in my blog post from June 27, 2013.

June 22, 2014

Storm Clouds and Stars on Solstice Eve

On the eve of summer solstice the sky was filled with an amazing light show.

Living on the great plains of southern Alberta gives me access to the big sky right outside my door. On summer nights, the entertainment is often watching thunderstorms roll across the northern horizon down “hailstorm alley” to the north of me.

That was the case on Friday night, the eve of summer solstice. What a photogenic storm this was! Lightning lit up the roiling cloud from within and, as below, shot out in an escape path toward the ground.

Despite the midnight hour, the sky is blue with the glow of perpetual twilight at this time of year at 51° north.

As this storm receded, another rolled in, this time directed at my area. Lightning flashed all around (it was too rainy to shoot).

As I was processing these shots, the power flickered, then went off, as a bolt hit someplace critical to the power system. In the country it doesn’t take much to knock out the power to outlying areas. Mine was out for another 14 hours. Thank goodness for laptop batteries!

June 22, 2014June 22, 2014

Fireflies Dancing on Solstice Eve

A field of fireflies dances under the stars on the eve of summer solstice.

On Friday, June 20, the night before summer solstice, I had a superb night at home watching storm clouds, fireflies and the glow of perpetual solstice twilight.

June is firefly season and on a warm night I see them dancing and flickering above the grassy field. They appear here as green sparkles and streaks, with the stars above and Milky Way just showing through in the blue of a solstice twilight.

Flashes from distant lightning help illuminate the ground and clouds.

These frames are from a time-lapse sequence, with the frame above picking up few fireflies. But it did reveal the streak from an Iridium satellite flaring in the sunlight as it flew overhead.

While the sky from my latitude of 51° North never gets dark at this time of year it is filled with other beautiful sky glows and phenomena.

June 8, 2014June 9, 2014

Aurora Over the Old Barn

What a fabulous night this was! Forewarned about an impending solar storm I headed to the site of a rustic barn near home to shoot the Northern Lights.

The night started with cloud but upon looking out after midnight (it pays never to go to bed too early!) the skies were clear. Checking Spaceweather.com showed an active auroral oval lit up red and Storm in Progress warnings!

That was all the cue I needed to pack up the gear and head over to the old barn site where I have been shooting time-lapses all this week.

The aurora remained quiet and diffuse for the first hour and a half, but then about 2 a.m., the substorm hit. Within seconds the curtains began to light up with well-defined rays and beams shooting to the zenith. And they danced.

The notable feature of this display, as with one in May 2013, was the blue and purple colour of the tops of the curtains. I think this is partly due to sunlight illuminating the tops of the curtains, possible at this time of year when the upper atmosphere is perpetually lit by the midnight Sun.

From the start I shot with two cameras taking time-lapses (the main still image at top is a frame from one of the movies). Then toward the end of the night I switched to just shooting still images framed to suit the curtains towering up to the zenith.

As above, I also shot a “selfie” of me shooting the vertical image in the middle of the set.

But below is the result of a night of shooting time-lapse movies and stills, in a montage set to music. The link takes you to my Vimeo site. Do turn on HD mode.

I hope you enjoy the video!

May 15, 2014May 16, 2014

McDougall Church under Moonlight

The historic pioneer church at Morley, Alberta stands under moonlight on the banks of the Bow.

Last night, after presenting a talk on time-lapse techniques to the Cochrane Camera Club, I headed west on Highway 1A to the historic McDougall Memorial United Church, long on my target list for time-lapse photography. It was Full Moon, which helped mask the lighting from nearby town lights and the urban sky glow of Cochrane and Calgary.

The wooden church stands on the benchlands north of the Bow River, near Morley, Alberta. Rev. George McDougall built it in 1875 to minister to the Cree. He lies buried on the Church grounds — that’s his grave in the foreground in the main image above, with the Full Moon shining above the headstone.

In this image, Mars stands directly above the Church steeple. The Full Moon shines in the clouds to the south. Both still images are frames from time-lapse movies, shot with two cameras. One was on the Dynamic Perception Stage Zero dolly, the other was a static tripod-mounted camera.

This little compilation shows the movies I shot last night, under moonlight on the banks of the Bow. It may take a moment to load. I hope you enjoy it!

May 6, 2014May 6, 2014

The Head of the Celestial Scorpion

The head of Scorpius is laced with colourful nebulas, both bright and dark.

This is an image from two nights ago, from the dark skies of southeast Arizona. It takes in the head of Scorpius, from yellow Antares at lower left as the heart of the Scorpion, to the blue stars at right that mark his head.

The remarkable feature of this region of sky is its colour. No where else in the sky do we see (or I should say, does the camera see) such a spectrum of colourful nebulas. Dark brown lanes run down from the constellation Ophiuchus at left. They meet up with a yellow patch of nebulosity caused by dust reflecting the yellow-orange light of the giant star Antares.

Hot blue stars light up other dusty patches, while the magenta nebulas are created by gas emitting light, not just reflecting light from nearby stars.

A close-up of the region, shot in Australia last month, appears in my blog post from April 17, Stars Scenes in Scorpius. The image above, shot with a 135mm telephoto lens, takes in an area of sky that typical binoculars would frame.

But the eye sees only a hint of the detail, and none of the colour, hidden in the heart of Scorpius.

May 5, 2014

Nebulas, Clusters and Starfields, Oh My!

There’s no more spectacular region of the sky than the Milky Way toward the centre of the Galaxy.

What a perfect night it was last night. After moonset between 2 and 3:30 a.m. I shot a series of images around the centre of the Galaxy area and stitched them into a big mosaic of the Milky Way.

The scene takes in the Milky Way from the Eagle and Swan nebulas at top left, down to the Messier 6 and 7 open clusters in Scorpius at bottom. Standing out is the large pink Lagoon Nebula left of centre and the huge region of dark dusty nebulosity popularly called the Dark Horse at right of centre. It’s made of smaller dark nebulas such as the Pipe Nebula and tiny Snake Nebula.

At upper left is the bright Small Sagittarius Starcloud, aka Messier 24, flanked by the open clusters M23 and M25. There are a dozen or more Messier objects in this region of sky.

The actual centre of the Milky Way is obscured by dark dust but lies in the direction just below the centre of the frame, amid one of the bright star clouds that mark this amazing region of sky.

I shot the images for this mosaic from a site near Portal, Arizona, using a 135mm telephoto lens and filter-modified Canon 5D Mark II riding on an iOptron SkyTracker to follow the stars. The mosaic is made of 6 panels, each a stack of five 3-minute exposures. They were all stacked and stitched in Photoshop CC. The full version is 8000 by 9000 pixels and is packed with detail.

I think the result is one of the best astrophotos I’ve taken! It sure helps to have Arizona skies!

May 4, 2014

Sunset at the City of Rocks

The Sun sets behind the desert landscape of the City of Rocks State Park, New Mexico.

This is another shot from two nights ago, May 2, taken during my evening shoot at New Mexico’s City of Rocks State Park. I took this right at sunset, and you might be able to see the tiny crescent Moon in the twilight sky.

I used an ultra-wide 14mm lens and took a set of 7 exposures taken at 2/3rds stop intervals to capture the full range of brightness from brilliant Sun to shadowy landscape.

I stacked the exposures using Photoshop’s HDR Pro module and then “tone-mapped” the huge range of tonal values using Adobe Camera Raw in its 32 bit mode. This is an excellent way to process “HDR” images, compressing the huge range in brightness into one displayable image. I’ve used several HDR programs in the past but the new method of being able to use ACR, made available in recent updates to Photoshop CC, produces superb natural-looking results. I highly recommended it.

May 2, 2014

Twilight over the City of Rocks

The waxing crescent Moon sets in deep twilight over the City of Rocks State Park, New Mexico.

This was the scene tonight, May 2, under fabulous skies on a warm spring evening in New Mexico. I drove 45 minutes south from Silver City to the City of Rocks State Park, and area of oddly-eroded rocks and a fabulous place for stargazing. It actually has an observatory.

For this twilight scene I shot a series of seven exposures from dark to bright with an ultra-wide 14mm lens, and stacked them in a high dynamic range composition to capture both the bright Moon and sky above and dark landscape below. You can see the stars of the winter sky disappearing into the evening twilight as well, plus Jupiter at top.

For the next three nights I’ll be back near the Arizona Sky Village just across the state line from Rodeo, New Mexico, under very dark skies, to shoot the summer Milky Way in the wee hours of the morning after moonset. The weather promises to be perfect.

April 30, 2014

New Mexico New Moon

The thin waxing crescent Moon returned to the evening sky tonight, seen here in the deepening blue of a New Mexico evening.

I’m in Silver City, New Mexico (altitude 5900 feet) for a few days and nights, checking out places to spend next winter, under clearer and warmer skies than back home … and with rarely any snow to shovel.

This was the scene tonight, on the ranch road with one of the prime property choices – astronomers check real estate locations by day and night!

The crescent Moon is lit by Earthshine as it sits amid the deep blue twilight. The stars of Taurus show up flanking the Moon, with the Hyades at left and Pleiades at right.

This image is a high-dynamic range stack of 6 exposures from 2 to 20 seconds, to capture the ground detail without blowing out the Moon. Lights from an approaching pickup truck nicely lit the trees during the final longest exposure.

For the technically minded, I stacked the images using Photoshop CC HDR Pro, then “tone-mapped” them using Adobe Camera Raw in 32 bit mode.

The sky was hazy all day and evening, from wind-blown dust common to the area. Fierce southerly winds were whipping up dust all day, which hung in the sky all evening as well.

The sunset was a golden yellow from all the dust in the air. Once it got dark the sky lacked the ideal desert transparency, muting the zodiacal light I saw last night from the Chiricahuas.

Not every night is perfect in the high desert!

April 30, 2014

Goodbye Winter Sky – 2014 Edition

After a brutal winter for most of us in the northern hemisphere, we’re glad to see the last of the winter sky.

This was the scene on Tuesday night, April 29 as the last of the winter sky descended into the evening twilight.

Here, Orion (left of centre) sets into the western sky, next to the gossamer glow of the zodiacal light (right of centre). The stars of Taurus sit amid the zodiacal light, with the Pleiades just about to set behind the ridge. Sirius, the sky’s brightest star, shines at far left.

The zodiacal light is the glow of sunlight reflecting off cometary dust particles in the inner solar system. It is a glow from interplanetary space, not from our atmosphere. Spring is the best time to see it in the evening sky, no matter your hemisphere. It also helps to be in the desert of the U.S. Southwest!

I took this parting shot of the winter sky from a favourite observing haunt from years’ past, Massai Point, at 6800 feet altitude in the Chiricahua Mountains of southeastern Arizona. The sky was perfectly clear and the night warm and windless. I’m back in Arizona and New Mexico for a few days, checking out accommodations for a long-term stay next winter, so I won’t have to endure the snow and cold that plagued us last winter. Good bye winter sky! Good bye winter!

April 29, 2014

Splendid Southern Star Clusters

The southern Milky Way is populated by the sky’s best clusters of stars.

Here are three of the southern sky’s best star clusters, in portraits I took earlier this month from Australia.

At top, my main image takes in a great contrasting pair of star clusters. Both lie in the constellation of Puppis, once part of the ship Argo Navis.

At left is the stunningly rich NGC 2477, so packed with stars it almost ranks as a globular cluster, not one of the sparser open clusters. At least that’s the impression it gives in the eyepiece. But instead of containing hundreds of thousands of stars, as do globulars, NGC 2477 “only” has 300 stellar members. They are just very tightly packed in one of the richest open star clusters in the sky. If it had been farther north NGC 2477 would certainly rate as one of the top 100 sky sights, and carry some memorable name after a fanciful resemblance to who knows what! Instead, it carries but a catalog number.

Next to it, at right, is NGC 2451, more typical of open clusters. It has a central bright star, this one naked eye, surrounded by 40 or so lesser stars of contrasting colour and brightness. The two clusters make a great side-by-side comparison in any low-power telescope.

Much farther along the southern Milky Way is this rich open cluster (above), NGC 6067, in Norma, itself embedded in one of the richest star clouds of the southern Milky Way, the Norma Star Cloud. Here you are gazing for 6800 light years toward the cluster which shines suspended against the background of the even more distant inner arms of our spiral galaxy.

So NGC 6067 looks a little like an island of blue stars amid the dust-reddened background of more distant stars in the Milky Way — an island in a sea of stars.

April 27, 2014April 27, 2014

The Night Sky’s Two Brightest Stars

The two brightest stars in the night sky shine in the southern sky.

Here are Sirius (at right) and Canopus (at bottom left), the brightest and second brightest stars in the night sky, together near the southern Milky Way.

My image also captures the huge loops of the Gum Nebula, thought to be the remains of a supernova that blew up a million years ago. It’s utterly invisible to the naked eye, but Sirius and Canopus stand out as brilliant stars even from light polluted sites.

Sirius can be seen from northern latitudes but Canopus is below the horizon for any location north of 37° North or so. I shot this image from Australia where these stars pass overhead.

Sirius is a hot blue-white star 8.6 light years away. Canopus appears slightly dimmer but only because it lies much farther away, at some 310 light years. In reality it is a supergiant yellow-white star that shines with a luminosity 15,000 times that of our Sun.

This image takes in Canopus at bottom right, next to the Large Magellanic Cloud, and with the southern Milky Way sweeping across the top, with the Carina Nebula and its attendant star clusters at top left and parts of the Gum Nebula at right.

Here are a few cocktail party facts about Canopus:

• In 480,000 years its motion around the Galaxy will bring Canopus close enough to Earth that it will become the brightest star in our night sky, outranking Sirius.

• The origin of its name is a mystery. One idea is that the star is named for the pilot of the ship that took Menelaus to Troy on the quest to re-capture Helen.

• Canopus, the star, was used in ancient times as a key navigation star for those sailing to southern seas, as it would have risen above the southern horizon from latitudes below 35° North back around 2000 BCE.

• Today, Canopus is charted as the brightest star in the constellation of Carina the Keel, part of the ancient constellation of Argo Navis, named for the ship sailed by Jason and the Argonauts.

April 23, 2014

Stellar Graveyard in Vela

This is what’s left of a star that exploded in ancient times.

This is the Vela Supernova Remnant, an object in the southern sky in the constellation of Vela the Sail. The wispy tendrils of magenta and cyan are all that’s left of the outer layers of giant star that exploded about 12,000 years ago.

Cluttering the field at left are amorphous patches of star-forming nebulosity that are part of the much larger Gum Nebula complex.

The supernova was only about 800 light years away so it would have been a brilliant sight in the sky to neolithic observers, far outshining any other stars. But no record exists of anyone seeing it.

The star didn’t destroy itself completely – its core collapsed to form a pulsar, an ultra-dense ball of neutrons, in this case spinning about 11 times a second. The pulsar is in this field but it’s much too faint to show up in visible light.

I shot this earlier this month from Australia where Vela sails directly overhead. The field is about 6° by 4°, the amount of sky framed by high power binoculars. The brighter parts of the Vela Remnant can be picked out in large amateur telescopes – I’ve seen bits of it in my 10-inch telescope – but this is certainly a challenging object to see, even with aided eyes.

April 17, 2014

Star Scenes in Scorpius

Scorpius, one of the most photogenic of constellations, contains a wealth of amazing sky sights.

My trip to the land down under is coming to an end but I’m still working through the dozens of deep-sky images I was able to take under the southern stars. The wide-field scene above takes in all of Scorpius, shot with the constellation sitting directly overhead in the pre-dawn hours of an austral autumn. You can trace the scorpion’s winding shape down from his head and claws at top, to his curving stinger tail at bottom.

Off the stinger of the scorpion shine two naked-eye star clusters, Messier 6 and 7 (the close-up photo above). M6 is the Butterfly Cluster, seen here sitting in a dark region of the Milky Way at upper right. Its companion, M7, a.k.a. Ptolemy’s Cluster at left of the frame, is lost amid the bright star fields that mark the direction of the galactic core.

In the curving tail of the scorpion lie two patches of nebulosity. At upper left is NGC 6357, but the triple-lobed NGC 6334 at bottom right is also known as the Cat’s Paw Nebula.

Further up the tail of the scorpion sits this fabulous region of space that is a stunning sight in binoculars. NGC 6231 is the blue star cluster at bottom, which garnered the name The False Comet Cluster back in early 1986 when many people mistook its fuzzy naked eye glow for Comet Halley then passing through the area. The camera reveals the region filled with glowing hydrogen gas.

But the standout region of Scorpius lies at its heart. Here, the yellow-orange star Antares lights up a dusty nebula surrounding it, reflecting its yellow glow. At top, another dusty nebula surrounds the star Rho Ophiuchi, reflecting its blue light. Glowing hydrogen gas adds its characteristic magenta tints. This is one of the most colourful regions of the Milky Way.

I shot these images with 50mm normal and 300mm telephoto lenses two weeks ago during the OzSky Star Safari near Coonabarabran, NSW, Australia. For all I used a filter-modified (by Hutech) Canon 5D Mark II camera.

April 15, 2014April 15, 2014

Lunar Eclipse from Oz

The eclipsed red Moon rises over the waters of Lake Macquarie on the east coast of Australia.

I was still in Australia for this eclipse and managed to see and shoot it, but only just!

I was on the Central Coast of New South Wales, where clouds and rain have been prevalent all week, in part caused by departing remnants of Cyclone Ita. The prospects for seeing this eclipse from the coast looked bleak indeed.

From eastern Australia, the Moon rose at sunset in mid-eclipse on our evening of April 15. I was with family in Australia and so we made an evening picnic of the event, joining a few others in the lakeside park who were there to also see the eclipsed Moon over Lake Macquarie, Australia’s largest salt water lake. I wanted to catch this eclipse over water, to see the effect above — the “glitter path” from the Moon but one turned red by the eclipsed Moon.

As we were about to give up, I caught sight of the Moon as it rose into breaks in the cloud, revealing the red Moon near Spica and Mars. We saw the last of totality and the early stages of the final partial eclipse. But later in the evening clouds rolled in again and the rain poured down. Indeed, I took my last images of the eclipse with light rain falling and the cameras getting wet. This isn’t the first eclipse I’ve watched in the rain!

I shot with fixed cameras with 50mm and 135mm lenses. The top image is a 135mm telephoto shot, the other three are with the 50mm lens.

April 11, 2014April 11, 2014

The Galactic Archway of the Southern Sky

The southern Milky Way arches across the sky, with the centre of the Galaxy overhead at dawn.

This was the sky at 4:30 this morning, as Venus rose in the east (to the right) amid the zodiacal light, and with the Milky Way soaring overhead. This image is a 360° panorama of the scene, with the zenith, the overhead point, at the top centre of the frame.

The location is the Two Styx Cabins, on the border of New England National Park in New South Wales, Australia. The cabin with the light on (I left it on on purpose for the photo) is where I stayed for two nights in splendid isolation.

The panorama is a stitch of 6 frames shot with an 8mm fish-eye lens, each 1-minute exposures on an untracked tripod. I used the PTGui software program to assemble the pan.

Below is an alternative rendering, in spherical format, to create the more classic “fish-eye” view, but one extending well below the horizon. So this is not one image but a stitch of six.

In this version you can more readily see the spectacle of the Milky Way at dawn in the southern hemisphere autumn months, with the bulge of the galactic core directly overhead as seen from this latitude of 30° south. It is a wonderful sight.

This is my last view of it for this trip. Till next year!

April 6, 2014

The Waxing Moon of Oz

The waxing Moon shines amid twilight clouds from Australia.

While it looks like a waning morning Moon, this is the waxing evening Moon, inverted compared to northern hemisphere views. I shot this two evenings ago as the crescent Moon enters the evening sky.

With the return of the Moon to the sky, my dark sky observing sessions end. Next on the agenda is the total eclipse of the Full Moon on April 15. I hope to shoot that over the ocean from the Australian coast.

April 6, 2014

Venus in the Zodiacal Light

Venus shines brightly amid the glow of Zodiacal Light below the Milky Way.

At dawn from Australia this was the last view I saw each night on my run of southern sky observing nights. This is Venus, high in the morning sky, amid the faint pillar of light called the Zodiacal Light. The glow is sunlight reflected off cometary dust in the inner solar system.

Above is the centre of the Galaxy area of Sagittarius. This scene was a wonderful way to end a night of perfect astronomy under the southern stars.

April 6, 2014

Mars and Spica from Oz

Mars and Spica form a contrasting pair of stars in the east, as Mars reaches its closest point to Earth.

This was the scene two nights ago, April 5, as Mars and Spica rose together in the east. Mars is now near opposition, its closest point to Earth making Mars extra bright. Its reddish tint contrasts nicely with blue-white Spica, the brightest star in Virgo.

If the arrangement of Mars and Spica looks unusual, it’s because I took this from Australia. So the relative position of Mars and Spica looks “upside down” compared to a northern hemisphere view. Moonlight from the waxing Moon light the gum trees.

April 4, 2014

The Milky Way of the Deep South

The Milky Way of the southern hemisphere contains some astonishing deep-sky sights.

The lead image above shows the section of the Milky Way that extends farthest south, and so is visible only from tropical latitudes in the north and, of course, from the southern hemisphere. I shot these images this past week in Australia.

The wide-angle image above takes in the southern Milky Way from Vela, at right, to Centaurus, at left. In the middle is the Southern Cross (left of centre), the Carina Nebula complex and surrounding clusters, and the False Cross at right of frame. The close-ups below zoom into selected regions of this area of the Milky Way. All are spectacular sights in binoculars or any telescope.

This image frames the left side of Crux, the Southern Cross. The bright stars are Becrux (top) and Acrux (bottom). Just below Becrux is the compact and brilliant Jewel Box cluster, aka NGC 4755. Below it are the dark clouds of the Coal Sack, which in photos breaks up into discrete segments and patches.

This region is a favourite of mine for images and for visual scanning in any telescope. The large nebula is the Lambda Centauri complex, also labelled the Running Chicken Nebula. Can you see its outline? Above it is the beautiful Pearl Cluster, aka NGC 3766.

This is the standout object in the deep south – the Carina Nebula complex. I’ve shot this many times before but this is my best take on it. At upper left is the Football Cluster, NGC 3532, while at upper right is the Gem Cluster, NGC 3293.

Seeing this area in person is worth the trip to the southern hemisphere. There are now many photographers up north who have shot marvellous images of Carina but using robotic telescopes. They have never actually seen the object for themselves. They print the images upside down or sideways, a sign of their detachment from the real sky.

You have to stand under the southern stars to really appreciate the magnificence of the Milky Way. All else is just data taking.

April 3, 2014

Zooming into the Centre of the Galaxy

A series of closer images zooms us into the Milky Way looking toward the centre of our Galaxy

Here are some images I took this past week at the OzSky Star Safari near Coonabarabran, Australia. The lead image above is a wide-angle lens image of all of Scorpius (above and to the right) and Sagittarius (below and to the left) straddling the Milky Way and its bright glowing core. The direction of the galactic centre is just left of centre of the image. We can’t see the actual centre of the Milky Way with our eyes and normal cameras because there are just too many stars and obscuring dust lanes in between us and the core.

The dust forms marvellous patterns across the glowing Milky Way — see the Dark Horse prancing at left? Long tendrils of dust reach from the feet of the Horse to the bright yellow star at top, Antares, the heart of Scorpius.

This image with a longer lens zooms in closer to the bright Sagittarius Starcloud around the heart of the Galaxy. All along it you can see red and pink nebulas, from the Cat’s Paw at upper right to the Eagle Nebula at lower left. The larger pink object at centre is the Lagoon Nebula.

The next image zooms into the area at the centre of the above shot, just right of the Lagoon.

This is the star-packed Sagittarius Starcloud. Everything you see is stars. Millions of stars.

I took this shot with a 300mm telephoto — a small telescope actually, the gear shown below. It’s what I was using most of this past week to shoot the Australian southern sky.

This is some of my Oz gear, the equipment (except for the camera and autoguider on top) that stays in Australia for use every year or two. The mount is an Astro-Physics 400 and the scope is the Borg 77mm f/4 astrograph. I used it for the close-up photo.

The gear all worked great this time. I’ll have more photos to post shortly as my connection allows. Tonight, I am at the Parkes Radio Observatory where the internet connection is as good as it gets!

April 1, 2014

Centre of the Galaxy Rising

The centre of our Galaxy rises above the gum trees of Australia.

This was the scene at 3 a.m. this week at our OzSky star party, as the stars of Scorpius and Sagittarius rise into the eastern sky, a magnificent view of the bright core of the Milky Way rising into view.

The image shows the intricate lacework of dark dust that lines the Milky Way – the stardust of which we are made. The bright star at upper left is Antares, the heart of the Scorpion.

This is one of the views you travel to the southern hemisphere to see. It is an unforgettable sight, one of the best the sky has to offer.

April 1, 2014

Observing under the Southern Stars

The Milky Way arches over our observing field at the OzSky star party in Australia.

What an amazing few nights it has been. We’ve enjoyed several clear nights under the fabulous southern Milky Way. About 40 people from around the world have had access to telescopes from 14-inch to 30-inch aperture to explore the wonders of the southern sky from a dark site near Coonabarabran, New South Wales.

I’ve seen lifetime-best views of the Tarantula Nebula, the Carina Nebula, the Horsehead Nebula, the Omega Centauri cluster, and on and on! But the views of Mars have been incredible, the best I’ve seen the planet in a decade as it is now close to Earth and high in our southern sky.

The panorama above is a stitch of 6 untracked segments taken with a Canon 60Da and 8mm fish-eye lens. Each segment is a 60-second exposure at ISO 3200.

The 360° panorama takes in the Milky Way from Canis Major setting at right, over to Scorpius and Sagittarius and the centre of the Galaxy rising at left. At top centre is the wonderful Carina and Crux area. The two Magellanic Clouds are just above the trees at centre.

At upper left is Mars, and just to the left of it is a diffuse glow – the Gegenschein, sunlight reflected of comet dust in the direction opposite the Sun. Mars is near that point now. You can just see a faint band running from the Gegenschein to the Milky Way — the Zodiacal Band of comet dust.

Here, one of our observers takes in a view through a 24-inch reflector telescope under the stars of the Southern Cross, the pattern in the Milky Way behind him.

The nights have been warm and wonderful, though a little damp and dewy after midnight. However, rain is in the forecast again, a welcome relief for most local residents who want the rain. They can have it now. We’re happy!

March 28, 2014April 1, 2014

The Milky Way on an Australian Morning

The Milky Way arches across the pre-dawn sky on a morning in Australia.

This was the view this morning, Saturday, March 29, at about 4:00 a.m. from my observing site near Coonabarabran, Australia. What a sight! The Milky Way extends from Aquila, in our northern sky at left, all the way across the heavens to Crux and Carina, in the southern sky at right. Just left of centre high in the south lies the bright centre of the Galaxy, in Sagittarius and Scorpius.

My ultrawide-angle image frames the “Dark Emu,” made of dark lanes and dust clouds in the Milky Way and prominent in aboriginal sky lore in Australia. His head is the Coal Sack at upper right, his neck the curving dust lane from Alpha Centauri to Scorpius right of centre, and his tail and feet are in the dust lanes left of the galactic centre on the left side of the image. He extends all the way across the sky.

Venus is just coming over the gum trees at lower left. The glow of zodiacal light – sunlight reflected off comet dust in the inner solar system – extends up from Venus to the Milky Way.

After three days of rain – cheered by the residents here! – the skies have cleared and the big telescopes have all arrived for our star party this week. It should be a superb week of stargazing, off to a great start with this view in the Australian dawn.

March 24, 2014

Our Neighbour Galaxy, the Large Magellanic Cloud

One of our nearest galactic neighbours contains an astonishing collection of nebulas and star clusters.

This is the money shot — top of my list for targets on this trip to Australia. This is the Large Magellanic Cloud, a satellite galaxy of our Milky Way. At “just” 160,000 light years away, the LMC is in our galactic backyard. Being so close, even the small 77mm telescope I used to take this image resolves numerous nebulas, star clusters, and a mass of individual stars. The image actually looks “noisy” from being filled with so many stars.

I’ve oriented and framed the Cloud to take in most of its main structure and objects. One can spend many nights just visually exploring all that the LMC contains. It alone is worth the trip to the southern hemisphere.

At left is the massive Tarantula Nebula, a.k.a. NGC 2070. At upper right is the LMC’s second best nebula, the often overlooked NGC 1763, also known as the LMC Lagoon. In between are many other magenta and cyan tinted nebulas.

I’ve shot this object several times but this is my best shot so far I think, and my first with this optical system in several years.

I used a Borg 77mm aperture “astrograph,” a little refractor telescope optimized for imaging. It is essentially a 330mm f/4 telephoto lens, but one that is tack sharp across the entire field, far outperforming any camera telephoto lens.

This shot is a stack of six 10-minute exposures at ISO 800 with the filter-modified Canon 5D MkII camera. The autoguider worked perfectly. And yet, I shot this in clear breaks between bands of clouds moving though last night. The night was humid but when the sky was clear it was very clear.

Next target when skies permit: the Vela Supernova Remnant.

March 23, 2014

A Dreamy Carina Nebula

The Carina Nebula glows among the colourful southern stars.

I’ve shot this field many times over the years in visits to the southern hemisphere but never with a result quite like this. Last night the sky was hazy with high cloud but I shot anyway. The result is a “dreamy” rendition of the Carina Nebula and its surrounding clusters of stars. At upper left is the Football Cluster, NGC 3532, while at upper right is the Gem Cluster, NGC 3293.

As with my previous post, the haze brings out the star colours, filling the field with pastel shades. It is one of the finest fields in the sky, worth the trip down under.

Alas, skies have clouded up tonight with only a few bright stars and Mars shining through. And the forecast is for rain for the next few days. So I may get lots of writing done at my Aussie retreat.

As a technical note: I shot this with the little 77mm Borg Astrograph, essentially a 300mm f/4 telephoto lens that is tack sharp across a full frame camera, like the Canon 5D MkII I used here. It was riding on my Astro-Physics 400 mount and guided flawlessly with the Santa Barbara SG4 auto-guider. The image is a stack of four 8-minute exposures. All the gear, much of it stored here in Australia between my visits, is working perfectly.

March 22, 2014

The Southern Cross and Carina Nebula

Two icons of the southern hemisphere sky shine side by side in the Milky Way.

Last night was a hazy one at my site in Australia, with high clouds drifting through all evening. I made the best of it and shot some constellations, including the most famous in the southern sky, the Southern Cross, or Crux. It stands at left in the frame, with its distinctive four main stars, three of the blue and the top star of the cross, Gacrux, a very orange tint.

To the left of and below Crux the Milky Way is marred by a dark cloud of interstellar dust, the Coal Sack.

To the right of the frame you can see the pink “flower” of the Carina Nebula, one of the largest star forming regions in the sky. It is flanked by several star clusters, notably the very blue Southern Pleiades, or IC 2602, shining below the Carina Nebula.

The natural haze in the sky added glows around the stars, accentuating their colours.

In all, this is one of the richest and most colourful areas of the sky. It’s a highlight of any southern sky tour.

March 21, 2014

The Milky Way from Down Under

The Milky Way of the southern hemisphere arches across the sky from the Southern Cross to Orion.

I’ve arrived at my dark sky site near Coonabarabran, Australia, with a very clear night to start my two-week session under the southern stars. Tonight I had just a 2-hour window between end of twilight and moonrise. But I made good use of it by taking some ultra-wide-angle views of the Milky Way we never see from up north.

This horizon-to-horizon scene looks straight up and stretches from the Southern Cross at far left (in the east) through Vela and Puppis to Orion at right (in the west). This sweep includes much of the Milky Way forever below our horizon from northern latitudes. At centre is the wide loop of the Gum Nebula. At lower left is the Large Magellanic Cloud, a satellite galaxy of the Milky Way.

At upper right is Jupiter in Gemini. The two bright stars near the centre are Canopus (left of centre) and Sirius (right of centre).

This is a stack of five 5-minute exposures at f/4 with the 15mm full-frame fish-eye lens on the Canon 5D MkII at ISO 1000. The camera was on the iOptron Skytracker, its first time in the southern hemisphere and my first time aligning it on the South Celestial Pole. It took a few minutes but I got it! The tracker worked great.

The forecast is for clouds and rain the next few days. But I’m here for over two weeks, and the weather can’t be any worse than it was in 2010 when the area was flooding. So with luck there will be more images to come from down under.

March 17, 2014

The Pull of the Moon

The Full Moon rises over the Pacific Ocean, exerting its pull on the ocean tides.

This was the scene last night, Monday, March 17, 2014 from the headlands at Woolgoolga, New South Wales, Australia. The views overlook the Pacific Ocean with the Full Moon rising. If the Moon looks a little odd, it’s because I took these images from “down under,” where the Moon appears upside down compared to what we northerners are familiar with.

However, no matter your hemisphere, the Moon exerts a tidal pull on the globe, which manifests itself most obviously as the twice-daily rise and fall of the ocean tides at shorelines like this. When I took these shots at moonrise, the tide was just past its minimum and was beginning to come in again, for a peak later that night with the Moon high in the north.

Moonrise at Woolgoolga, Australia #1

This image was from a few minutes earlier, with the Moon having just risen and looking a little more pale against the darkening twilight of the eastern horizon.

I’m in Australia for the next few weeks, to shoot lots of images of the southern autumn sky, skies permitting.

February 27, 2014

Waning Moon in the Sunrise Clouds

The thin waning Moon sits in the red clouds of sunrise on a winter morning.

This was the scene this morning, February 27, just before sunrise when I was able to catch the thin crescent Moon – a waning Moon – amid the sunrise clouds. The Moon just happened to appear in a clearer hole in the clouds, in a blue patch above the pinks and oranges of the clouds. They contrast with the cold blue snow below.

This was a beautiful scene to start the day.

February 26, 2014February 26, 2014

Moon and Venus in the Winter Dawn

This was the scene at dawn on a cold winter morning as the waning Moon appeared near Venus.

The temperature was only -15° C, so rather pleasant compared to the -30° C it has been the last couple of mornings. On February 26, I awoke at 6 a.m. and ventured into the cold winter morning to shoot the conjunction of the crescent Moon beside Venus above the snowy landscape of southern Alberta.

This was not a particularly close conjunction, at least not for us in North America. But its location low on the southeast horizon made the scene attractive and photogenic.

I aimed the camera the other way, to the southwest, to catch bright Mars (at right near Spica in Virgo) and Saturn (at left in Libra) above the abandoned farmhouse. The stars of Scorpius shine at left.

So we had three planets visible at dawn this morning, a fine sight to start the winter day.

February 13, 2014February 13, 2014

Rings Around the Moon

An ice crystal halo surrounds the Moon while a jet contrail crosses the sky.

On our last nights earlier this week at the Churchill Northern Studies Centre we had a bright gibbous Moon in our sky (as did everyone in the world!). We also had high-altitude clouds filled with ice crystals, the source of the “ring around the Moon” effect. This is a lunar halo, created by moonlight shining through six-sided ice crystals. This halo exhibits rainbow-like colours as well.

But this night, conditions were also ideal for seeing the contrails from jets flying overhead on polar routes from Europe to North America. In the main image above, you can see the jet departing to the west at lower right. Its high-altitude contrail is casting a dark shadow onto the lower cloud deck.

This view, taken earlier in the evening shows a more pronounced lunar halo with a horizon-to-horizon contrail shooting straight across the Moon and also casting a shadow.

I used an 8mm fish-eye lens to capture this 360° image of the entire sky. I was able to shoot this image in shirt-sleeve comfort through the rooftop plexiglas viewing dome at the Centre.

In this image, taken outside at -25° C, the sky is clearer but still contains enough ice crystal cloud to create a bright lunar halo. When I took this image on February 9 the Moon was to the right of bright star-like Jupiter, and in the middle of the winter stars and constellations, such as Orion just below the Moon.

Lunar haloes can be seen at any season. On any night with a nearly Full Moon embedded in high haze, look up!

February 10, 2014February 10, 2014

Boreal Aurora

The northern lights – the aurora borealis – shine above the trees of the northern forest – the boreal forest.

This was the scene on Sunday night, February 9, 2014, as the aurora intensified for a few minutes making for a photogenic backdrop to the snow-covered pine trees of the boreal forest.

The landscape looks like daylight but is actually being lit by the light of the bright waxing Moon in the south. These scenes are looking north.

I shot these images as part of my stay at the Churchill Northern Studies Centre where I have been presenting enrichment lectures to two groups of tourists here to see the northern lights during week-long stays. Both groups have been successful in seeing the lights on at least one to two nights of their stay, with the displays usually appearing as sky-spanning arcs overhead.

Here I took the time to take a “selfie” under the northern lights, as the curtains began to wave early in the evening.

In all, it has been a fantastic experience, to witness the lights from a site right under the active auroral oval at 58° north.

February 8, 2014February 9, 2014

Waves of Northern Lights in Time-Lapse

Watch waves of aurora wash over the sky rising out of the west to swirl overhead.

This was the spectacle we saw Friday night at the Churchill Northern Studies Centre, as the northern lights filled our sky. I set up my camera on the east side of the main building, out of the bitterly cold west wind. The fish-eye lens is aimed west but its view takes in most of the sky.

The bright object at lower left is the Moon.

The still image above is a frame from the 349-frame time-lapse movie below.

Each frame is a 7-second exposure at f/3.5 and ISO 1250. The interval is 1 second.

The movie covers about 45 minutes of time, compressed into 30 seconds. It shows the aurora peaking in intensity, then fading out behind the ever-present thin cloud drifting through all night.

What amazes me are the waves and loops of auroral curtains that come at us from the west (bottom behind the building) then swirl around the zenith overhead. They move off to the east and north at the top of the frame.

Even watching this in real-time the scene was astonishing. The curtains rippled so quickly, forming and reforming over the sky, you didn’t know where to look. As the image above shows, people just stood amazed.

P.S.: You can view a better-grade version of the movie at my Flickr site.

February 8, 2014

Aurora in Orion

Last night, February 7, the Northern Lights danced for us again, starting with a curtain of green and pink in the south.

Our second tour group at the Churchill Northern Studies Centre has been here a couple of days, all under what looked like hopeless cloud. But last night the clouds cleared unexpectedly to reveal a moonlit winter sky.

I completed my evening talk all about the Sun and aurora, during which we were monitoring the auroral activity indicators on SpaceWeather.com. Sure enough, about 9:30 pm, right on cue and perfectly timed for convenience, a curtain of light began to dance across the southern sky, appearing in Orion. The gibbous Moon is just off frame to the right. We began the viewing from the Centre’s second floor viewing deck which looks east and southeast.

This view shows the auroral curtain over the derelict launch towers of the Churchill Rocket Range. Built in 1957 for the International Geophysical Year, the Rocket Range was in use until the mid-1980s as Canada’s only launch facility. Hundreds of sounding rockets, many of them Canadian-built Black Brants, were launched from here, shooting up into the ionosphere on nights just like this to study the aurora.

Orion is at right. While we saw this curtain in our southern sky, others farther south in Canada were seeing it in their northern sky. The greens were easy to see with the eye but the magentas were visible only by the camera and I have punched up their intensity here.

This night, as the aurora display developed it moved north to the zenith, shown here, with the sky also lit by moonlight and with some high haze. But the combination makes for a wonderful abstract swirl of light and colour.

February 5, 2014

Orion over the Rocket Range

Orion and Sirius shine over the abandoned launch towers of the Churchill Rocket Range.

This was the view Monday night, during a lull in the aurora display when I took a few moments to shoot the stars. You can see Orion at centre, with his trio of Belt stars pointing left and down to Sirius, the Dog Star in Canis Major, and the brightest star in the night sky. The Belt stars point up and right to Aldebaran, the brightest star in Taurus the bull.

They look closer to the horizon than you might be used to as this is from 58° north latitude.

These winter stars shine above some of the launch structures of the old Churchill Rocket Range. Built in 1957 for the International Geophysical Year, the Rocket Range served for many years as Canada’s only launch facility. No satellites were launched here. Instead the towers were used to launch sub-orbital sounding rockets into the ionosphere to explore the aurora.

Some of the rockets were repurposed military missiles, like Nikes and Aerobees. But many were Black Brants, civilian research rockets still being built in Winnipeg by Bristol Aerospace.

But no Black Brants take off from here now. The Rocket Range was shut down in the mid-1980s as Canada’s space program focused on satellites, the Space Shuttle, and sending astronauts into space. Attempts by private companies to revive the site have all failed and the structures are now becoming derelict, being too costly to remove.

February 4, 2014

Awestruck Under the Aurora

Aurora - Feb 3-4, 2014 (Fisheye #2)

The sky simply does not get any more amazing than this, as the Northern Lights dance across the heavens.

On the last night for our first aurora tour group of the season, the sky performed perfectly. Clouds cleared to reveal a star-filled winter sky, and after the evening talks and farewell drinks, the aurora began to appear. First it was a bright arc across the north, prompting me to try some self-portraits, as below.

But at about 2 a.m. a diffuse arc across the zenith exploded into activity, with rapidly waving and weaving curtains.

Everyone was awestruck. Some cheered and hollered. Others just watched in stunned silence. Some were busy with cameras. Others just enjoyed the view of a lifetime.

It was a cold night, but the aurora kept performing in waves, dimming for a time – allowing us to retreat to the warm cafeteria for hot chocolate. Then the display would brighten again to the west and a new wave of intensity would sweep across the sky to the east.

You didn’t know quite where to look to take it all in. The sight was overwhelming. Here the curtains ripple through Orion, Taurus and Auriga, all setting into the west.

The Churchill Northern Studies Centre has a new building opened in 2011 that is ideally set up for aurora watching. The building can go dark, and is located far enough from Churchill that local light pollution is not an issue. On the roof is a plexiglas dome where several people can view the Northern Lights and the entire sky in shirtsleeve comfort. The image is good enough for wide-angle photography. Sheer luxury!

But there’s nothing like being outside on a cold Arctic night, looking up and seeing this sight – thin curtains of light twisting and turning more quickly than you can take in and comprehend. It is one of nature’s greatest shows. And what a fantastic place to see it.