Alberta – Page 3 – The Amazing Sky

July 9, 2013July 10, 2013

Sunrise on the Plains

The Sun rises into a pastel palette of sky and earth tones.

I woke up early, just at sunrise, looked outside and wow!

I grabbed the camera and telephoto and got another nice shot right from my back deck. The canola field next to my yard is proving to be a photogenic foreground now that it’s in full bloom, just in the last couple of weeks.

There was enough haze and humidity in the air to dull the Sun to a fiery orange. The range of shades in earth and sky was wonderful. It was a classic prairie scene worth getting up for.

Being able to see the horizon is why I live on the plains and not in the foothills or mountains. And certainly not in the city!

July 7, 2013

The Milky Way over a Canola Field

The Milky Way arches over a field of yellow canola on a dark summer night.

The night was beautifully clear and moonless with a glow to the north of perpetual twilight still lingering. The Milky Way was obvious so I hiked to the middle of the canola field next to my house, visible here lit by the red lights at left.

To shoot this panorama I used the same technique as in the The Colour of Dark panorama image from last month which has proved quite popular: I shot eight exposures at 45° spacings using the 8mm fish eye lens. Each was a 60 second exposure at ISO 4000 and f/3.5. I assembled the panorama using PTGui software, from images processed in Adobe Camera Raw.

The sky was well exposed but the ground was still dark, lit only by starlight. It took some processing in Camera Raw (Shadow Detail) and Photoshop (Shadows and Highlights) to bring out the yellow field of canola in the foreground.

While the sky looked neutral grey to the eye, I’ve punched up the colours a lot to reveal the blue twilight, green and magenta aurora to the north, bands of greenish airglow across the sky, and yellow glows of light pollution.

The odd streaks of light on the canola are reflections of the horizon lights in the soaking wet dew on the canola. It was a very damp night after a day of rain.

July 5, 2013July 7, 2013

Low Bow over Canola

A horizon-hugging rainbow shines over a blooming field of canola.

You don’t often see a rainbow like this. Just the top of the bow pokes above the horizon and a field of yellow canola.

The reason is the Sun’s altitude. When I shot this in late afternoon yesterday, July 4, the Sun was 40 degrees up in the northwest. That means the point opposite the Sun was 40 degrees below the horizon in the southeast. Rainbows are centred on this anti-solar point and are always 42 degrees in radius. So doing the math shows that only the top 2 degrees of the rainbow arc could be visible above the horizon, creating a rainbow chord.

Later in the evening as another storm receded, a more classic bow appeared, this time as a double rainbow. With the Sun now much lower the anti-solar point was higher and more of the semi-circular bow appeared in the sky. I wish I could have shot a time-lapse of “rainbow rise” but downpours of rain prevented me from leaving the camera out.

These are neat examples of the play of light and colour in the open air. For lots more information, check out the wonderful Atmospheric Optics website.

July 1, 2013

Aurora over a Prairie Lake

A brief display of Northern Lights shines over a prairie lake.

Last night I went out to a nearby lake (there aren’t many in southern Alberta!) to shoot the twilight over water, and hoping to catch some aurora or noctilucent clouds as well.

There was lots of twilight but very little sign of aurora or NLCs. But at about 1 am the aurora kicked up briefly, enough to make a good photo but certainly nothing to get excited about for its visual appearance. It was just visible.

However, it was a fine evening of shooting at a quiet prairie lake. Crawling Lake is one of several reservoirs in the area that are part of the extensive irrigation system in southern Alberta. Despite the recent floods, this area is usually dry and drought-sticken.

This shot, which I took early in the evening, shows the lone star of Capella, shining in the twilight of a solstice summer sky. From my latitude of 51° N, Capella, normally considered a winter star, is circumpolar. It never sets and so can be seen skimming along the northern horizon on short summer nights.

An ultra-wide view shows the perpetual twilight of summer to the north, with the circumpolar stars of summer above. A campfire from some late-arriving campers is on the shore at right.

Happy Canada Day!

June 29, 2013

Night of the Northern Lights

The Northern Lights danced all night, as Earth was buffeted by winds from the Sun.

As soon as I saw the warning notices at Spaceweather.com I was hoping we would be in for a wonderful night of aurora watching. I wasn’t disappointed.

Forewarned, I headed out to the Wintering Hills Wind Farm near my home in southern Alberta. I thought it would be neat to get shots of the effects of the solar wind from beneath and beside the wind turbines of the farm. The shot above is from a time-lapse movie taken with a fish-eye lens that will look great when projected in a full-dome digital planetarium.

I shot with three cameras, with two aimed east to where the brightest part of the auroral arc usually sits. It was also exactly where the Moon would rise after midnight. This shot, above, captures the scene right at moonrise, which was also right when the aurora kicked into high gear as a sub-storm of solar particles rained down on our upper atmosphere. The ground lit up green with the glow of oxygen in the mesosphere, some 100 kilometres up.

This shot, taken moments later with a longer focal length lens, grabs the waning Moon shining behind the distant wind machines, and beneath the arc of auroral curtains.

In all, I shot 50 gigabytes of raw images, both still images and frames for time-lapse movies. I’ve assembled most of them into a musical collage that honours the night. In the final sequence of the movie, it almost looks like the wind machine is facing into the brunt of the solar wind, as pulses of aurora surge from out of the east toward the turbine towering overhead.

The music is by a new favourite artist of mine, the Italian composer Ludovico Einaudi. His latest album of alt-classical/new age music is called “In a Time Lapse.” How could you not like that?! Buy it on iTunes. It’s stunning.

I hope you got to see the Night of the Northern Lights in person. If not, I trust these images and movies give you a sense of the wonder of what the solar wind can do.

June 28, 2013

Coal Dust Stars

The timeless stars turn above a long-abandoned coal mine near East Coulee, Alberta.

For decades, between 1912 and 1979, homes and trains were fueled by coal from the Atlas Coal Mine, one of many in the river valley near Drumheller, Alberta.

Thousands of mine workers populated the boom towns set in the badlands of the Red Deer River. The mines and most of the people are long gone. The Atlas Coal Mine was the last to close, holding out well into the current age of natural gas for home heating and diesel for the trains.

It’s the only mine with buildings that still exist, now as a tourist attraction with daily tours of the mine, both above and below ground.

I spent the evening there last night, the only visitor, except for the owls and coyotes. I was shooting time-lapse sequences and some stills. The shot above is a composite of twenty 1-minute exposures to create the star trails.

For those who prefer a more realistic scene, the short-exposure image above captures the sky more as the eye saw it, with Arcturus and the stars of the Big Dipper shining above the massive wooden tipple.

The Drumheller area is rich in history and photo ops, both for day and night shooting.

June 27, 2013

Night of the Noctilucent Clouds

It was a beautiful summer evening, with stars wheeling overhead in a moonlit sky and the only clouds far away and interesting.

This was one of those nights we get once or twice a summer when the much-anticipated noctilucent clouds – the clouds of summer – put on a perfect show. In my previous post I featured an image from early in the night, last night, June 26, 2013.

These are images and time-lapse movies from later in the night. The composite image above shows stars trailing over 90 minutes with the brilliant noctilucent clouds on the horizon, and fringed by a rosy glow of red twilight where the southern edge of the cloud display, which sits over the Northwest Territories, is being lit by a setting Sun with red sunlight filtering through our atmosphere as it passes over the North Pole.

This telephoto lens shot above captures a close-up of the rosy-fringed noctilucent clouds, behind a lightning-lit thunderstorm rolling through storm alley in central Alberta. The storms can stay there! We’ve had enough of them for a while!

My time-lapse sequence extends over about 90 minutes and opens with a wide-angle view of the display as it appeared low on the horizon. What follows are two closeup views that really show the intricate wave-like motion of these high-altitude mesospheric clouds, and their changing lighting and colours.

These are beautiful clouds drifting on the edge of space but it takes time-lapse to reveal their fluid-like motion.

June 27, 2013

Thunderstorm and Noctilucent Clouds

Two very different forms of clouds drift along the horizon: a thunderstorm nearby and low, and noctilucent clouds far away and high.

This was the scene last night, as another thunderstorm to the north of me rolled along the horizon drifting away to the east. A bolt of lightning illuminates the storm clouds. The thunderstorm was over central Alberta, and at the bottom of our atmosphere, in the troposphere.

Meanwhile, in the background, a beautiful display of noctilucent clouds crept along the horizon in the other direction, drifting to the west. These clouds were over the Northwest Territories, a thousand or more kilometres away to the north and 80 to 100 kilometres high, at the top of the atmosphere in the mesosphere.

The NLC display lasted all night, or for at least as long as I was able to stay up and shoot.

This is a telephoto lens shot that zooms into the brightest part of the NLC display.

June 26, 2013June 26, 2013

Thunderstorm in the Moonlight

A thunderstorm rolls across the northern horizon with the stars of Cassiopeia and Andromeda rising.

This was a perfect night for storm shooting. The storm was far enough away to not engulf me in rain and wind, but close enough to show detail and reveal its bolts of lightning. A waning gibbous Moon shone in the south lighting up the storm clouds to the north and turning the sky blue.

Meanwhile the stars of Cassiopeia, Perseus and Andromeda were rising behind the storm clouds, a nice contrast of Earth and sky.

I’ve been after a confluence of circumstances like this for a few years. An aurora to the northeast would have been nice as well. But you can’t have everything!

June 25, 2013

Bow River Returning to Normal

The raging waters of the Bow are subsiding leaving a city to clean up the mess.

This was the scene Tuesday night, June 25, in a panorama I took from a favourite spot overlooking the skyline of Calgary, a place where many news reports emanated from over the weekend.

It is amazing how fast the floodwaters have retreated. The Bow River is still very high and swift, and some parts of the valley are still under water, but the river is quickly returning to its normal channels and size.

Tonight, people were walking and hiking along paths and bridges that three days ago were underwater or closed to all traffic. Indeed, much of what is below me in this photo, including Memorial Drive, was covered with water. Riverside neighbourhoods that were lakes are now streets again, though lined with houses soaked and damaged. Construction crews work to shore up badly eroded banks. The floods have certainly changed the riverbed of the Bow.

And still, in the sky storms and rain continue to threaten. It will be months, if not years, before everything returns to a new normal.

June 23, 2013June 23, 2013

Floodwaters at Bow River Crossing

This is not a picture of the amazing sky but a document of what the sky can do when it decides to be merciless.

No one has seen anything like this in living memory, with homes under water and the river swollen to a lake engulfing the Bow River Valley.

These panoramas depict the heart of the Siksika First Nation, part of the Blackfoot Confederacy. It was in this valley, where the Blackfoot had traditionally held their summer camps, that Treaty 7 was signed in 1877 between Chief Crowfoot and James Macleod of the NWMP. The history of the area is presented at the beautiful Blackfoot Crossing Historical Park interpretive centre, shown in the image below. We’ve held several popular public stargazing sessions there. It was closed today, ironically due to a lack of safe water.

It was here at this spot in the Bow River Valley that nomadic hunters could easily cross the river. Up to this weekend a bridge, seen in the distance in the image below, had allowed modern travellers to make the crossing. But no more. The bridge is closed and may never reopen, until it is rebuilt. Today, water was roaring just below the bridge deck. And waters have receded in the last 24 hours.

There is some fear that a ferry downstream, the Crowfoot Ferry, one of the last river ferries in Alberta, might break loose and crash into the Bassano Dam.

Dozens of homes are underwater and hundreds of people displaced to evacuation shelters. The water came up so fast many people had just minutes to get out.

Those I spoke to today, including one 68-year-old resident, said they have never seen the Bow flood as bad as this. The high waters, having breached the Carseland Dam upstream from here, are now heading downstream to fill the Bassano Dam and flood the lower Bow and South Saskatchewan River through Medicine Hat. As those upstream clean up, those downstream prepare for the onslaught of water.

June 22, 2013

The Rising of a “Supermoon”

Here is the much hyped Supermoon of 2013 rising into a twilight sky on the wet Alberta prairies.

A clear night for a change, with no storms about. Though one rolled through earlier today. We don’t need any more rain! Thankfully I am high and dry on the Alberta prairie but many friends to the west are not so lucky and have been flooded out, evacuated or have been camping in their homes with power and heat off. Calgary has largely come to a standstill, with the main pastime being watching the rivers rise and fall.

Tonight, after two days of destruction from horrific floods, at least we in southern Alberta were able to enjoy a clear night and the sight of the wonderful solstice Moon rising. This is the closest Full Moon of 2013 and has received an inordinate amount of PR as the “supermoon.”

It certainly did look fine tonight, though in truth no one could ever tell the difference between this “supermoon” and any normal Full Moon.

But perhaps this one is a little special, reminding us that the sky brings beauty as well as destruction.

June 21, 2013

Summer Solstice Panorama on the Prairie

This is the prairie night sky taken at the moment of summer solstice.

I shot this 360° panorama in the field near my house just before midnight on June 20, 2013, right about the official time of summer solstice. This is the longest night of the year and the brightest. The presence of the gibbous Moon contributes most of the night light, but there to the north at left you can see the glow of twilight and an aurora. At right, the waxing Moon shines in clouds, surrounded by a faint halo from ice crystals in the clouds.

Nights around solstice are always bright and filled with wonderful colours and atmospheric phenomena.

The tranquility of the solstice scene is in contrast with the horrific weather disaster taking place west of me near the mountains, as record floods from torrential rains wash away roads, railway lines, and houses. Roads are closed in and out of the mountains and entire neighbourhoods of Calgary near rivers are being evacuated.

Everyone knows somebody who is affected. For many this is indeed a very long and stressful night. I hope everyone keeps safe.

June 14, 2013

The Milky Way at Solstice

The centre of the Galaxy culminates over a starlit landscape on a night near the summer solstice.

This was last weekend, on the same night I took the images of the aurora and noctilucent clouds featured in the previous two blog posts. But toward the end of the shoot, I turned south to capture this scene, of the Milky Way over a grassy prairie field.

The landscape is lit only by starlight and by the glow of twilight and aurora to the north.

In the sky, the constellations of Scorpius and Sagittarius are peaking as high as they get for me in southern Alberta. The red giant star Antares is to the right while the bright star clouds toward the centre of our Galaxy are just left of centre. The sky is not dark because of the glow of perpetual twilight at this time of year near solstice.

Deep sky fans will note that the star cluster M7, the southernmost Messier object, is just clearing the horizon.

Remarkably, this is a mere 15 second exposure, at ISO 1600 but with the 24mm lens wide open at f/1.4. Normally I wouldn’t shoot at that wide an aperture as the images look too distorted at the corners of the frame. But for this shot I used the Canon 60Da camera – its cropped-frame sensor records only the central area of what the lens projects so it crops out the nasty stuff at the corners of the frame that would certainly have been detracting had I used the full-frame camera.

But shooting at f/1.4 allowed even this quickie 15-second shot to grab lots of detail in the Milky Way.

June 10, 2013June 10, 2013

Time-Lapse: Northern Lights and Noctilucent Clouds

What strange clouds these are, moving where there shouldn’t be winds, and forming where there’s barely any air.

These are noctilucent clouds, sometimes called polar mesospheric clouds. Their icy strands form around particles at the top of the atmosphere some 80 km up. There’s almost no air up there so just how these clouds form has always been a mystery. They may be condensing around meteoric dust particles. They may also be more common now than in past decades and centuries, as the upper atmosphere cools due to an odd quirk of global warming that sees the lower troposphere warm while the upper mesosphere cools.

This was the first display of NLCs I’ve seen so far this season. They can only be seen, and indeed they only form, in summer. Sunlight streams over the pole and lights these clouds all night long. They are literally “night-shining” clouds. Only from a latitude range of 45° to 60° north and around summer solstice is the geometry right to see the clouds, usually as electric blue cirrus strands moving slowly along the northern horizon.

The time-lapse movies capture their motion over 30 to 90 minutes of shooting.

The 40-second movie contains three clips:

• The first, a wide-angle view of the amazing aurora that danced in fast accompaniment to the slow noctilucent clouds.

• The second clip, very short, zooms in a little more to the northern horizon. However, I cut that sequence short so I could switch lenses and take the next clip.

• The third scene is with a telephoto lens, framing the east-to-west slow motion of the clouds. I took 4-second exposures at 1-second intervals so it shows some pretty fine motion.

This was certainly one of the best NLC displays I’d seen and my best shot at capturing them.

What was especially rare was seeing them accompanied by auroral curtains actually moving among the clouds (or so it appeared). Both are up high in the near vacuum of near space, but they may have been miles apart in latitude.

June 10, 2013June 10, 2013

Northern Lights & Noctilucent Clouds

Colourful sky phenomena combine to provide a remarkable sky show.

What a night this was! On Sunday, June 9 the aurora kicked off with a burst in the bright twilight but really got going as the sky got dark, shooting beams of magenta and blue up from the main green arc.

Then on cue, streamers of noctilucent clouds appeared low in the north, shining with their characteristic electric blue. These are odd clouds at the edge of space lit by sunlight streaming over the Pole.

Both these apparitions of the upper atmosphere glowed above a horizon rimmed with the orange of perpetual twilight set in a deep blue background sky.

Yes, the camera has brought out the colours more intensely than the eye saw, but nevertheless it was a remarkable evening close to solstice. This is a magical time of year when all kinds of sky glows light the night.

This night the European Einstein ATV cargo craft also flew over, twice, each time about 10 minutes ahead of the even brighter Space Station that it is chasing for a docking later this week.

More images to come from this night, including time-lapses of the Lights and Clouds.

June 8, 2013June 9, 2013

The Colour of Dark

What colour is the dark night sky? Depending on conditions, it can be any colour you want.

I shot this 360° panorama last night from my backyard under what looked like a clear and fairly dark, moonless sky. Looks can certainly be deceiving. The camera picked up all kinds of colours the eye couldn’t see.

Let’s review what’s causing the colours:

• To the north just left of centre the horizon is rimmed with a bright yellow glow from all-night perpetual twilight present around summer solstice at my mid-northern latitude.

• Above that shines a green and magenta band from a low-level aurora just visible to the naked eye.

• Much of the sky is tinted with bands of green from ever-present airglow, caused by oxygen atoms at the top of the atmosphere giving off at night some of the energy they absorbed by day. I had thought the sky would look blue from the perpetual twilight but the airglow seems to overwhelm that.

• Yellow glows around the horizon at left (west) and right (southeast) are from urban light pollution from towns 50 km away.

• Some strands of remaining cloud from a departing thunderstorm add streams of brown as they reflect lights from below.

• Finally, the Milky Way shows up in shades of yellow and pale blue, punctuated here and there by red patches of glowing hydrogen hundreds of light years away.

The only thing missing this night was a display of electric blue noctilucent clouds.

The sources of most of these colours are an anathema to observers of faint deep-sky objects. Aurora, airglow and certainly light pollution just get in the way and hide the light from the distant deep sky.

A word on technique:
I shot this panorama using an 8mm fish-lens to shoot 8 segments at 45° spacings. I used the excellent software PTGui to stitch the segments together, which it did seamlessly and flawlessly. Each segment was an untracked 1 minute exposure at ISO 3200 and f/3.5. The panorama covers 360° horizontally and nearly 180° vertically, from the ground below to the zenith above. It takes in everything except the tripod and me!

– Alan, June 8, 2013 / © Alan Dyer

June 5, 2013

All-Night Satellites

It was a marvellous night for Space Station watching.

Right now those of us at northern latitudes in North America are enjoying the opportunity to see the International Space Station come over not once but often 2 or 3 times a night, as it is now lit by the Sun all night long (on our nights down here on Earth, that is).

Here are two shots from the night of June 4-5, 2013 taken from my home in Alberta at a latitude of 51° North.

My featured image above is from the ISS pass that began at 1:55 am, and is a stack of 4 tracked 2.5-minute exposures, so the stars are not trailed, but the ground is! On this pass, the ISS came overhead. This view is looking north, toward the all-night perpetual twilight we see on the Canadian Prairies around summer solstice. There’s also a low band of green aurora on the northern horizon.

I shot the image below on the ISS’s pass one orbit earlier at 12:18 am. This image is looking south to the ISS’s high pass across the south. It’s a composite of 4 untracked 2-minute exposures – thus the stars are now trailing in circles around Polaris at the top of the frame.

Both shots are horizon-to-horizon all-sky views with an 8mm fish-eye lens.

The sky isn’t dark, even in the shot taken at 2 am. At this time of year around summer solstice at northern latitudes, the sky never gets astronomically dark but is lit a deep blue by sunlight still streaming over the pole and bathing the night in a glow of perpetual twilight.

June 1, 2013June 1, 2013

Time-Lapse Techniques — Creating Star Trails

The stars wheel above the Cretaceous-age sediments of Dinosaur Provincial Park.

One of the most powerful techniques in the nightscape photographer’s arsenal is to stack lots of short-exposure images together to create the equivalent of one long exposure showing the motion of the stars. A creative tool to do this in Photoshop is the “Advanced Stacking Actions” from Steven Christenson who maintains a blog and eStore called Star Circle Academy.

I used one of his Actions to create the feature image above. Unlike more run-of-the-mill stacking procedures, Christenson’s nifty Actions can create star trails that look like comets or streaks fading off into the sky at their tail end. It’s a clever bit of Photoshop work achieved by stacking each successive image at slightly lower opacity.

You can use his Actions to create a single composite still image, as above, or to create a set of “intermediate” frames that can be turned into a time-lapse movie with stars turning across the sky and drawing trails behind them. My movie shows several variations. Click the Expand button on the movie to have it fill the screen and reveal the sub-titles.

In Clip #1 I stacked the original set of 360 images without any trailing, using the original frames that came from the camera, albeit with each frame processed to enhance contrast and colour.

In Clip #2 I stacked the images using the “Comet Trails” Action, one that produces very short comet-like streaks.

In Clip #3 I used the “Long Streak” Action to produce longer star trails, but the process also creates unusual cloud streaks as well. Rather neat.

In Clip #4 I used the more conventional “Lighten Mode” to create trails that accumulate over the entire sequence and never fade out. The result on this night was pretty wild and excessive, with the twilight and moonlight adding other-worldly colours.

I certainly recommend the Star Circle Academy Photoshop Actions. While there is a basic Test Set available for free, the full Advanced set is well worth the $30.

May 29, 2013May 30, 2013

Moonlight on the Hoodoos

The stars shine in a bright moonlit sky over the Alberta Badlands.

My feature image above is one of several still frames I took at the end of 4-hour photo shoot last Sunday at Dinosaur Provincial Park. The nearly Full Moon provides the illumination on an eroded landscape originally cut by water from retreating ice age glaciers.

But the volcanic ash layers hold treasures much older, from 70 million years ago. This area contains the world’s richest collection of late Cretaceous fossils of dinosaurs and other flora and fauna from near the end of the dinosaurs’ reign.

The movie below is a 300-frame time lapse of the stars turning behind the hoodoos. It’s a dolly shot, using the Dynamic Perception Stage Zero rail and controller.

The system works very well, but such shots demand a site with a suitable immediate foreground, as well as a good view to the distant sky. It is the parallax motion between foreground and background that makes a dolly move interesting.

I planned this shot to begin at twilight and continue as the sky was darkening, then into the rest of the night with the Moon rising and lighting up the landscape. The moving clouds were perfectly timed and placed!

May 28, 2013

Moonrise on the Badlands

It was a marvellous night for a moonrise. A beautiful night in the badlands

Last Sunday I headed east to Dinosaur Provincial Park, to catch the planet conjunction early in the evening, and then shoot time-lapse sequences of eroded hoodoos lighting up as the nearly Full Moon rose in the east.

The night could not have been better for moonlight photography. The clouds fanned out perfectly from the cameras’ focal points to the north, and in the time-lapse movies (to come!) they add dramatic motion in front of the rotating northern stars.

The feature image above is one of 300 from a motion-controlled dolly shot. The frame below is one of 380 from a static camera time-lapse.

I shot both from a favourite spot at the eastern end of the Badlands Loop drive. As I arrived at sunset, the last of the day-use folks were leaving and I had the place to myself. There was no wind, no humidity, few bugs, mild temperatures and the solace of absolute quiet broken only by some passing geese and the occasional chorus of coyotes.

Even if the images had not turned out it would have been worth the trip.

May 26, 2013May 26, 2013

Aurora at the Observatory

A low aurora appears in the city skyglow and bright moonlight at the local observatory.

After several days of rain, skies cleared beautifully for a Saturday night star party for the public at the local university observatory, the Rothney Astrophysical Observatory, southwest of Calgary.

The evening was capped off by the appearance, as expected, of an auroral arc to the north. Despite the light from the nearly Full Moon and urban sky glow to the north, the aurora managed to compete and put on a show for a few minutes before fading.

About 100 people attended the evening, and were treated to views of Saturn, shining in the south near Spica. Unfortunately, clouds to the west over the mountains never cleared away enough to allow us views, and me photos, of the triple-planet conjunction of Mercury, Venus and Jupiter. Still, a good time was had by all.

May 22, 2013

Time-Lapse Techniques — A Dolly Shot

Time-lapse shooting has become immensely popular of late, but there’s nothing like a dolly shot to add interest to a scene .

Among the more advanced techniques for shooting time-lapse movies is to place the camera on a motorized track for a cinematic “dolly” shot.

These are easy to do in the daytime as the camera simply needs to slide down a rail at a constant rate. But at night, time-lapse dolly shots become more complex. Exposures are often 15 to 60 seconds even in bright moonlight, as here. During each exposure the camera shouldn’t move. The slide down the track should happen only in the brief time between exposures, typically 2 to 5 seconds.

Accomplishing this “shoot-move-shoot” routine requires a specialized bit of kit. In my case, I use the Stage Zero dolly and MX2 controller from Dynamic Perception.

It works great, and sends the camera down the 6-foot rail at a speed you determine. The controller also operates the camera shutter, ensuring sync between the exposures and dolly motion. You can see the setup in operation below, in a 2-part movie. The first scene shows the dolly and camera in operation over the 2-hour shoot, while the second clip shows the time-lapse sequence the dolly-mounted camera took.

This was one of the easiest time-lapse sequences I’ve shot, as I had to travel no more than 100 feet from my house to do it.

I was after a couple of sequences just to use for demo purposes, and didn’t want to tackle a long shoot far from home on a weeknight.

The bright moonlight on May 20 also meant exposures could be short, so that collecting the 300 frames I typically shoot for a time-lapse could be accomplished in well under 2 hours. Getting to bed before 1 am is a rare treat on a time-lapse night!

May 20, 2013

Aurora All-Night

The Northern Lights dance through the night, ending with a finale burst of blue.

Here’s the time-lapse movie, below, that I shot Friday, May 17, beginning at 11:30 pm and ending 4 hours later at 3:30 am. The sky was bright with moonlight when I started the sequence, with the aurora especially active over half the sky. The display settled down to form a slowly pulsing green band behind the old barn, which went into silhouette after the Moon set.

Then, just as the sky was brightening with the first glow of dawn, the aurora kicked up its heels again and danced across the north, shooting beams of blue across the sky.

I ended the sequence as dawn was fading in … and I was fading out! Still, it was a wonderful night to be out under the stars.

The movie compresses 4 hours of aurora shooting into 40 seconds of aurora playback!

I assembled the time-lapse movie from 1200 frames, each 11-second exposures at 1 second intervals, with the Canon 60Da at ISO 1600 and 10-22mm lens at f/4.

May 19, 2013May 19, 2013

Old Barn By Aurora Light

As the Northern Lights dance they light up an old barn on a moonlit night.

The still frame above is from the movie down below, a 3-hour-long time-lapse taken on May 17, the night of the big aurora display. I shot this with a camera riding along on a motorized dolly track, to provide the panning motion to the scene.

You can see the rig in this image just below, which I took with another camera framing the entire scene.

Aurora over Old Barn #1 (May 17-18, 2013)

Using the second camera, I was intending to take shots showing a motion-control time-lapse sequence being taken, for illustration in talks and publications.

The aurora quickly forced me to change plans with camera #2. But I let the main motion-control camera continue down its track for the rest of the night, resulting in the movie below. At one point in the movie I briefly appear at right, as I moved the second camera to the south side of the barn to look north to the main area of the display.

In the movie, the stars of Virgo and the planet Saturn rise into a sky lit blue by moonlight early in the evening. As the Moon sets, the shadows rise and engulf the barn.

While catching stars rising behind the rustic old building was the original intention of the shot, the Northern Lights added a bonus. Not only do they dance in the sky behind the barn, but the north face of the old grey barn, in shadow from the moonlight, lights up green from the glow of aurora shining in the north.

Very nice. It certainly made for a colourful scene under the skies of southern Alberta.

– Alan, May 19, 2013 / © 2103 Alan Dyer

May 18, 2013May 18, 2013

Night of the Northern Lights – #3

The memorable night of Northern Lights ended with a final outburst sending blue curtains into the dawn twilight.

This is a frame from May 17-18, taken near the end of my time-lapse sequence, when the aurora kicked up again in intensity and shot towering blue curtains into the northern sky. The pink glow of dawn tinges the northeastern sky, bookending the sequence of 1200 frames and 27 gigabytes of images. Good thing I had a large capacity memory card!

Each shot was 11 seconds at ISO 1600 to try to freeze the moving curtains while still maintaining a good level of exposure.

Here, lights from a passing car at 3 a.m. illuminated the old barn.

As a postscript, I also note that this was my 300th blog post since beginning The Amazing Sky in February 2011. I hope you’ve enjoyed the views of the sky I’ve been able to publish over the last two years.

May 18, 2013

Night of the Northern Lights – #2

You know you are in for a good night when the aurora appears even before the sky gets dark.

I shot this in the evening twilight, as the curtains of Northern Lights began their dance in the dusk. Light from the quarter Moon also illuminates the scene. It was a mad rush to get the camera set and aimed to begin shooting. I was also looking after another camera that was shooting a dolly-shot time-lapse of the barn.

For this image I used the Canon 60Da and Canon 10-22mm lens at the widest setting. Even that was not enough to take in the whole of the display that was covering the sky.

May 18, 2013May 18, 2013

Night of the Northern Lights – #1

What a night this was, with a display of Northern Lights dancing across the sky as soon as it got dark. They danced all night.

I set up May 17 at my neighbourhood rustic farmstead for a night of time-lapse shooting of the old barn in the moonlight, but knowing an aurora was likely. My iPad app beeped and alerted me to that possibility only an hour or so before sunset, letting me know a storm was underway. And sure enough, as soon as it got dark, there were the curtains of green dancing all over the blue twilight sky. This frame is from 1200 I shot in a dusk to dawn time-lapse movie. It is from early in evening, with a pink glow of twilight still fringing the northwest horizon.

What marked this display was the blue and purple curtains, with those colours only really apparent in the camera images. I think those tints come from sunlight hitting the auroral curtains high in the atmosphere where the Sun is still shining. At this time of year the high atmosphere never gets dark and is always lit by sunlight streaming over the pole.

More images to come!

May 9, 2013May 9, 2013

Scorpius Rising on the Prairies

Scorpius and the star clouds of the Milky Way skim along the southern horizon on the western Canadian prairie.

Scorpius crawls along the horizon at right, with dark lanes of dust converging onto yellowish Antares. Just left of centre a dark horse prances above the treetops. At lower left shines the pink Lagoon Nebula.

With its intricate mix of dark dust lanes and bright star clouds this is the richest region of the Milky Way. It marks the direction toward the centre of our Galaxy. Pity it lies so low in our sky from here in western Canada, at a latitude of 50° North. Compare this view to what I saw two months ago from New Mexico and you can see the advantage of a southerly latitude for any lovers of the Milky Way.

However, I was lucky to get this shot, taken last weekend during the only decent time of the year when I can see Scorpius in a dark sky from my prairie home. The night was very clear, allowing a clean shot to the southern horizon.

May 8, 2013

Milky Way and the Northern Lights

The Milky Way appears from behind the colourful curtains of the Northern Lights.

This was the scene last Saturday night, into the pre-dawn hours of Sunday morning, May 5, as the summer Milky Way rose in the east while a display of aurora played across the northern sky. The Northern Lights weren’t particularly bright this night, but the long 2-minute exposure I used to bring out the Milly Way recorded the aurora with colours and an intensity only the camera could see this night.

The green is from oxygen glowing in the lower part of the atmosphere, though still some 80 km up, where only rockets and high-altitude balloons can fly. The tops of the auroral curtains are tinged with the pinks from another type of oxygen emission possible only at the very top of our atmosphere, where molecules are few and far between and what’s left of the air that surrounds us meets the vacuum of space some 150 km up.

From Earth it’s hard to visualize just what we are seeing when we look at display like this. But check out some of the Aurora videos at NASA’s Gateway to Astronaut Photography of Earth. You’ll see time-lapse videos taken from the Space Station as it flies by and through the same types of aurorae with green lower bands and pink upper fringes, beautifully captured floating high above the Earth in vertical curtains reaching up into the blackness of space.

May 6, 2013May 6, 2013

The Milky Way of Spring on the Prairies

Late on a clear spring night on the Canadian Prairies the Milky Way rises over a fallow field.

Despite taking this not 200 feet from my home, this isn’t a view I see or photograph very often. In spring on the Canadian Prairies, it seems we go from dark winter nights to the bright skies of mid-summer with little in between to mark spring. Miss a dark-of-the-Moon period in late April or early May and you miss the opportunity to see and shoot this sight – the summer Milky Way rising late on a dark spring night, with Scorpius due south. In another month this same sky will be washed out by the glow of perpetual twilight around solstice.

By July or August when dark skies return, the Milky Way will be already well up at nightfall, and Scorpius on the way down past his prime for the year.

But in this shot, taken at 3 am this morning, during a welcome run of clear moonless nights, I framed Scorpius at lower right skimming the southern horizon as high as he gets from western Canada. The yellow star at lower right is Antares, the heart of the Scorpion. To the left of Scorpius, the spectacular starclouds of the summer Milky Way span the sky from Sagittarius in the southeast to Cygnus high in the east at upper left.

Around me now, farmers are beginning their work of tilling and seeding the fields. But this one will likely lay fallow this year, the furrows seeming to extend off into the distant Milky Way.

This is a stack of five 2.5-minute tracked exposures, but with the ground included from just one of the exposures, to minimize the blurring introduced by the moving camera. The lens was the wonderful 14mm Samyang, a manual lens that doesn’t register in the camera’s metadata, thus the reading at left that this was taken with a 50mm lens, the default setting when the camera doesn’t know what optics it is connected to.

April 26, 2013

Piercing the Night

All things must pass. A bit of billion-year-old comet dust disintegrates above a decaying pioneer farm.

This was a lucky shot to be sure. Last night I returned to my favourite farmstead site to shoot a time-lapse sequence of the stars turning over the moonlit rustic buildings. I started shooting some test frames to get the settings right — the camera was on a motorized dolly to move it along a track for the next three hours, so you want to make sure you have all the settings right. I opened the shutter to start a test series, and whoosh! A bright meteor appeared. Right on time and in frame. That doesn’t happen very often!

However, shooting hundreds of shots for a time-lapse sequence, now a common practice among astrophotographers, does boost your chances of picking up a bright meteor on one of the frames. But having it appear nicely framed is often too much to ask. I was lucky. But … I was out with a camera aimed at the sky, and for getting good shots that’s the first requirement!

April 23, 2013

Returning to the Earth

The works of man crumble and return to the Earth under the timeless turning of the stars.

OK, a bit of purply prose I suppose, but I think the photo turned out rather neat. This is a favourite spot of mine, at a decaying old farmyard down the road from where I live.

It’s one of many such homesteads in the area, built by the CPR railway on land they were granted as part of their enticement to build “the National Dream” rail line across Canada in the 1880s. The CPR then built houses for the pioneer settlers who came by rail to be dropped off across the Prairies, often with little more in hand than a shovel and a sack of potatoes to get them going. Eventually, the railway would make money shipping the pioneers’ wheat and cattle out.

This old homestead was once part of a community in the area called Ouletteville, a town I assume settled by French Canadians or immigrants from France, but long since gone except for its cemetery up the road.

Now, as the house and farm buildings crumble back to dust, they make great subjects for a little low-effort nightscape shooting, especially when trying out new techniques and gear. I don’t have to invest a lot of time travelling, yet the place is photogenic enough to yield some nice shots.

This night I was testing some new panorama shooting techniques, using a fish-eye lens to shoot an all-encompassing 360° view. But this shot was one of several I took at the end of the night, using a more conventional 24mm lens. It’s a stack of 4 exposures: one short 50-second shot at ISO 800 for the initial stars, and then three 10-minute shots at a ISO 100 for the long star trails.

I shot this Monday evening, April 22, on the first decent night in nearly three weeks in what has been an awful spring. At least most of the snow has gone. The waxing gibbous Moon provided the off-camera illumination.

April 17, 2013

Commander Chris Flies Over My House

Commander Chris Hadfield and his crew fly over my house and below the Moon on a spring night in Canada.

It’s been a couple of months since we in Canada have had a chance to sight the Space Station in our evening sky with our Canadian astronaut on board. When I last had a chance in February, Chris was a crew member. Now he’s the commander of the Station, the first Canadian to hold the position.

My shot, taken tonight on the second of two passes this evening, has the Space Station coming up out of the west and rising to meet the Moon. It passed under the Moon and then faded out as it entered Earth’s shadow and nighttime, one of 16 nights they experienced this and every day in orbit around the Earth.

Chris is in orbit with the Expedition 35 crew until mid-May. So this may be our best and last chance to see our astronaut flying through Canadian skies.

This was also the first decently clear night we’ve had in two weeks, since my last post from April 2. We all hope spring is finally arriving

April 2, 2013

Goodbye Winter Sky!

Say goodbye to the winter sky, now sinking fast into the sunset. The departure of Orion and company is an annual sign of spring.

Look west on a clear night in the next couple of weeks and you’ll see this scene, as Orion sinks into the sunset, surrounded by Taurus to the right of him, and Canis Major to the left of him. Taurus is his foe, Canis Major his friend.

Having so many bright stars in the April evening twilight makes for a beautiful scene in the deepening blue. But I suspect most of us are happy to see all signs of winter gone for a long time!

I shot this Monday night, April 1, on a very clear night. Orion’s Belt is just left of centre. The trio of Belt stars points left and down to Sirius, the Dog Star, and points right and up to Aldebaran, the Bull’s Eye. Above Aldebaran is brilliant Jupiter. Just at the right edge of the frame are the Seven Sisters, the Pleiades.

Say goodbye to these stars of winter. We won’t see them again until late summer in the pre-dawn sky.

April 1, 2013

Conjunction of Comet and Galaxy

Tonight, April 1, we enjoyed the rare conjunction of a comet with a galaxy.

This is Comet PANSTARRS below the Andromeda Galaxy, a.k.a. M31. The two objects were less than a binocular field apart – 4 degrees – on the sky. But in real space they were separated by millions of light years. The comet was 192 million kilometres from Earth tonight and receding. But that’s a stone’s throw compared to the 2.5 million light year distance of the Andromeda Galaxy. Light was taking a mere 10 minutes to get to us from the comet, but the light from Andromeda was 2.5 million years old.

And yet, the two objects looked similar in brightness and shape to the binocular-aided eye.

I caught the two just above the horizon as they were dipping into haze and trees. The circumstances didn’t make for a technically great photo but with PANSTARRS we’ve all had to shoot despite the conditions and hope for the best.

With worsening weather prospects for the next week I suspect this will be my last look at PANSTARRS for a while.

March 31, 2013

Comet Caught in the Trees

Tonight’s view of the comet is a picture of Earth and sky – the comet caught in the bare trees of spring.

PANSTARRS is sure a tough comet to shoot! It remains low and skirting the treetops. Tonight, I decided to keep the camera rolling while the comet dropped into the trees. I think it made for a decent enough comet portrait that certainly tells its story.

This is a stack of six 1-minute exposures with the 200mm lens and 1.4x extender for a 280mm f/4 telephoto, on the Canon 60Da and the Kenko SkyMemo tracking platform.

Tomorrow, if skies cooperate, it’ll be a shot of the comet in the same field as the Andromeda Galaxy. I could nicely catch them both in the field of the 7x binoculars tonight. But the photo op nights are this Monday through Wednesday for the comet + galaxy portrait.

March 30, 2013March 30, 2013

The Easter Aurora

Here’s a celestial gift for the Easter season – a display of northern lights on Good Friday.

It wasn’t a particularly clear night but in this case the clouds added to the photos. In one direction I was shooting the Northern Lights to the northeast, while to the west at the other end of the yard I was shooting the winter sky setting, plus having a quick look at Comet PANSTARRS. It was certainly a sky filled with attractions.

Happy Easter to all and I hope spring is finally arriving where you live – assuming you are a northerner!

March 28, 2013

PANSTARRS Rises into Darkness

At last. A view of Comet PANSTARRS in a dark and moonless sky.

Nearly three weeks after first sighting it, I was able to finally look at and shoot the comet in a fairly dark sky, though with it still embedded in deep twilight. But at least the Moon was out of the way and the sky was dark enough to allow the comet to show off its broad fan-shaped dust tail, set against the stars of Andromeda.

The comet will climb a little higher during the next two moonless weeks as it passes the Andromeda Galaxy on April 2 and 3. However, it’s still very low in the northwest and needs binoculars to sight. You have to wait until the sky is dark to spot it. And hope for no clouds low in the northwest. The comet just dodged some here.

I shot this with a 200mm telephoto for a stack of eight 30-second exposures tracking the stars. The star at left is Delta Andromedae while the one above the comet is Pi Andromedae.

March 2, 2013

The Wide-Angle Winter Sky

Orion and his friends are beginning their descent into the evening sky, signalling the welcome end of winter and the coming of spring.

I shot this last night from home, in a scene similar to some earlier posts, such as Winter Stars Rising. But the difference here is that I’m using a new lens, testing it for the first time. I wasn’t really after a “keeper” shot, but I think this one turned out pretty well!

The lens is the Samyang (aka Rokinon) 14mm f/2.8, an ultra-wide angle lens that sells for a bargain price, a fraction of the cost of name brand 14mm lenses. The reason is that this lens dispenses with all the automatic features and electronic communication and is a classic manual lens, just like we used to recommend people buy for astrophotography in the old film days. For shooting stars you don’t need autofocus or having the aperture stay wide-open until you take the photo. So we’re not missing much employing a no-frills manual lens like the Korean-made Samyang series – they make well-respected 24mm and 35mm lenses as well.

Star images are quite sharp across the very wide field, with very good control over coma at the corners. Stopping the lens down to f/4 does sharpen them up but the lens is perfectly usable at f/2.8, as it is here. The big issue is the extreme amount of vignetting — darkening of the corners of the frame. In star shots, we often have to boost the contrast a lot to make the shot presentable, and that increases the visibility of any vignetting, making the photo look like it was taken through a porthole. For this shot I “flattened” the image by applying very generous levels (almost maximum) anti-vignetting both in Adobe Camera Raw (at the start of processing) and again in Photoshop (at the end of processing) with its Lens Correction routine. The final result looks very good and natural I think.

Another drawback to the Samyang manual lenses is that they feed no information to the camera about what lens is attached. The “EXIF” data that the camera records lacks any info on aperture and focal length. So in the photo info at left (which is picked off the image automatically by WordPress), you’ll see the lens listed as a 50mm and with no aperture specified.

So the verdict? The Samyang/Rokinon 14mm is a very nice lens for wide-angle piggyback shooting (like this stack of five 5-minute tracked exposures), and for nightscapes and time-lapse work. A bargain at ~ $360. Recommended!

February 15, 2013

Flying Through a Moonlit Winter Night

Tonight the Space Station flew out of the west and overhead as it faded into the shadow of the Earth.

Because tonight the ISS was coming up high into the north, almost directly overhead, I used a fish-eye lens to shoot the entire sky, and took three exposures, each 90 seconds with the camera tracking the stars.

The bright Moon is at right, but despite its light the Milky Way still shows up. The Space Station faded into sunset just as it crossed the Milky Way.

Canadian astronaut Chris Hadfield is on board, about to take command at the next crew change. He’s been tweeting lots of comments and photos from space. Check him out at @Cmdr_Hadfield.

February 14, 2013

A Luminous Starfield

The Starfish and the Flaming Star combine to create a rich star field in the Charioteer.

I shot this last week, using a favourite small refractor that takes in a generous field of view for a telescope. In this case, it frames the star cluster at left called the Starfish Cluster, or better known as Messier 38. At right the large number 7-shaped patch of nebulosity is the Flaming Star Nebula, known by its catalog number as IC 405. At bottom, the nameless companion nebulas are IC 417 at left and IC 410 at bottom centre.

Of note is the colourful grouping of six stars at right called the Little Fish. It’s not a proper star cluster but an asterism, a chance alignment of stars that happens to look like something imaginative. David Ratledge presents a nice list and photo gallery of similar whimsical asterisms at his Deep-Sky.co.uk website.

The entire field is a rich hunting ground for the eyepiece or camera. You can find it these nights, in winter from the northern hemisphere, straight overhead in the evening, in the middle of Auriga the Charioteer.

For this portrait I shot and stacked eight 7-minute exposures at ISO 800 using a filter-modified Canon 6D on my TMB 92mm apo refractor at f/4.8.

Happy Valentine’s Day!

February 11, 2013

Commander Hadfield Sailing Through the Stars

Here’s looking back at you Commander Hadfield! Here is our Canadian astronaut sailing into the Milky Way.

Since he launched to the International Space Station in December Canadian astronaut Chris Hadfield has been tweeting many photos of places in Canada that he sees passing by his window 400 kilometres below. With the Space Station now entering our evening sky in western Canada, I can return the favour and photograph his home in space traveling among the stars. This night he flew through Orion and into the winter Milky Way.

This was the scene Sunday night, February 10, in a pass of the Space Station low across the south starting at 7:14 p.m. MST. The exposure was four minutes, long enough to just capture the entire pass from west to east, right to left in this image. At left, the trail of the Space Station fades out as the ISS entered Earth’s shadow and into night.

The image also captures the Milky Way at left and the Zodiacal Light rising from the last vestiges of blue twilight at right. Jupiter is the brightest object above centre. For the next two weeks we’ll be enjoying nightly passes of the ISS with our Canadian astronaut on board.

February 10, 2013

See, That’s the Orion Nebula!

What a hardy bunch we are in Canada, braving winter weather to see Orion and company.

A well-bundled group of sky fans partakes in an impromptu tour of Orion and his famous nebula.

I shot this scene last night, February 9, at the first of a series of monthly stargazing nights at the local university research observatory, the Rothney Astrophysical Observatory. About 120 people and volunteers gathered to take in the sights of the winter sky, as best they could as transient clouds permitted. Inside, speakers presented talks themed to the Chinese New Year, which is governed by the timing of the New Moon each year. As this was a New Moon night, people were able to stargaze under reasonably dark skies to see deep-sky sights such as the Orion Nebula.

Want to know where it is? An astronomy club member points it out rather handily with one of the best tools astronomers have for public outreach, a bright green laser pointer. Controversial and dangerous in the wrong hands, when used responsibly these laser pointers are wonderful for conducting sky tours.

As a side note, this is a 3-second exposure with a new Canon 6D camera at ISO 8000, yet the photo shows very little noise. In just 3 seconds, the Milky Way is beginning to show up! I could have gone to previously unthinkable speeds of ISO 12000+ and still had a presentable shot. This will be a superb camera for nightscapes and available light shots.

February 9, 2013

The Subtle Glow of Comet Dust

Out of the skyglow from lights and the remains of twilight rises a tapering pyramid of light. It’s one of the night sky’s most subtle sights for the naked eye.

This is the Zodiacal Light, and I’ve been trying to capture it in the evening sky from home for a number of years. Last night was a good night for it. The sky was very transparent, for the first couple of hours at least. An ultra-wide angle lens allowed me to capture the Light in context with the wider sky, towering out of the southwest at right, reaching up to the Pleiades and Jupiter high in the centre of the frame. The Milky Way is at left. Everyone knows the Milky Way but the Zodiacal Light is less famous.

It’s visible only in the hour or two after sunset or before sunrise. Late winter and spring are the best times to see it in the evening sky. That’s when the ecliptic – the plane of the solar system where the planets lie – is tipped up at its highest angle above the horizon putting it above obscuring haze. The Zodiacal Light lies along the ecliptic because it is part of our solar system, not in our atmosphere. It is sunlight reflected off dust orbiting in the inner solar system that’s been cast off over thousands of years by comets passing through. It is brightest closest to the Sun and fades out at greater angles away from the Sun. Thus its tapering appearance in my sky as the photo shows, very much as my eye saw it.

It takes a good night at a dark site to see the Zodiacal Light. But take a look at the next dark of the Moon. You’ll be surprised at how easy it is to see once you know what to look for.

February 8, 2013February 9, 2013

The Beautiful Belt of Orion

Everyone knows the Belt of Orion, but only the camera reveals the wealth of colours that surround it.

I shot this Friday night, February 8, under very clear sky conditions.

While I used a telescope, it had a short enough focal length, about 480mm, that the field took in all three stars in the Belt: from left to right, Alnitak, Alnilam, and Mintaka. All are hot blue stars embedded in colourful clouds. The most famous is the Horsehead Nebula, running down from Alnitak at left. Above the star is the salmon-coloured Flame Nebula. All manner of bits of blue and cyan nebulas dot the field, their colour coming from the blue starlight the dust reflects.

Dimmer dust clouds more removed from nearby stars glow with browns and yellows. At left, a large swath of sky is obscured by gas and dust simmering in dull red. The entire field is peppered with young blue stars.

It is certainly one of the most vibrant regions of sky, though only long exposures and image processing bring out the colours.

This is another test shot with a new Canon 6D that has had its sensor filter modified to transmit more of the deep red light of these types of nebulas. The camera works very well indeed!

February 8, 2013February 9, 2013

A Crisp Winter’s Night Under the Stars

It was crisp and frosty night filled with the bright stars of winter, and the Milky Way.

This was the sky from my backyard on Thursday, February 7, with Orion and his friends shining due south. It is a “fish-eye” shot taking in all of the sky from horizon to horizon. South is at bottom, north to the top. West is at right, east to the left.

The Milky Way runs from northwest, at top right, to southeast, at bottom left. When we look at this section of the Milky Way we are looking in the direction opposite the galactic core, toward the outer arms of our Galaxy.

Jupiter is the brightest “star” in the image, shining in Taurus. Rising out of the sky glow from towns to the west of me is the pillar of light called the Zodiacal Light. I think you can follow it stretching all the way across the sky from right to left (west to east) where it then becomes a subtle bright patch in the sky well east of the Milky Way. That’s the Gegenschein, a glow of light exactly opposite the Sun. It and the Zodiacal Light are caused by sunlight reflecting off comet dust in the inner solar system.

A night when you can see the Zodiacal Light and Gegenschein – they were visible to the unaided eye – is a good night indeed. Too bad this one was spoiled by some cloud and haze, reflecting the toxic yellow glow of ever-intruding sodium vapour lights.

Silhouetted in the sky glow at right is one of my telescopes, with camera #2 dutifully taking a closeup image of Orion’s Belt. That picture will be the subject of tomorrow’s blog!

February 7, 2013February 10, 2013

Snapshots of Starlife

This one image frames examples of both the beginning and end points of a star’s life.

I shot this last night, February 6, 2013, capturing a field in the constellation of Gemini the twins. At upper right is the showpiece star cluster known as Messier 35. It’s a collection of fairly young stars still hanging around together after forming from a cloud of interstellar gas tens of millions of years ago. M35 lies about 2,800 light years from Earth, on the other side of the spiral arm we live in. Just below M35 you can see another smaller and denser cluster. That’s NGC 2158, about five times farther away from us, thus its smaller apparent size. Both are objects that represent the early stages of a star’s life.

At lower left is an object known as the Jellyfish Nebula, for obvious reasons. The official name is IC 443. It’s the expanding remains of a star that blew up as a supernova anywhere from 3,000 to 30,000 years ago. What’s left of the star’s core can still be detected as a spinning neutron star. You need a radio telescope to see that object, but the blasted remains of the star’s outer layers can be seen through a large backyard telescope as a shell of gas. It is expanding into the space between stars – the interstellar medium – ploughing into other gas clouds. The shockwave from its collision with other nebulas may trigger those clouds to collapse and form clusters of new stars. And so it goes in the Galaxy.

For this portrait of stellar lifestyles, I used a 92mm apochromatic refractor and a new Canon 6D camera, one that has had its sensor filter modified to accept a greater range of deep red light emitted by hydrogen nebulas. The image is actually a stack of 12 exposures with an accumulated exposure time of 80 minutes.

February 7, 2013February 9, 2013

Constellation of the Queen

After the 7 stars of the Big Dipper and the 3 stars of Orion’s Belt, these 5 stars are likely the most well-known in the northern sky.

These are the 5 bright stars of Cassiopeia the queen, better known simply as “the W” in the sky. Her five stars come in a range of colours, from blue giant Segin at upper left to yellow giant Shedar at lower right.

Scattered around Cassiopeia you can also spot at least one bright red nebula, the “Pacman Nebula,” plus a faint patch of purple nebulosity just above central Navi, the middle star of the W also known as Gamma Cassiopeiae. A few wisps of fainter reddish nebulosity and lanes of dark dust wind around the queen’s celestial throne. The left side of the W – the back of the throne – is also home to several clumps of stars, nice open clusters suitable for binoculars or any telescope.

I shot this portrait of the Queen on Wednesday night, February 6, on a cool and frosty winter night in my backyard. For the set of 8 images that went into this stack I used a new tracking device, the iOptron SkyTracker. It’s a nifty little battery-powered tracker, compact but very solid. And it tracks very well. For this portrait I used a 135mm telephoto lens, and most, though not all, shots were very well tracked with pinpoint stars. A few frames showed a bit of trailing, not unusual for small portable tracking mounts. At $400 the little iOptron SkyTracker is a great accessory for anyone wanting to shoot constellations and the Milky Way with wide-angle to telephoto lenses.

January 27, 2013February 9, 2013

Winter Sky in Moonlight

Earlier this week I shot a similar scene with the Moon in the photo, when it was near Jupiter. This is the same sky but 5 days later, on January 26, with the Moon now out of the picture, but serving to light up the landscape.

This is the old house on my property that serves as an occasional foreground for test nightscapes. In this case, I was testing my veteran Canon 5D MkII camera against a new Canon 6D. This shot with the 5D MkII had the best arrangement of clouds and stars and works as a decent enough shot on its own.

You can see Orion dodging the clouds, with Sirius at left, and Aldebaran, Jupiter and the Pleiades at upper right.

So what of the tests? Initial impressions are that as far as noise is concerned (always the bane of astrophotographers) the new full-frame Canon 6D improves upon the 5-year old Canon 5D MkII by a factor of two. Noise looks to be about one f-stop better in the 6D, no doubt due to its new Digic V on-board processor.

What this means is:

• Images taken with the 6D at ISO 6400 have a similar level of noise as do images taken at ISO 3200 with the 5D MkII. ISO 3200 images with the 6D look like ISO 1600 images with the 5D MkII, and so on.

• So, if you were happy with shooting at ISO 1600 with the 5D MkII before, you could now shoot at ISO 3200 with the new 6D and get similar results, but with the added benefit of being able to cut your exposure times in half, always a nice thing to do.

• Or conversely, you could continue to shoot with the Canon 6D at ISO 1600 for the same exposure times as before but get shots with much less noise in them. Always a good thing, too!

It’s great to see camera state-of-the-art advancing.

January 21, 2013February 9, 2013

Moon and Jupiter Amid the Winter Stars

The Moon lights up a sparkling snowscape on the night it was close to Jupiter, as Orion and the winter stars rise.

The Moon is the bright and overexposed glow at upper right. Look carefully and you can just make out Jupiter above the Moon, almost lost in its glare. Below shines Orion, with Sirius the Dog Star just coming up above the distant trees. The Pleiades, at top above the Moon, complete this winter sky scene from Monday, January 21, 2013.

I’m glad I didn’t have to go far to shoot it, just 20 feet out the front door. Standing there for just 15 minutes was a chore, with a wicked east wind blowing in -18° C temperatures. This was a night that would normally fall below my threshold of tolerance for winter observing. But with the Moon so close to Jupiter it was worth a little pain for the gain of a neat winter sky portrait.

The image is a composite of a long and short exposure, in order to capture Jupiter so close to the Moon which, in a single long exposure, would have overexposed so much its light would have swamped Jupiter.

January 21, 2013February 9, 2013

The Moon Meets Jupiter

The cool blue of this scene fits the night – a bitterly cold winter night as the gibbous Moon passed below Jupiter.

This was the view as the sky got dark on Monday, January 21, 2013 with a close conjunction of the Moon and Jupiter underway. The Moon was closer to Jupiter later in the evening but I wanted to shoot it at sunset to capture the duo before for the sky got too dark and the Moon too bright and prone to overexposure. Even so, to capture the scene as your binocular-aided eyes saw it, I combined 4 different exposures for an “HDR” stack.

This is the closest we in North America will see the Moon by Jupiter in a darkened sky until 2026. But just next month those in southern Australia get to see a rare occultation, or “eclipse” of Jupiter by the Moon. It doesn’t get any closer than that!

January 11, 2013February 9, 2013

An Orion Portrait from Alberta

He’s certainly the sky’s most photogenic mythological figure. Here’s my full-length portrait of Orion the hunter, captured from Alberta.

I’ve shot him many times before but this was a new combination of gear: the Canon 60Da camera and the Sigma 50mm lens, nicely framing the hunter in portrait format. This version of Orion isn’t as deep as the one I took last month from Australia. But skies were darker there, and I used my filter-modified Canon 5D MkII for his Oz portrait, a camera which picks up more faint red nebulosity than does the 60Da, Canon’s own specialized DSLR camera for astronomy. The 60Da does do a very good job though, much better than would a normal DSLR.

For this shot, as I do for many constellation images, I layered in exposures taken through a soft-focus filter, the Kenko Softon, to enlarge and “fuzzify” the stars! It really helps bring out their colours, contrasting cool, orange Betelgeuse with the hot blue-white stars in the rest of Orion.

I shot this January 4 on a fine clear winter night, the classic hunting ground for Orion.

January 6, 2013February 9, 2013

Winter Stars Rising

Yes, it’s cold out there, but a clear evening away from city lights this week – or this winter – will reward you with the sight of a rising star-filled sky.

This is the winter sky of the northern hemisphere, rising above a snowy prairie landscape, in a shot I took Sunday night, January 6, 2013. The sky is populated by a ream of bright stars and constellations, anchored by Orion, just below centre. You can see his three Belt stars pointing down to Sirius, just peering above the horizon in the glow of a distant town. Orion’s Belt points up to Aldebaran, the V-shaped Hyades star cluster, and bright Jupiter (the brightest object in the scene, above centre), all in Taurus. Above Jupiter is the Pleiades star cluster.

The Milky Way runs down the sky from Auriga to Canis Major. This week, January 6 to 13, is a good week to see the winter Milky Way, as it’s New Moon and the sky is dark.

In this scene the camera was looking southeast about 9 p.m. Sirius has just risen. By midnight the Dog Star shines due south. I used a 15mm wide-angle lens to take in the entire sweep of the winter sky from horizon to zenith. This is a stack of four 4-minute exposures, though the landscape is from just one of the frames, to minimize the blurring caused by the camera tracking the sky. Some clouds moving in add the streaks on either side of the frame. It was a wonderful sky, while it lasted!

And I’m pleased to note that this is my 250th blog post since beginning AmazingSky.net two years ago in early 2011. I hope you have enjoyed the sky tours.

January 5, 2013February 9, 2013

Jupiter Amid the Clusters of Taurus

Look up on a clear night this season (winter for us in the northern hemisphere) and you’ll see a bright object shining in Taurus the bull. That’s Jupiter.

This year Jupiter sits in a photogenic region of the sky, directly above the stars of the Hyades star cluster and yellow Aldebaran, the brightest star in Taurus. Above and to the west (right) of Jupiter is the blue Pleiades star cluster.

Over the course of January 2013 you’ll be able to see Jupiter move a little further west each night (to the right in this photo) away from Aldebaran and toward the Pleiades. Jupiter will stop its retrograde motion on January 30. After that it treks eastward to again pass above the Hyades and Aldebaran (returning to where it is now) in early March.

Jupiter’s proximity to Aldebaran and the Hyades makes it easy to follow its retrograde loop over the next few weeks. It’s an easy phenomenon to watch, but explaining it took society hundreds of years and the ultimate in paradigm shifts in thinking, from the self-important arrogance that Earth – and we – were the centre of the universe, to the Sun-centered view of space, with Earth demoted to being just one planet orbiting our star.

I took this image Friday night, January 4, from home as my first astrophoto upon returning to Canada from Australia. It’s a combination of two sets of images: one taken “straight & unfiltered” and one taken through a soft-focus filter to add the glows around the stars and central, brilliant Jupiter. I then blended the filtered images onto the normal images in Photoshop with the Lighten blend mode.

October 15, 2012October 16, 2012

Jupiter Rising

Look east now late at night and you’ll see Jupiter rising amid the stars of Taurus.

I took this shot a week ago from my rural backyard on the last clear night I’ve had. Remarkably, I had bought a new camera – a Canon 60Da – earlier that day and was actually able to try it out. This is the first real shot I took with it. It shows Jupiter amid the horns of Taurus the bull, and below the Pleiades. A faint aurora lights up the northern sky at left.

There have been some superb aurora displays in the last week but clouds just got in the way.

This is my 200th blog post since I began AmazingSky.net in early 2011. I hope you have enjoyed the images and will continue to do so. Thanks for looking!

October 7, 2012October 7, 2012

Regal Colours of Cassiopeia

Sitting on the border of Queen Cassiopeia and King Cepheus is this royal cloak of pinks and reds.

Too faint to see even in a small telescope, the main cloud of nebulosity is called NGC 7822, with a companion cloud below known as Cederblad 214. Rather cold names for a stunning region of space.

I love the colours in this field. The camera I use is modified to bring out the reds of glowing hydrogen but also nicely picks up blues and purples, which mix to provide subtle shades of pink and magenta. There are even yellows and greens from dust clouds.

Yes, I’ve certainly punched up the colour and contrast quite a bit from what came out of the camera, but I tried to retain a “natural” colour balance, not skewing the palette too far to the deeply saturated monotone red I see in some images of nebulas.

I shot this Saturday night, October 6, from my backyard on a fine autumn night for stargazing and star shooting. It’s a stack of eight 12-minute exposures, “median” combined to eliminate the satellite trails that crossed several frames.

October 5, 2012May 28, 2013

Moonrise on the Badlands

The Moon rises over a lunar-like landscape on Earth.

Well not quite. The badlands of Dinosaur Park, Alberta may look desolate but they were created by forces the Moon has never seen, namely water erosion. And they are “bad” only because we can’t farm them. But to the deer wandering across the top of the hill – and perhaps gazing at the Moon, too – the badlands are a fine place to live.

I shot this image as part of 600-frame time-lapse movie of moonrise, on September 30, the night that produced images for my last few posts. It was a very good night indeed.

October 2, 2012October 2, 2012

Big Dipper Over the Badlands

The Big Dipper swings low over the Badlands of Dinosaur Provincial Park, with an aurora added for good measure.

This another shot from my very productive night last Sunday out at Dinosaur Park, 100 km east of me. Here the curtains of aurora that made the news that evening shimmer below the iconic seven stars of the Big Dipper, now low in the northern sky on autumn evenings.

Light from the Full Moon provides the illumination. People wonder how we astrophotographers can take pictures of the stars in the daytime. We don’t. We take them at night, letting the Moon light the scene. Its light is just reflected sunlight, so a long enough exposure (and in this case it was only 8 seconds) records the landscape looking as if it were daytime, complete with blue sky, but with stars – and this night an aurora – in the sky.

October 2, 2012

Aurora Highway

Traffic seems to drive off into the Northern Lights, on a highway to heaven.

On the way home Sunday night the aurora exploded again in a burst of brilliance. I pulled over by the side of the road and grabbed some shots. I’m looking north here, with the Big Dipper also in the frame. For this shot I layered in two exposures for the ground to get a more complete sweep of the taillights. But the sky is from a single frame.

This was the widely-seen aurora of September 30, 2012. This scene of mad motion down the highway contrasts with the quiet solitude of the badlands landscape of the previous post.

October 1, 2012October 1, 2012

Northern Lights Dancing Over the Badlands

It was a marvellous night – a triple act: with a fabulous sunset, a beautiful moonrise, then as the sky got dark the aurora came out and danced.

Sunday night I headed out to Dinosaur Provincial Park near Brooks, Alberta, site of the world’s best late-Cretaceous fossil finds, and a striking landscape of eroded badlands. I was just finishing taking frames for a sunset-to-twilight time-lapse movie when the aurora kicked up in activity, quite bright at first, despite the light from the nearly Full Moon, which is illuminating the landscape. I swung the camera around, loaded in a new memory card and begun shooting another time-lapse sequence of the dancing northern lights in the moonlight.

While the display faded to the eye over the next hour, the camera still nicely picked up the subtle colours, like the magenta hues. I shot 330 frames, each 8 seconds long at ISO 800 and f/2.8 with a 16-35mm lens and Canon 5D MkII camera.They’ll make a great movie sequence.

It was a 40-gigabyte night, as the second camera was shooting the moonrise over the badlands. But then I pressed it into service as well shooting the aurora. It was a great night to be at a location as wonderful as Dinosaur Park.

September 30, 2012September 30, 2012

Pioneer Harvest Moon

The annual Harvest Moon shines over a scene from pioneering farm days.

One of the last remaining wood grain elevators still stands as a historic roadside attraction near the little hamlet of Dorothy, Alberta. It’s seen better days.

But in its time it took part in many a harvest in the Red Deer River valley. There were once no less three grain elevators here and railway tracks to take away the bountiful harvest. That was back in the 1910s and 1920s when Dorothy was a little boom town. But the prosperity waned in the Depression Years, and never returned. In the 1960s, the railway tracks were pulled up, and two of the elevators torn down.

Now, Dorothy is one of the ghost towns amid the badlands of the Red Deer River valley.

I shot this Saturday night, as the Full “Harvest” Moon rose over the hills, shining in the blue shadow of the Earth. This is one frame of 450 in a time-lapse sequence.

September 29, 2012

Harvesting the Wind

The Harvest Moon rises behind a new crop, a wind turbine harvesting the wind.

I shot this Friday evening, September 28, technically the day before Full Moon and the annual Harvest Moon. The location is amid the Wintering Hills Wind Farm northeast of me and south of Drumheller, Alberta.

This is one frame of 450 in a time-lapse sequence going from sunset into twilight with the Moon rising through the clouds. The changing colours were wonderful.

September 27, 2012September 27, 2012

Sunset on the City

The Sun sets in a ball of fire behind the skyline of Calgary.

For this shot on September 27 I found a spot on an overpass on the Ring Road east of Calgary to look west. Using an app for the iPad, LightTrac, I was able to locate the exact spot where the Sun would set behind the skyline, including the new 50-storey Bow Tower.

Getting the Sun big compared to the buildings means shooting from a distance with a telephoto lens. I used a 200mm and 1.4x extender here.

It would have been nice to have shot from a higher altitude but such places are hard to find east of Calgary where the land flattens out onto the prairie. However, this was a good test of the technique for lining up a rising or setting Sun or Moon with a photogenic foreground. That’ll come in handy this weekend for the Harvest Moon.

September 25, 2012September 25, 2012

Star Birth Site

In contrast to last Saturday’s post, Star Death Site, this is a place where stars are born.

This magenta cloud is where dozens of new stars are forming. One centre of star formation is the finger at right jutting into the hollowed out core of the nebula. Ultra-violet radiation from nearby hot stars is eroding away this dark finger of dust and gas, causing its rim to glow. This is a feature similar to the famous “Pillars of Creation” depicting in Hubble Space Telescope views of another nebula, the Eagle Nebula. However, this giant wreath of hydrogen 3000 light years away has no name, just the catalog number IC 1396. It’s in Cepheus, high in the northern autumn sky.

An added attraction of the scene is the orange star at top, Herschel’s Garnet Star, a.k.a. mu Cephei. This red supergiant is one of the largest stars known. If it replaced our Sun the Garnet Star would engulf all the planets out to Jupiter. Including its profuse radiation emitted in the infrared, the Garnet Star outshines the Sun by 350,000 times. It is squandering its energy so quickly this supergiant is destined to explode as a supernova, perhaps leaving behind a remnant like the Veil Nebula I described in that earlier blog from a few days ago.

These deep space wonders are all part of the great cycle of stardust that fuels the Galaxy.

September 24, 2012

A Ball of Fire Descending

Smoke reddened the Sun and turned it into a ball of fire setting into the west.

This was Monday night, September 24, looking toward the hills in the west end of Calgary. I positioned myself on the north side of the Bow River across from the downtown core, at the top of the river valley to catch the Sun in this telephoto shot. The other camera was taking a time-lapse sequence in a wider scene with the Bow River in view.

We are certainly having some fine sunsets of late, thanks to forest fire smoke.

September 23, 2012September 23, 2012

Driving into the Equinox Sun

At equinox the Sun sets due west and shines into the eyes of drivers heading west into the sunset.

This was the scene Friday night on Highway 1, heading to Banff out of Calgary. I set up beside the highway to catch the scene of the Sun going down at the end of the road. I was hoping for more smoke and haze to dim the Sun to a clearly defined disk rather than deal with a bright glow. But you shoot what the sky gives you.

This is one frame from a 315-frame time-lapse movie of the traffic madly moving down Highway 1 (a true to life recording!) and the Sun glow setting behind the Rockies.

September 23, 2012September 23, 2012

Right Angle Moon

Saturday night was a fine evening for witnessing the geometry of the night sky.

This is sunset on the evening of the autumnal equinox, September 22, 2012, with a first quarter Moon in the sky. The image illustrates the geometry of the quarter Moon’s position, which is always 90° away from the Sun, a quarter of the way around its orbit in its monthly cycle.

In this case, because the Sun (at right) was on the equinox position on the ecliptic, it was setting due west this night (something it does only on the dates of the fall or spring equinox). This put the quarter Moon (at left) 90° away, due south at sunset.

Draw a line from the Moon to your eye (the camera) and then back out to the Sun and it forms a 90° right angle. This geometry holds true for any quarter Moon, but being equinox the Sun and Moon were nicely aligned due west and south, making their right angle arrangement more obvious.

I took this shot from the grounds of the Rothney Astrophysical Observatory on the occasion of their monthly Open House.

September 22, 2012October 9, 2013

Star Death Site

This is the graveyard of where a star died at the dawn of civilization.

The Veil Nebula, made of several fragments, is the remains of a star that exploded as a supernova some 5000 to 8000 years ago. With a telescope you can see this deep sky wonder high overhead these nights, in Cygnus the swan. A decent sized telescope, say 15 to 25cm diameter, can show a lot of the detail recorded here, but only in black-and-white. It takes a photo to pick up the magentas, from glowing hydrogen, and cyans, from oxygen being excited into shining by the shockwave created as the expanding cloud ploughs into the surrounding interstellar gas.

The whole complex is called the Veil Nebula but the segment at right passing through the star 52 Cygni is called the Witch’s Broom Nebula.

I shot this from home a couple of nights ago during a continuing run of typically fine fall weather, which usually brings the best nights of the year for astronomy. For this shot I used a new Lunt 80mm apochromatic refractor on loan for testing. It works very well! This is a stack of five 15-minute exposures.

September 16, 2012September 16, 2012

Star Party Sunset in the Badlands

A hundred or so stargazers were treated to a beautiful sunset in the badlands of the Red Deer River valley on Saturday night.

This was the setting for the annual Alberta Star Party, at a campground north of Drumheller, Alberta, amid the late Cretaceous sediments of the badlands. This is big sky country.

Earlier in the week the night sky was clear and inviting. But this night the clouds served only to provide a fine sunset. They failed to disappear after nightfall. However, on a such a night, a good time is still had by all as everyone enjoys the company of fellow stargazers during the last of the fine weather before star party season ends for another year.

I took this 360° panorama with a handheld camera, and stitched the segments in Adobe Photoshop CS6.

September 14, 2012September 14, 2012

Star Trail Reflections

The stars of the southern sky arc over the peaks of the Lake Louise Range in this half-hour’s worth of exposures.

For this shot I took 35 frames from a 200-frame time-lapse movie and stacked them to create star trails moving over about 25 minutes time when the sky was dark and moonless. I also layered in the moonlit landscape from a frame taken at the very end of the time-lapse sequence when the Moon has risen and was lighting the mountains and trees. So this scene is a bit of a Photoshop fake, but only so far as to merge exposures taken a couple of hours apart from the same fixed camera to combine the sky and stars from when the Moon was not in the sky with the ground from when it was, so the ground isn’t too dark and featureless.

What most people find surprising about star trail shots is the range of colours displayed. Some of the magenta trails come from a little chromatic aberration in the lens. But nevertheless, stars do exhibit lots of colours, but usually only in time exposures like this. As a bonus one frame captures either a meteor or an Iridium satellite flare at right above Mount Victoria.

I took the images for this scene on Friday, September 7, on a shoot at Herbert Lake in Banff.

September 12, 2012September 12, 2012

September Dawn

Here was the scene on September 12, with Venus and the Moon in conjunction in the dawn sky.

Orion stands above the trees, and at top is Jupiter amid the stars of Taurus. The star Sirius is just rising below Orion. And both the Moon, here overexposed of necessity, and Venus shine together below the clump of stars called the Beehive star cluster in Cancer. This was quite a celestial panorama in the morning twilight.

This is a stack of two 2-minute exposures taken just as dawn’s light was breaking, so I get the Milky Way and even a touch of Zodiacal Light in the scene, as well as the colours of twilight. Pity I can’t avoid the lens flares!

September 11, 2012September 11, 2012

Milky Way Amid the Trees

This is the classic summer campsite shot, looking up through the trees to the Milky Way.

I shot this Saturday night from a favourite viewpoint in Banff at Saskatchewan River Crossing. The night proved to be less than the perfectly clear I had hoped for, so I settled for Plan B and shots looking up to a nearby nightscape scene, rather than out across a landscape and into horizon clouds. Some drifting clouds in this shot blur the stars.

This is an example of the type of simple nightscape anyone can do with a camera on a tripod. There’s no tracking going on here, just a short 70-second exposure, enough to pick up the Milky Way. The little trailing of the stars that results isn’t objectionable. I could have shortened the exposure and decreased the trailing but only by going to a higher ISO speed like ISO 3200 which, with the Canon 7D camera, is pushing it too much for noise in a shot like this.

Better still would have been to place the camera on a tracking platform. expose longer at an even slower, less noisy ISO speed, and then let the trees blur from the camera’s motion as it followed the stars. It would have simply looked like a windy night.

Or, it’s possible to combine tracked and untracked exposures, one for the sky and one for the ground, using Photoshop magic.

But I did neither here. This is an unadulterated image of the summer sky shining through trees.

September 9, 2012September 9, 2012

Milky Way Over Calm Water

This is a scene I’ve been after for some time – the Milky Way and stars reflected in calm water.

In Friday night I was at a small lake, a pond really, at the south end of the Icefields Parkway in Banff. Herbert Lake is small enough it is usually calm and reflective. Friday night was as clear and calm as you could hope for. This image is from the beginning of the night with some blue twilight still illuminating the sky, but no moonlight. The waning Moon did not rise until 11:30 pm. I shot this prior to starting a 3-hour time-lapse from the same position on the lakeshore.

The scene is looking south toward glacier-clad Mount Temple and Mount Fairview near Lake Louise.

This is a single exposure with the Canon 5D MkII and 16-35mm lens.

September 4, 2012

The Sky on Fire with Northern Lights

At last … a good display of northern lights towering up the sky.

The evening of Tuesday, September 4 provided the best aurora display I’ve seen in recent years. It was fairly bright and reached up to the zenith and beyond into the south. Colours were green, with just a hint of high-altitude red visible to the naked eye. The camera picks up the colours of an aurora better than the eye can see.

I shot this aurora from my rural backyard. The display came up quite quickly over 10 to 15 minutes starting about 11 p.m., and, as usual, started as an arc across the northeast then rose higher to cover all the northern sky up to the zenith, as shown in this horizon-to-zenith image. The light from the waning gibbous Moon just off camera to the right illuminated the foreground. The show was short-lived. By 12:30 a.m. the auroral curtains had faded into obscurity.

– Alan, September 4, 2012

September 3, 2012

The Windblown Stars

Here’s the “long” version of an image I posted a few days ago. This combines 430 exposures to make one long star trail image.

A bright meteor appeared in one of the hundreds of 5-second-long exposures and registers in the composite, streaking diagonally across the star trails. The stars circle around Polaris at top. The horizontal streaks are clouds blowing from left to right across the sky during the night. The blades of the windmill in the Wintering Hills wind farm are blurring by the long exposures.

It’s been a productive few nights shooting out at the wind farm, capturing scenes of harvesting the wind!

September 1, 2012

Blue Moonrise

This was the Full Moon rising on the night of another much-publicized “Blue Moon.” This was moonrise on Friday, August 31, 2012.

Of course, the Moon doesn’t look blue. Indeed, smoke and dust in the air made it look a dim yellow. Though this wasn’t the official Harvest Moon (that comes next month), it should have been, as around here in southern Alberta the harvest is well underway, thus the swathed fields and hay bales.

The Full Moon sits in the blue band of Earth’s shadow, rimmed on the top by the pink twilight effect called the Belt of Venus, caused by sunlight illuminating the high atmosphere to the east.

A couple of windmills from the large Wintering Hills wind farm add to the evening scene. I’ve spent the last couple of evenings shooting in the wind farm. More images are to come!

For this image, I combined six exposures in a High Dynamic Range stack to compress the wide range of brightnesses. Boosting the colour vibrancy also brings out the twilight colours.

August 31, 2012August 31, 2012

Meteor and Windmill in the Moonlight

A rare bright meteor pierces the northern sky beside a spinning windmill in the moonlight.

I shot this Thursday night, August 30, as one frame of 300 or so shot for a time lapse sequence. Having a camera taking hundreds of frames at rapid interval, as you do for a time-lapse movie, is the only way to capture the chance and fleeting appearance of a bright meteor like this.

You can see the Big Dipper behind the machine and Polaris, the North Star, directly above the well-placed meteor.

I drove out to the new Wintering Hills Wind Farm now operating northeast of me and found a machine I could get close to. And they are huge! This is a sequence from a dolly shot I took. But the other camera was on a fixed tripod and I’ll stack those images into a long star trail scene, to get the circumpolar stars spinning alongside the windmill. But the machine was turning so fast that even 4 second exposures in bright moonlight blurred the blades more than I would have liked.

August 21, 2012August 21, 2012

A Convergence of Worlds in the Sky

The evening planet show we’ve been enjoying all year comes to a close for a while, but in grand style with a convergence of four worlds in the dusk.

This was the scene from my front driveway, Tuesday, August 21, as the waxing crescent Moon shone near Mars (just above the Moon) and Saturn (at top right just above the clouds), and near the star Spica (to the right of the Moon). The four objects formed a somewhat lopsided square in the evening twilight. But from my latitude of 51° North, they were very low and never visible in a dark sky. Enjoying them with the eyes required binoculars to pick them out.

Saturn will disappear behind the Sun shortly, but Mars hangs around in the evening sky for a few more months, but always low and easy to miss.

August 20, 2012August 21, 2012

Star Party Panorama

This image depicts a 360° panorama of the field and sky at the Saskatchewan Summer Star Party.

This was my first time shooting a nighttime panorama but it was easy. Just 12 exposures taken at 30° intervals panning around on a levelled tripod, in classic planetarium panorama style. Each exposure was 30 seconds at f/2 and ISO 3200 with the Canon 5D MkII and 24mm lens. It helps to have a high-quality fast lens.

North is at centre, south on either end.

The sky contains some interesting and subtle features that show up well in a wide-angle panorama like this:

– The bright summer Milky Way is setting at left in the southwest while the fainter winter half of the Milky Way is rising opposite, at right in the northeast.

– Jupiter and the Pleiades rise at right just off the Milky Way

– A meteor streaks over the trees at centre

– At centre, to the north, glows a faint yellow and magenta aurora

– The larger green glow left of centre is, I suspect, airglow rather than aurora. It has a striated structure, particularly at right of centre above the trees where it appears as subtle green and red bands arching across the northeast.

The sky this night was dark but did have a brighter than usual background, likely due to the presence of this faint airglow that the camera picks up better than the eye.

Even so, I can see another faint glow:

– A whitish band coming up from the northeast passing through Jupiter and below the Pleaides. That’s the Zodiacal Band, an extension of the brighter Zodiacal Light and caused by sunlight reflecting off cometary dust in the ecliptic plane.

The location of the panorama and star party was the Cypress Hills Interprovincial Park in southwest Saskatchewan, one of the darkest places in southern Canada.

August 19, 2012August 19, 2012

Party Under the Stars

For astronomers this is party central – under the starclouds of the summer Milky Way.

Over the past weekend, August 16-18, I attended the annual Saskatchewan Summer Star Party, held in the Cypress Hills of southwestern Saskatchewan. Skies could not have been better.

This was the scene Friday night, with telescopes under the Milky Way. About 350 people attended, and nearly as many telescopes it seemed! This is one small section of the observing and camping field.

Cypress Hill Park has been declared a Dark Sky Preserve, in recognition of the Park’s role in preserving and presenting the dark skies that are as much a part of our natural world as are the flora and fauna of the Earth. Every year astronomers converge on the Hills to revel in their pristine skies … and party – quietly! – under the Milky Way. Wandering the field you could overhear “Hey, look at this!”, “Wow!”, “O-o-o-h!”, “I found the __ nebula!” and many more exclamations of joy and wonderment.

My image is a composite of a single untracked exposure for the sharp foreground and a stack of 5 tracked exposures for the sky and Milky Way. All were 2 minute exposures, taken moments apart. Boosting the contrast makes the Milky Way stand out with far more detail and colour than the eye can see. Nevertheless, the Milky Way was a grand sight and the main attraction over the Cypress Hills this past weekend.

August 15, 2012August 15, 2012

Little Schoolhouse Under Prairie Skies

There aren’t many left now. Here on a bare prairie hilltop near where I live stands one of the last of the one-room schoolhouses.

Located near the now-vanished town of Majorville, Alberta is the Liberty School, built in 1909. I tried to look up the history of this particular school but found only references to other similar schools in the area. The stories from teachers who worked in such schools were fascinating. Amy Corbiell, a relative of one of my neighbours, taught at a nearby school in the 1930s. Imagine the scene on the prairies back then:

“Some days when the dust blew I remember it got so dark the pupils couldn’t see to work. I would light our one little coal-oil lamp and read to them until I could safely send them home.”

The lone teacher would live either in the home of one of the students. Or she would be put up in what we would now call a shack – the teacherage – next to the school. She would attend to the students ages 6 to 16, keep the pot-bellied stove going, bring in water from the hand pump outside, perhaps play the piano (if there was one), and organize the big annual Christmas concert. There might be a barn nearby for the kids to shelter their horses. Yes, they really did ride to school each day. It was a hard life by today’s soft standards.

But as Helen Courtney, another teacher from the era, remarked in her reminiscences,

“The 1930s are remembered as the depression years, the years of crop failures, and blizzard-like dust storms. They were also the times when neighbours helped neighbours, people shared what they had, extended kindness and friendship and looked hopefully toward a better future.”

My photo, taken under bright moonlight on August 4, shows the Big Dipper over the little schoolhouse, and a summer thunderstorm rolling across the far horizon.

August 15, 2012August 15, 2012

Planetary Dawn

This was the stunning scene in the dawn sky last Sunday — Venus, the Moon and Jupiter lined up above the Rockies.

Orion is just climbing over the line of mountains at right, while the stars of Taurus shine just to the right of Jupiter at top. I shot this at the end of a productive dusk-t0-dawn night of Perseid meteor photography. Being rewarded with a scene like this is always a great way to cap a night of astronomy.

August 14, 2012

Venus Disappears

On the afternoon of Monday, August 13 the waning crescent Moon slid in front of Venus in broad daylight. This sequence captures the disappearance.

It was touch and go getting this as high cloud kept moving through. A few minutes earlier the Moon and Venus were in clear blue sky, but at the time of the occultation, haze whitened the sky and cut down the contrast on an event that takes a telescope to see well. When the sky was clear it was easy to sight the Moon with unaided eyes and therefore focus your eyes on infinity. Venus next to the Moon popped into view, even naked eye. It was a rare chance to easily sight Venus in the daytime. But as it got close to the Moon Venus became harder to see naked eye, and the haze then made it impossible. But through a telescope it was just the opposite — Venus’s bright disk stood out even when the Moon was washed out and invisible.

For southern Alberta the occultation took place at 2:11 pm MDT. I missed seeing it emerge from behind the Moon. I was already inside processing this image.

It has been quite a year for Venus. It’s not over yet, as Venus continues its morning show and has close encounters with the Moon and the star Regulus this autumn.

August 13, 2012August 13, 2012

Shooting Through the Stars

Two bright meteors streak across the circling stars on the peak night of the Perseid meteor shower.

Of course, as is typical of bright meteors, the really bright one, the night’s best, I missed by that much! It shot off camera toward the west. But I got most of it. When shooting meteor showers you just aim and shoot and hope for the best. With luck some meteors will decide to shoot through the camera field when the shutter is actually open — they often appear just after the shutter closes.

This is a stack of nine 1-minute exposures in rapid succession, with two frames managing to pick up a bright meteor each. Over the nine minutes of exposure time the stars trailed as they rose in the east and circled Polaris at top left.

For this sequence I set up in Banff National Park at the picnic area at the Upper Bankhead parking lot at the base of Cascade Mountain, looking east toward the constellation of Perseus and the radiant point of the meteors — Perseids all appear to shoot out of Perseus, the bright collection of stars at centre.

August 13, 2012August 13, 2012

Perseid Meteors and Planets over a Mountain Lake

It was quite a night, and a wonderful dawn. This was the scene at the end of a night of falling stars.

A trio of Perseid meteors zips down at left, while at right a trio of solar system worlds rises into the pre-dawn sky. The overexposed waning Moon is flanked by Jupiter above and Venus below. Jupiter shines near the Hyades star cluster and below the Pleiades cluster.

I took this shot (it is actually a composite of three shots, each with its own meteor) on the morning of Sunday, August 12 on the peak night of the annual Perseid meteor shower, widely publicized this year due to the lack of a Moon for most of the night, and the convenience of falling on a weekend. The scene is looking east over Lake Minnewanka in Banff National Park, Alberta, one of the few places in this part of the Rockies you can look east to a reasonably unobstructed sky.

Notice the glitter path on the water from not only the Moon but also Venus.

August 9, 2012August 9, 2012

A Cloud of Stars in Scutum

This is a binocular-sized gulp of sky in the northern summer Milky Way. Countless stars form a bright patch in the Milky Way called the Scutum Starcloud, named for the odd little constellation of Scutum the Shield that contains it.

Visible to the naked eye, this star cloud is a rich area for binoculars or a small telescope. One favourite object of stargazers lies embedded in the star cloud and can be seen here as a bright clump of stars at left of centre. That’s the Wild Duck Cluster, or Messier 11, a dense and populous cluster of stars within the already star-packed Scutum Starcloud. Look in this direction into the Milky Way and you are looking toward the next spiral arm in from ours, some 6,000 light years away.

The immensity of stars in just this small area of sky is hard to fathom. That’s why it’s called deep space!

August 8, 2012

Continent in the Sky

Shining overhead on northern summer nights right now is the blue supergiant star Deneb, in Cygnus. Nearby glow the magenta clouds of the North America Nebula.

This image shot with a telephoto lens takes in roughly the same field of view as a pair of binoculars. But being a long time exposure it reveals much more of the faint nebula than even the aided eye can see. However, even binoculars will show a greyish cloud near Deneb in roughly the shape of North America. It is actually a continent of stars and hydrogen gas, glowing with hydrogen’s characteristic magenta colour, a mix of deep red and blue emission lines. The gas may be electrified into glowing by the searing radiation from the star Deneb, some 1400 light years away from Earth.

I shot this on a July night, with some haze passing by during some of the exposures. The haze added the photogenic glows around the stars.

August 4, 2012August 4, 2012

Driving to Andromeda

Are we there yet? It would take a long time to get to the end of this road.

A road in Banff appears as if it is heading toward the autumn constellations rising over the peaks of the Fairholme range in the Canadian Rockies. The stars of Andromeda (centre), Pegasus (right), Perseus (left), and Cassiopeia (above left) make up the panorama of mythological heroes populating the northern autumn sky. In the sky above the road the small smudge of the Andromeda Galaxy is visible, shining from 2.5 million light years away. A faint aurora at left adds to the moonlit scene.

I shot this Sunday, July 29, moments after taking the image in the previous blog, which was looking the other way, north toward Cascade Mountain, from the meadows north of Banff. This was a very photogenic spot.

August 3, 2012August 3, 2012

Moon over Banff

This was the scene Sunday evening, July 29 with the gibbous Moon shining over Banff, Alberta.

I shot this from the viewpoint on Mt. Norquay overlooking the town of Banff, a favourite evening spot for tourists. Two just happened to wander into the scene and point at the Moon right on cue.

The mountain at left is Mt. Rundle; at right is Sulphur Mountain with its Gondola lift and hot springs, the “spa” attraction that created Banff in the 1880s and inspired the CP Railroad to build its famous Banff Springs Hotel, here in the distance on the far side of the town and still the posh place to stay when in Banff.

August 3, 2012August 3, 2012

Stars over Cascade Mountain, Banff

Last Sunday night I was in Banff for a concert at the Banff Centre but ended the night with a round of nightscape shooting near the town.

I shot this from the Lake Minnewanka scenic loop road just north of the townsite. It captures the Big Dipper and Arcturus swinging down over Cascade Mountain, the iconic peak that stands as the background for so many photos of Banff. Moonlight provided ideal side-lighting.

I hope to head back to this area for next weekend’s Perseid meteor shower. The weather prospects look good!

August 1, 2012

Circling Stars over Pyramid Mountain

The previous post showcased one image taken last Saturday night at Patricia Lake. This is a composite of 98 such frames, producing an image of stars circling the sky.

This is the motion of the northern sky over 75 minutes, as the Big Dipper and other circumpolar stars arc around the celestial pole, just off camera here. A few faint meteors streak at left. And the makings of an aurora appears at right.

Each exposure was 45 seconds long. I used a Photoshop Action to automatically select each frame in turn and stack it on top of the previous image, then change the blend mode to Lighten and flatten the layers. The end result of the computer crunching away is an image that recreates what we used to achieve with film, by stopping down the lens and exposing a slow ISO film for an hour or more onto one frame.

I last shot this same scene a decade ago with just that technique and Fuji Velvia film, a favourite of mine back then for star trails. But these days shooting multiple short exposures digitally provides the advantage of also netting a folder-full of images suitable for a time-lapse movie, something we could never do with film cameras, unless they were modified movie cameras. I like DSLRs better.

July 30, 2012

The Big Dipper Over Pyramid Mountain

Pyramid Mountain is Jasper’s iconic peak dominating the skyline of the mountain town in Alberta. The mountain and its foreground lakes are ideally placed for nightscapes of the northern sky.

I took this shot Saturday night, July 28, from the shore of Patricia Lake, one of several that dot the benchlands south of Pyramid Mountain. Small lakes like Patricia have the benefit of often being calm and reflective. Here the stars of the Big Dipper and Ursa Major swing over top of Pyramid Mountain, in the blue moonlit sky. A few well-placed clouds add a welcome perspective. This is one frame of 150 or so in a time-lapse sequence, and that will eventually become a star trail composite as well. But this single frame stands well all on its own.

The last time I was here shooting this same scene I was using Ektachrome and Fujichrome film (each had its unique characteristics, though just what I can’t recall!). That was more than a decade ago. This digital shot with the Canon 7D looks far better than what I got back then.

July 30, 2012

Lunar Reflections at Lac Beauvert

After a day of cloud and rain, skies cleared to provide a stunning twilight scene of the Moon reflected in the calm waters of Lac Beauvert in Jasper National Park.

This is the view from the dock at the prestigious and posh Jasper Park Lodge, where the rich and famous stay when in Jasper. I was there just to shoot the sky. In the distance is the distinctive snow-covered peak of Mount Edith Cavell, a Jasper landmark. Above it shines the waxing gibbous Moon in the twilight colours.

July 30, 2012July 30, 2012

Athabasca Falls by Night

Athabasca Falls is one of the most popular and photographed attractions in Jasper National Park – by day. But by night, the falls on the Athabasca River are deserted.

In the distance, the stars rise behind Mount Kerkeslin. In the foreground, the river plunges into a deep gorge. These waters, with headwaters at the Columbia Glacier in the Icefields to the south, eventually make their way north to the Arctic Ocean.

I was at the Falls last Friday night, to shoot them by moonlight and under the stars. But in this case, I provided added foreground illumination from a flashlight.

As I took this and other shots, flashes of lightning from nearby thunderstorms occasionally lit the night. I had a couple of hours of clear skies before clouds moved in for the night, enough time to get frames for a time-lapse movie and some still frames like this one.

July 29, 2012

Athabasca Moon

I’ve spent the last couple of night in Jasper National Park, home to the world’s largest Dark Sky Preserve, dedicated to maintaining the darkness of the natural night sky.

This is a scene from Friday night, taken well before darkness, as the waxing Moon shone in the twilight above the Athabasca River and the peaks of the continental divide. For many years in the early 19th century fur traders plied these waters. Now rafters do.

Jasper is far enough north of me that I don’t get there very often. I’ve been spending most of my mountain time in Banff. I realize it’s been a decade or more since I’ve driven all the way up the Icefields Parkway to visit Jasper. But I was happy to be back. It has some great sites for nightscape photography.

I got two clear nights this past weekend, so a few more shots will hit the blog in the next few days.

July 26, 2012July 26, 2012

A River of Starlight and Dust

Look up on a dark summer night in the northern hemisphere and you see a river of stars flowing across the sky.

This is the Milky Way, a glowing mass of millions of distant stars populating the spiral arms of the Galaxy we live in. Lining the arms are lanes of dark interstellar dust, seen here splitting the Milky Way in two from the bright red North America Nebula at top, down to the core of the Galaxy in Sagittarius on the horizon. The dust is the soot created in stars and blown into space to form a new generation stars and planets.

This ultra-wide-angle scene takes in almost the entire summer Milky Way from the southern horizon to beyond the zenith overhead at top. I shot this a couple of nights ago from my rural backyard on a particularly transparent and dark night. It was heaven on Earth.

July 22, 2012

Under the Milky Way

What a marvellous night for the Milky Way. The sky was clear and the night warm and bug free, making for a perfect evening for public stargazing.

People only had to travel 30 minutes out of the city, but what an exotic, wonderful sky they discovered. The Milky Way is the main attraction, familiar by name but little seen by most. But this night, at the Rothney Observatory’s public starnight, hundreds got to see the marvels of the Milky Way and the deep sky for themselves. Astronomers, including yours truly, provided laser-guided tours of the naked eye night sky. A dozen or more telescopes and their owners provided close up views of nebulas and star clusters. After a summer so far of too much rain and cloud, this was a welcome and well-attended chance to see the stars.

July 22, 2012July 22, 2012

Waiting for the Sky Show

It was an ideal summer night for a public star party. Like it was a summer music festival, people set up lawn chairs and laid out blankets to sit and lie back and watch the show — the sky show.

This was the scene at Saturday’s Milky Way Night, July 21, at the local university’s Rothney Astrophysical Observatory. Several hundred people attended under ideal clear skies to watch the summer stars appear and revel in the Milky Way away from city lights. Here, people gaze westward after sunset to see the triangular gathering of Saturn, Mars and Spica in the evening twilight. Lots of mobile phones were held skyward as people used their new astronomy apps to identify what they were seeing. These apps are probably the most effective means now for people to get into astronomy. Lots of people were using them this night.

July 16, 2012

Star Trail Reflections at Bow Lake, Banff

It’s rare to get such a clear night in the mountains, but last weekend, July 6-7, provided a couple of ideal nights.

This image combines about 180 exposures, each 45 seconds long, stacked to create a single image of long star trails setting into the west behind Bow Glacier in Banff. The result records the sky’s motion over nearly two and a half hours. Running at right angles across the descending stars are vertical streaks from a bright meteor (left) and a satellite (top, centre).

Light from the rising waning Moon provides the illumination.