Alan Dyer – Page 5 – The Amazing Sky

March 17, 2013

Comet PANSTARRS Over the VLA

Comet PANSTARRS hovers in the twilight above the many moonlit dishes of the VLA radio telescope.

I shot this earlier this evening, on Sunday, March 17, on an evening trek out to the VLA (Very Large Array) near Socorro, New Mexico. Light from the nearly quarter Moon high in the sky illuminates the landscape and rims the 27 dishes of the VLA, the radio telescope that has starred in many movies over the years. The comet appears in deep twilight, here with the colours accentuated. Fortunately, the array was arranged in its most compact formation – at times the dishes can be spread out over many miles.

For this shot I took two exposures moments apart: one tracked for 25 seconds for the sky and comet to ensure pinpoint stars, and one untracked for 50 seconds for the ground, to ensure sharp ground detail. I combined them in Photoshop. I used the iPad app Photographer’s Ephemeris to seek out the location, on Highway 52, the public highway leading to the entrance road for the VLA. Lights from cars on the main Highway 60 across the high Plains of San Agustin streak at right.

The comet is becoming more photogenic as it climbs higher, despite the waxing Moon. A classic curving dust tail is now obvious in photos, though here I had the advantage of a very clear sky at a high altitude desert site. Viewing condition don’t get any better than this. Still, this comet will bear watching and shooting over the next month, no matter where you are in the northern hemisphere.

March 16, 2013

The Magnificent Milky Way

What an amazing area of sky – the centre of the Galaxy hovering over the Earth below.

This was the scene two mornings ago, on our last clear night in New Mexico. This is what’s in the morning sky now and in the evening sky later in July and August. This is the area around Scorpius and Sagittarius and their rich star clouds toward the centre of the Milky Way.

It looks like a scene from an alien planet. But it’s here on Earth, gazing thousands of lights years toward the galactic core.

Enjoy!

March 15, 2013

Orion and the Winter Triangle

The Milky Way runs through the middle of the Winter Triangle, three of the bright stars of the northern winter sky.

At right is the familiar pattern of Orion the Hunter. But if you take his shoulder star, the orange-looking Betelgeuse, you can form an equilateral triangle with Sirius below centre and Procyon at upper left. The trio are sometimes called the Winter Triangle. The pattern seems obvious here but with so many other bright stars in the winter sky, I’ve never found the pattern too obvious. But in this image I’ve chosen to nicely centre and frame the Triangle.

I’ve also increased the contrast and saturation to emphasize the wealth of nebulosity that fills this area of the Milky Way. Streamers seem to reach out from Orion and connect to the reddish Seagull Nebula above Sirius, and also to the round Rosette Nebula above centre. The background sky west of the Milky Way under Orion is filled with a faint red glow, in contrast to the neutral black sky east (left) of the Milky Way.

I shot this last night, from New Mexico, on our last good clear night on a week-long observathon. This is a stack of 5 exposures, each 8 minutes long, plus two other exposures shot through a diffusion filter to add the glows around stars. I used a 35mm lens and a filter-modified Canon 5D MkII camera, riding on an iOptron Skytracker tracking platform.

March 15, 2013

Celestial Scorpion in the Desert

This is one of the few constellations that looks like what it is supposed to be – a desert-dwelling scorpion.

This is Scorpius in his native habitat of the desert. Here, from the latitude of southern New Mexico, he is standing on end, his claws at top, his curving tail and stinger at bottom.

The bright yellow star is Antares, the heart of the scorpion, embedded in a colourful mix of magenta, yellow and blue nebulas. Scattered along the Milky Way in the tail of the scorpion you can see several magenta emission nebulas shining by the combined red and blue light of hydrogen atoms.

What I love about this area of sky is the lacework of dark foreground nebulas, and the contrast between the bright star clouds and dark lanes of stardust. At centre left is the Dark Horse, the darkest part of which also carries the name Pipe Nebula.

I shot this image this morning at about 5 a.m, in the hour before the sky brightened with dawn twilight. This is a stack of seven 3-minute exposures with a 35mm lens, including two exposures taken through a diffusion filter to add the accentuated star glows. The ground details come from just one of the exposures.

As it’s been all week, the location is the Painted Pony Resort in southwest New Mexico.

March 14, 2013

The Arch of the Milky Way

On March evenings the Milky Way arches overhead in a magnificent river of starlight.

This is the panoramic view we are getting every night this week at our astronomy retreat in New Mexico, as we gaze upwards to the northern winter Milky Way running across the sky from northwest to southeast, from Cassiopeia at right to Vela at left.

In the middle you can see the stars of Orion and his familiar Belt.

On March nights we are gazing outward, to objects farther out than we are from the centre of our Galaxy. This part of the Milky Way is dominated by stars and nebulas around the Orion complex several hundred light years away.

Above the main house a pillar of light rises from the western horizon and tapers out as it reaches the Milky Way high in the west. That’s the Zodiacal Light caused by sunlight reflecting off comet dust in the inner solar system. You need to be at a fairly dark site to see it, with no prominent urban sky glows to the west. But springtime is the best season for seeing the Zodiacal Light in the evening sky. From the latitude of New Mexico the Zodiacal Light rises almost straight up, perpendicular to the horizon. Here, Jupiter sits at the apex of the Zodiacal Light.

So this panorama includes the Earth, objects in our solar system (Jupiter and comet dust), and the distant stars and nebulas of the Milky Way Galaxy we live in.

For this scene I shot a panorama of 4 segments, each consisting of 2 images stacked for noise smoothing, and the segments stitched with Photoshop. Each frame was a 3-minute exposure with the Samyang 14mm lens at f/2.8. The camera was on a tracking platform, so it followed the sky during the 25 minutes or so it took for me to shoot the entire panorama. I reframed the camera between each segment to try to get the horizon and landscape horizontal and lined up as best I could from segment to segment.

The ground is from one frame out of each segment and is blurred slightly because the camera was tracking the sky. Despite shooting a moving target, Photoshop was still able to automatically assemble the frames into a seamless panorama that, in this case, covers about 250°. This was the first time I attempted such a tracked panorama. I was impressed that it worked!

March 13, 2013

A Comet and Earthlit Moon Amid the Stars

This was the scene tonight, March 13, as Comet PANSTARRS set over the mountains in deep twilight, with the waxing Moon hanging overhead.

The small comet sits low in the orange glow of twilight, where the Moon was last night when it was down beside the comet. Tonight, a day later, the Moon appeared much higher in the sky as it waxes toward first quarter Moon in another few days. Tonight it was a crescent with most of the dark part of the lunar disk lit by Earthshine. I took this shot just before the comet set behind the mountains, to get the sky as dark as possible and the exposure longer to bring out some stars in the deepening blue of twilight.

I took this from the Painted Pony Resort in New Mexico where about 15 of us are gathered for a week-long star party and dusk to dawn “observathon.”

Indeed, I have to get back outside to continue shooting the Milky Way. It is another stunningly perfect night under New Mexico skies.

March 13, 2013

Night of the Comet on a Desert Highway

Sometimes the best sky experiences just happen spontaneously. This was one of them – a night of the comet on a desert highway.

This was the scene at our impromptu roadside star party last night, north of the Painted Pony Resort in southwest New Mexico. About a dozen of us, mostly Canadians, gathered at a highway pull off to watch the unforgettable sight of the waxing crescent Moon setting alongside Comet PANSTARRS. You can see the comet to the left of the Moon in the background wide-field image, more or less as it appeared to the naked eye. But the real treat was the view through binoculars and my own small 80mm telescope. The series of closeups with a telephoto lens captures that view.

It was amazing to watch the comet tail and dark side of the Moon setting together as the last bits to disappear behind the mountains. All the while the winter stars and Milky Way were appearing overhead in a perfect sky, all on a mild desert night. A stunning astronomical experience.

Thank you PANSTARRS!

March 12, 2013

Comet PANSTARRS Spectacle — With the Waxing Moon

This was the night for Comet PANSTARRS! How often do we get to see a view like this, with a comet sitting beside a thin crescent Moon. Spectacular!

Again tonight, about a dozen visiting and resident Canadians gathered for a roadside star party north of Rodeo, New Mexico, to view the comet and Moon setting together over the Chiricahua Mountains. It was a stunning sight and made for a picture postcard image. The two set almost simultaneously, with the tail of the comet and “dark side of the Moon” lit by Earthshine the last to disappear behind notches in the mountain ridge.

And tonight, with the comet higher, it was visible to the naked eye for the first time, but only just – the sighting was made easier because you knew exactly where to look.

The Moon was just 3o+ hours old, so appeared as a very thin crescent. The entire disk of the Moon was visible, the rest lit by Earthshine, sunlight reflected off the Earth. In the clear New Mexico air, the Earthshine was easy to see even in the bright twilight. But adding in the comet made for a once-a-lifetime view.

As soon as they set together, we all cheered and applauded, almost like at an eclipse. It was a memorable night, the kind you always hope for from a comet. PANSTARRS performed tonight!

March 12, 2013

Sagittarius and Scorpius Rising

This is the view from early this morning as the centre of the Milky Way rises above the desert landscape of New Mexico.

Sagittarius (at centre) and Scorpius (at right) contain the rich starfields of the galactic core. To the eye this scene looks as if bright clouds are moving in to hide the stars, but in fact the glows are stars – clouds of stars forming the glowing bulge of the galactic core. Superimposed on the glowing core are lanes of dark interstellar dust, such as the silhouette of the Dark Horse prancing at centre, with lanes of dust flowing across the sky and converging onto yellow Antares, the heart of Scorpius right of centre.

I shot this before dawn this morning, March 12, from our site in southwest New Mexico. Skies were perfect.

This is a stack of five 5-minute exposures with the 24mm lens at f/2.8. A sixth exposure taken through a diffusion filter added the star glows to accentuate the bright stars and their colours. The foreground is from one exposure and has been processed to bring out the details, here lit only by starlight.

March 12, 2013

Comet PANSTARRS in Twilight

This was Comet PANSTARRS as it appeared Monday night, March 11, as it set over the Chiricahua Mountains.

Tonight we drove north, away from our New Mexico resort, to find a site overlooking lower hills to the west, in order the track the comet for longer as it set toward the horizon. Friends from Winnipeg joined us, and as the Sun set, three more cars pulled up with astronomers from the area all looking for the best vantage point for comet watching. We had an impromptu roadside comet party.

Even so, it was tough picking PANSTARRS out of the twilight and it was never naked eye. Pity this comet hasn’t blossomed, as a bright long tail would have been a beautiful sight in the sunset glow. However, it is what we had expected – a first time visitor from the Oort Cloud promising great things initially but never quite delivering on the promise. Still, we were all happy to see it and shoot it. This frame is one of 140 I took in time-lapse of the comet setting over the hills.

We have ideal conditions for comet viewing each night this week, unlike many in the northern hemisphere now. So our little group of Canadians in New Mexico are taking some satisfaction in knowing we’re seeing it, and many aren’t.

March 11, 2013March 11, 2013

Skies of Enchantment – Summer Milky Way Rising

If you lived here you’d be in astronomy paradise.

This is the summer Milky Way and galactic centre in Sagittarius and Scorpius rising before dawn early this morning. The setting is the Painted Pony Resort in New Mexico, and its adobe lodges.

There’s no more spectacular sight than this in the night sky, other than perhaps an all-sky aurora display. And they don’t get too many of those down here at 31° North in southern New Mexico.

This image is a stack of ten 3-minute exposures for the sky (to smooth out noise) but the ground is from just 2 of those exposures and is blurred because the camera was tracking the sky. Light from walkway lights, plus starlight itself, added just enough illumination to provide details in the foreground.

So to be clear – this is a real scene. The Milky Way has not been pasted onto a separate image of the foreground. However, colour and contrast have been boosted to bring out details your eye would not have seen had you been standing here early this morning in the frosty New Mexico night.

Again, as with my previous image taken earlier in the night, I used the new Samyang 14mm ultra-wide angle lens, at f/2.8. It works very well!

March 11, 2013March 11, 2013

Skies of Enchantment – Winter Milky Way Setting

In the land of enchantment, the winter Milky Way sets over our adobe house.

I’m in New Mexico, enjoying wonderfully clear skies. In the early evening the winter Milky Way runs north and south then turns to set over in the west, as it’s doing here, over the main house at the Painted Pony Resort near Rodeo, in southwest New Mexico.

Jupiter and the stars of Taurus are at upper right, and Orion is just right of centre. Above the house shine Sirius and the stars of Canis Major and Puppis. The area of red in the Milky Way just above the house is the massive Gum Nebula in Vela, an area of sky hidden from us in Canada.

For this image I combined a stack of five 5-minute tracked exposures taken with the Canon 5D MkII at ISO 800 and 14mm Samyang lens wide open at f/2.8. The ground details are from two of the exposures.

This was a fabulous night with more to come this week.

March 10, 2013March 11, 2013

Comet PANSTARRS at Perihelion

Got it! After a few days of cloud, the skies cleared perfectly tonight for our first look at Comet PANSTARRS.

This is the comet on March 10, the day it rounded the Sun at perihelion, its closest point to the Sun. The comet, which came from the Oort Cloud, is now on its way back to where it came from. But for the next few days, it will be at its best in our evening sky in the northern hemisphere. Friends down under in the southern hemisphere have been enjoying views of the comet for the last two weeks, but the comet has now moved far enough north it has entered our northern hemisphere skies.

The view is actually best from higher latitudes but I’m here at latitude 31° N, in southwestern New Mexico, seeking the clearest skies for the comet. We got them tonight. This view is of the comet about 7° up, just above the rim of the Chiricahua Mountains to the west of us, in Arizona.

The comet will climb higher over the next few days, with a prime night on March 12 when the waxing Moon appears near the comet.

March 2, 2013

The Wide-Angle Winter Sky

Orion and his friends are beginning their descent into the evening sky, signalling the welcome end of winter and the coming of spring.

I shot this last night from home, in a scene similar to some earlier posts, such as Winter Stars Rising. But the difference here is that I’m using a new lens, testing it for the first time. I wasn’t really after a “keeper” shot, but I think this one turned out pretty well!

The lens is the Samyang (aka Rokinon) 14mm f/2.8, an ultra-wide angle lens that sells for a bargain price, a fraction of the cost of name brand 14mm lenses. The reason is that this lens dispenses with all the automatic features and electronic communication and is a classic manual lens, just like we used to recommend people buy for astrophotography in the old film days. For shooting stars you don’t need autofocus or having the aperture stay wide-open until you take the photo. So we’re not missing much employing a no-frills manual lens like the Korean-made Samyang series – they make well-respected 24mm and 35mm lenses as well.

Star images are quite sharp across the very wide field, with very good control over coma at the corners. Stopping the lens down to f/4 does sharpen them up but the lens is perfectly usable at f/2.8, as it is here. The big issue is the extreme amount of vignetting — darkening of the corners of the frame. In star shots, we often have to boost the contrast a lot to make the shot presentable, and that increases the visibility of any vignetting, making the photo look like it was taken through a porthole. For this shot I “flattened” the image by applying very generous levels (almost maximum) anti-vignetting both in Adobe Camera Raw (at the start of processing) and again in Photoshop (at the end of processing) with its Lens Correction routine. The final result looks very good and natural I think.

Another drawback to the Samyang manual lenses is that they feed no information to the camera about what lens is attached. The “EXIF” data that the camera records lacks any info on aperture and focal length. So in the photo info at left (which is picked off the image automatically by WordPress), you’ll see the lens listed as a 50mm and with no aperture specified.

So the verdict? The Samyang/Rokinon 14mm is a very nice lens for wide-angle piggyback shooting (like this stack of five 5-minute tracked exposures), and for nightscapes and time-lapse work. A bargain at ~ $360. Recommended!

February 15, 2013

Flying Through a Moonlit Winter Night

Tonight the Space Station flew out of the west and overhead as it faded into the shadow of the Earth.

Because tonight the ISS was coming up high into the north, almost directly overhead, I used a fish-eye lens to shoot the entire sky, and took three exposures, each 90 seconds with the camera tracking the stars.

The bright Moon is at right, but despite its light the Milky Way still shows up. The Space Station faded into sunset just as it crossed the Milky Way.

Canadian astronaut Chris Hadfield is on board, about to take command at the next crew change. He’s been tweeting lots of comments and photos from space. Check him out at @Cmdr_Hadfield.

February 14, 2013

A Luminous Starfield

The Starfish and the Flaming Star combine to create a rich star field in the Charioteer.

I shot this last week, using a favourite small refractor that takes in a generous field of view for a telescope. In this case, it frames the star cluster at left called the Starfish Cluster, or better known as Messier 38. At right the large number 7-shaped patch of nebulosity is the Flaming Star Nebula, known by its catalog number as IC 405. At bottom, the nameless companion nebulas are IC 417 at left and IC 410 at bottom centre.

Of note is the colourful grouping of six stars at right called the Little Fish. It’s not a proper star cluster but an asterism, a chance alignment of stars that happens to look like something imaginative. David Ratledge presents a nice list and photo gallery of similar whimsical asterisms at his Deep-Sky.co.uk website.

The entire field is a rich hunting ground for the eyepiece or camera. You can find it these nights, in winter from the northern hemisphere, straight overhead in the evening, in the middle of Auriga the Charioteer.

For this portrait I shot and stacked eight 7-minute exposures at ISO 800 using a filter-modified Canon 6D on my TMB 92mm apo refractor at f/4.8.

Happy Valentine’s Day!

February 12, 2013

Mercury and the Razor-Thin Moon

This was the sky scene Sunday night, February 10, as an ultra-thin Moon entered the evening sky, providing me with a “personal best” for sighting a young Moon.

I’ve had to highlight and annotate the subjects here but all the players were obvious in binoculars. Only Mercury, usually the most elusive planet, was obvious to the naked eye. Below it shone dimmer Mars, here embedded in some cloud.

But the real catch of the night was the 18-hour-old crescent Moon, shimmering low in the red twilight. It appears as a razor-thin crescent, magnified in the inset. Sighting any Moon younger than 24 hours old is considered a find, the all-time record being a Moon about 14 hours old. I’m happy with an 18-hour catch!

On Sunday night conditions were nearly ideal, despite the clouds, with the Moon angled about as far from the Sun as it could be from my northern latitude, positioned directly above the sunset point. You can tell that because the crescent, which must be oriented toward the Sun, appears nearly horizontal.

This is the New Moon that also signals the start of the Chinese New Year, the Year of the Snake. So 迎春接福 !

February 11, 2013

Commander Hadfield Sailing Through the Stars

Here’s looking back at you Commander Hadfield! Here is our Canadian astronaut sailing into the Milky Way.

Since he launched to the International Space Station in December Canadian astronaut Chris Hadfield has been tweeting many photos of places in Canada that he sees passing by his window 400 kilometres below. With the Space Station now entering our evening sky in western Canada, I can return the favour and photograph his home in space traveling among the stars. This night he flew through Orion and into the winter Milky Way.

This was the scene Sunday night, February 10, in a pass of the Space Station low across the south starting at 7:14 p.m. MST. The exposure was four minutes, long enough to just capture the entire pass from west to east, right to left in this image. At left, the trail of the Space Station fades out as the ISS entered Earth’s shadow and into night.

The image also captures the Milky Way at left and the Zodiacal Light rising from the last vestiges of blue twilight at right. Jupiter is the brightest object above centre. For the next two weeks we’ll be enjoying nightly passes of the ISS with our Canadian astronaut on board.

February 10, 2013

See, That’s the Orion Nebula!

What a hardy bunch we are in Canada, braving winter weather to see Orion and company.

A well-bundled group of sky fans partakes in an impromptu tour of Orion and his famous nebula.

I shot this scene last night, February 9, at the first of a series of monthly stargazing nights at the local university research observatory, the Rothney Astrophysical Observatory. About 120 people and volunteers gathered to take in the sights of the winter sky, as best they could as transient clouds permitted. Inside, speakers presented talks themed to the Chinese New Year, which is governed by the timing of the New Moon each year. As this was a New Moon night, people were able to stargaze under reasonably dark skies to see deep-sky sights such as the Orion Nebula.

Want to know where it is? An astronomy club member points it out rather handily with one of the best tools astronomers have for public outreach, a bright green laser pointer. Controversial and dangerous in the wrong hands, when used responsibly these laser pointers are wonderful for conducting sky tours.

As a side note, this is a 3-second exposure with a new Canon 6D camera at ISO 8000, yet the photo shows very little noise. In just 3 seconds, the Milky Way is beginning to show up! I could have gone to previously unthinkable speeds of ISO 12000+ and still had a presentable shot. This will be a superb camera for nightscapes and available light shots.

February 9, 2013

The Subtle Glow of Comet Dust

Out of the skyglow from lights and the remains of twilight rises a tapering pyramid of light. It’s one of the night sky’s most subtle sights for the naked eye.

This is the Zodiacal Light, and I’ve been trying to capture it in the evening sky from home for a number of years. Last night was a good night for it. The sky was very transparent, for the first couple of hours at least. An ultra-wide angle lens allowed me to capture the Light in context with the wider sky, towering out of the southwest at right, reaching up to the Pleiades and Jupiter high in the centre of the frame. The Milky Way is at left. Everyone knows the Milky Way but the Zodiacal Light is less famous.

It’s visible only in the hour or two after sunset or before sunrise. Late winter and spring are the best times to see it in the evening sky. That’s when the ecliptic – the plane of the solar system where the planets lie – is tipped up at its highest angle above the horizon putting it above obscuring haze. The Zodiacal Light lies along the ecliptic because it is part of our solar system, not in our atmosphere. It is sunlight reflected off dust orbiting in the inner solar system that’s been cast off over thousands of years by comets passing through. It is brightest closest to the Sun and fades out at greater angles away from the Sun. Thus its tapering appearance in my sky as the photo shows, very much as my eye saw it.

It takes a good night at a dark site to see the Zodiacal Light. But take a look at the next dark of the Moon. You’ll be surprised at how easy it is to see once you know what to look for.

February 8, 2013February 9, 2013

The Beautiful Belt of Orion

Everyone knows the Belt of Orion, but only the camera reveals the wealth of colours that surround it.

I shot this Friday night, February 8, under very clear sky conditions.

While I used a telescope, it had a short enough focal length, about 480mm, that the field took in all three stars in the Belt: from left to right, Alnitak, Alnilam, and Mintaka. All are hot blue stars embedded in colourful clouds. The most famous is the Horsehead Nebula, running down from Alnitak at left. Above the star is the salmon-coloured Flame Nebula. All manner of bits of blue and cyan nebulas dot the field, their colour coming from the blue starlight the dust reflects.

Dimmer dust clouds more removed from nearby stars glow with browns and yellows. At left, a large swath of sky is obscured by gas and dust simmering in dull red. The entire field is peppered with young blue stars.

It is certainly one of the most vibrant regions of sky, though only long exposures and image processing bring out the colours.

This is another test shot with a new Canon 6D that has had its sensor filter modified to transmit more of the deep red light of these types of nebulas. The camera works very well indeed!

February 8, 2013February 9, 2013

A Crisp Winter’s Night Under the Stars

It was crisp and frosty night filled with the bright stars of winter, and the Milky Way.

This was the sky from my backyard on Thursday, February 7, with Orion and his friends shining due south. It is a “fish-eye” shot taking in all of the sky from horizon to horizon. South is at bottom, north to the top. West is at right, east to the left.

The Milky Way runs from northwest, at top right, to southeast, at bottom left. When we look at this section of the Milky Way we are looking in the direction opposite the galactic core, toward the outer arms of our Galaxy.

Jupiter is the brightest “star” in the image, shining in Taurus. Rising out of the sky glow from towns to the west of me is the pillar of light called the Zodiacal Light. I think you can follow it stretching all the way across the sky from right to left (west to east) where it then becomes a subtle bright patch in the sky well east of the Milky Way. That’s the Gegenschein, a glow of light exactly opposite the Sun. It and the Zodiacal Light are caused by sunlight reflecting off comet dust in the inner solar system.

A night when you can see the Zodiacal Light and Gegenschein – they were visible to the unaided eye – is a good night indeed. Too bad this one was spoiled by some cloud and haze, reflecting the toxic yellow glow of ever-intruding sodium vapour lights.

Silhouetted in the sky glow at right is one of my telescopes, with camera #2 dutifully taking a closeup image of Orion’s Belt. That picture will be the subject of tomorrow’s blog!

February 7, 2013February 10, 2013

Snapshots of Starlife

This one image frames examples of both the beginning and end points of a star’s life.

I shot this last night, February 6, 2013, capturing a field in the constellation of Gemini the twins. At upper right is the showpiece star cluster known as Messier 35. It’s a collection of fairly young stars still hanging around together after forming from a cloud of interstellar gas tens of millions of years ago. M35 lies about 2,800 light years from Earth, on the other side of the spiral arm we live in. Just below M35 you can see another smaller and denser cluster. That’s NGC 2158, about five times farther away from us, thus its smaller apparent size. Both are objects that represent the early stages of a star’s life.

At lower left is an object known as the Jellyfish Nebula, for obvious reasons. The official name is IC 443. It’s the expanding remains of a star that blew up as a supernova anywhere from 3,000 to 30,000 years ago. What’s left of the star’s core can still be detected as a spinning neutron star. You need a radio telescope to see that object, but the blasted remains of the star’s outer layers can be seen through a large backyard telescope as a shell of gas. It is expanding into the space between stars – the interstellar medium – ploughing into other gas clouds. The shockwave from its collision with other nebulas may trigger those clouds to collapse and form clusters of new stars. And so it goes in the Galaxy.

For this portrait of stellar lifestyles, I used a 92mm apochromatic refractor and a new Canon 6D camera, one that has had its sensor filter modified to accept a greater range of deep red light emitted by hydrogen nebulas. The image is actually a stack of 12 exposures with an accumulated exposure time of 80 minutes.

February 7, 2013February 9, 2013

Constellation of the Queen

After the 7 stars of the Big Dipper and the 3 stars of Orion’s Belt, these 5 stars are likely the most well-known in the northern sky.

These are the 5 bright stars of Cassiopeia the queen, better known simply as “the W” in the sky. Her five stars come in a range of colours, from blue giant Segin at upper left to yellow giant Shedar at lower right.

Scattered around Cassiopeia you can also spot at least one bright red nebula, the “Pacman Nebula,” plus a faint patch of purple nebulosity just above central Navi, the middle star of the W also known as Gamma Cassiopeiae. A few wisps of fainter reddish nebulosity and lanes of dark dust wind around the queen’s celestial throne. The left side of the W – the back of the throne – is also home to several clumps of stars, nice open clusters suitable for binoculars or any telescope.

I shot this portrait of the Queen on Wednesday night, February 6, on a cool and frosty winter night in my backyard. For the set of 8 images that went into this stack I used a new tracking device, the iOptron SkyTracker. It’s a nifty little battery-powered tracker, compact but very solid. And it tracks very well. For this portrait I used a 135mm telephoto lens, and most, though not all, shots were very well tracked with pinpoint stars. A few frames showed a bit of trailing, not unusual for small portable tracking mounts. At $400 the little iOptron SkyTracker is a great accessory for anyone wanting to shoot constellations and the Milky Way with wide-angle to telephoto lenses.

February 3, 2013February 9, 2013

The Natural Naked-Eye Milky Way

In this image I’ve tried to render the Milky Way in a view that simulates what you see with your unaided eyes.

The result is a celestial portrait in subtle shades of black and white.

This is a photo mosaic, but processed contrary to the usual methods – eliminating colour rather than enhancing it, and reducing contrast rather than boosting it. The result is a view that I think quite nicely matches what your eyes see, though certainly from a dark site. And in this case, you would need to be in the southern hemisphere to see this sweep of the Milky Way, from Aquila at left, to the Southern Cross at right, with the bright star clouds around the centre of the Galaxy in Sagittarius and Scorpius in the middle.

I’ve removed colours except for the muted colours of stars. And I’ve tried to render the stars with an intensity and dynamic range that the eye sees but that is often lost in long exposures.

The dark lanes of dust seen here really do look like this under dark skies. The nearby Coal Sack next to the Southern Cross does look a little darker than the rest of the sky. This view also captures another effect you can see in the real sky – the brighter sky below the Milky Way plane beneath Sagittarius and Aquila – there are more stars there, which make the background sky brighter than above the Milky Way plane (along the top of the photo) where the sky is permeated by dark obscuring dust.

This scene also frames the “dark Emu” – the shape drawn in the dark lanes that looks like a flightless emu in the sky. It’s an important “constellation” in Aboriginal mythology in Australia. The emu’s head is the Coal Sack at far right, her neck the long dark lane curving up through Centaurus and Lupus, and her tail the dark lanes at left in Ophiuchus, Scutum and Aquila.

I shot the original images for this panoramic mosaic in Chile in May 2011. You can see the full colour version in my “Milky Way Mosaic” post from 2011. The colours are wonderful. But there’s something enthralling about “capturing” the view more as your eyes – and mind – remember it.

January 27, 2013February 9, 2013

Winter Sky in Moonlight

Earlier this week I shot a similar scene with the Moon in the photo, when it was near Jupiter. This is the same sky but 5 days later, on January 26, with the Moon now out of the picture, but serving to light up the landscape.

This is the old house on my property that serves as an occasional foreground for test nightscapes. In this case, I was testing my veteran Canon 5D MkII camera against a new Canon 6D. This shot with the 5D MkII had the best arrangement of clouds and stars and works as a decent enough shot on its own.

You can see Orion dodging the clouds, with Sirius at left, and Aldebaran, Jupiter and the Pleiades at upper right.

So what of the tests? Initial impressions are that as far as noise is concerned (always the bane of astrophotographers) the new full-frame Canon 6D improves upon the 5-year old Canon 5D MkII by a factor of two. Noise looks to be about one f-stop better in the 6D, no doubt due to its new Digic V on-board processor.

What this means is:

• Images taken with the 6D at ISO 6400 have a similar level of noise as do images taken at ISO 3200 with the 5D MkII. ISO 3200 images with the 6D look like ISO 1600 images with the 5D MkII, and so on.

• So, if you were happy with shooting at ISO 1600 with the 5D MkII before, you could now shoot at ISO 3200 with the new 6D and get similar results, but with the added benefit of being able to cut your exposure times in half, always a nice thing to do.

• Or conversely, you could continue to shoot with the Canon 6D at ISO 1600 for the same exposure times as before but get shots with much less noise in them. Always a good thing, too!

It’s great to see camera state-of-the-art advancing.

January 21, 2013February 9, 2013

Moon and Jupiter Amid the Winter Stars

The Moon lights up a sparkling snowscape on the night it was close to Jupiter, as Orion and the winter stars rise.

The Moon is the bright and overexposed glow at upper right. Look carefully and you can just make out Jupiter above the Moon, almost lost in its glare. Below shines Orion, with Sirius the Dog Star just coming up above the distant trees. The Pleiades, at top above the Moon, complete this winter sky scene from Monday, January 21, 2013.

I’m glad I didn’t have to go far to shoot it, just 20 feet out the front door. Standing there for just 15 minutes was a chore, with a wicked east wind blowing in -18° C temperatures. This was a night that would normally fall below my threshold of tolerance for winter observing. But with the Moon so close to Jupiter it was worth a little pain for the gain of a neat winter sky portrait.

The image is a composite of a long and short exposure, in order to capture Jupiter so close to the Moon which, in a single long exposure, would have overexposed so much its light would have swamped Jupiter.

January 21, 2013February 9, 2013

The Moon Meets Jupiter

The cool blue of this scene fits the night – a bitterly cold winter night as the gibbous Moon passed below Jupiter.

This was the view as the sky got dark on Monday, January 21, 2013 with a close conjunction of the Moon and Jupiter underway. The Moon was closer to Jupiter later in the evening but I wanted to shoot it at sunset to capture the duo before for the sky got too dark and the Moon too bright and prone to overexposure. Even so, to capture the scene as your binocular-aided eyes saw it, I combined 4 different exposures for an “HDR” stack.

This is the closest we in North America will see the Moon by Jupiter in a darkened sky until 2026. But just next month those in southern Australia get to see a rare occultation, or “eclipse” of Jupiter by the Moon. It doesn’t get any closer than that!

January 14, 2013February 9, 2013

Timor Cottage R.I.P.

Word has reached me that my favourite observing site in the world is gone.

Over the weekend, devastating bush fires swept through Warrumbungles National Park and surrounding areas near Coonabarabran, NSW, Australia. Several dozen homes were lost. Some were homes of friends I’ve made there in my many visits to the area in the last 12 years. Among the buildings burned and lost, Timor Cottage, the rental cottage where I stayed in 2010 and in 2012. Previous posts have extolled the virtues of this site. I’m told it is now ashes. Ironically, just last week I confirmed my booking for it, for a stay in early 2014.

Fortunately, all residents were evacuated safely. No one lost a life, just property.

The nearby Siding Spring Observatory managed to survive the fires largely intact, due in no small part to the fire suppression safeguards implemented in the last 10 years since the fires of January 18, 2003 that destroyed Australia’s other major optical astronomy site, the Mt. Stromlo Observatory. Some lessons were learned. However, they did not help the people living near by, many of whom were Observatory employees. It was, and is, a wonderful astronomy community along Timor Road. I wish them the best in their efforts to rebuild their homes and their lives.

It is life in unforgiving Australia — one month paradise, the next hell on Earth.

January 11, 2013February 9, 2013

An Orion Portrait from Alberta

He’s certainly the sky’s most photogenic mythological figure. Here’s my full-length portrait of Orion the hunter, captured from Alberta.

I’ve shot him many times before but this was a new combination of gear: the Canon 60Da camera and the Sigma 50mm lens, nicely framing the hunter in portrait format. This version of Orion isn’t as deep as the one I took last month from Australia. But skies were darker there, and I used my filter-modified Canon 5D MkII for his Oz portrait, a camera which picks up more faint red nebulosity than does the 60Da, Canon’s own specialized DSLR camera for astronomy. The 60Da does do a very good job though, much better than would a normal DSLR.

For this shot, as I do for many constellation images, I layered in exposures taken through a soft-focus filter, the Kenko Softon, to enlarge and “fuzzify” the stars! It really helps bring out their colours, contrasting cool, orange Betelgeuse with the hot blue-white stars in the rest of Orion.

I shot this January 4 on a fine clear winter night, the classic hunting ground for Orion.

January 6, 2013February 9, 2013

Winter Stars Rising

Yes, it’s cold out there, but a clear evening away from city lights this week – or this winter – will reward you with the sight of a rising star-filled sky.

This is the winter sky of the northern hemisphere, rising above a snowy prairie landscape, in a shot I took Sunday night, January 6, 2013. The sky is populated by a ream of bright stars and constellations, anchored by Orion, just below centre. You can see his three Belt stars pointing down to Sirius, just peering above the horizon in the glow of a distant town. Orion’s Belt points up to Aldebaran, the V-shaped Hyades star cluster, and bright Jupiter (the brightest object in the scene, above centre), all in Taurus. Above Jupiter is the Pleiades star cluster.

The Milky Way runs down the sky from Auriga to Canis Major. This week, January 6 to 13, is a good week to see the winter Milky Way, as it’s New Moon and the sky is dark.

In this scene the camera was looking southeast about 9 p.m. Sirius has just risen. By midnight the Dog Star shines due south. I used a 15mm wide-angle lens to take in the entire sweep of the winter sky from horizon to zenith. This is a stack of four 4-minute exposures, though the landscape is from just one of the frames, to minimize the blurring caused by the camera tracking the sky. Some clouds moving in add the streaks on either side of the frame. It was a wonderful sky, while it lasted!

And I’m pleased to note that this is my 250th blog post since beginning AmazingSky.net two years ago in early 2011. I hope you have enjoyed the sky tours.

January 5, 2013February 9, 2013

Jupiter Amid the Clusters of Taurus

Look up on a clear night this season (winter for us in the northern hemisphere) and you’ll see a bright object shining in Taurus the bull. That’s Jupiter.

This year Jupiter sits in a photogenic region of the sky, directly above the stars of the Hyades star cluster and yellow Aldebaran, the brightest star in Taurus. Above and to the west (right) of Jupiter is the blue Pleiades star cluster.

Over the course of January 2013 you’ll be able to see Jupiter move a little further west each night (to the right in this photo) away from Aldebaran and toward the Pleiades. Jupiter will stop its retrograde motion on January 30. After that it treks eastward to again pass above the Hyades and Aldebaran (returning to where it is now) in early March.

Jupiter’s proximity to Aldebaran and the Hyades makes it easy to follow its retrograde loop over the next few weeks. It’s an easy phenomenon to watch, but explaining it took society hundreds of years and the ultimate in paradigm shifts in thinking, from the self-important arrogance that Earth – and we – were the centre of the universe, to the Sun-centered view of space, with Earth demoted to being just one planet orbiting our star.

I took this image Friday night, January 4, from home as my first astrophoto upon returning to Canada from Australia. It’s a combination of two sets of images: one taken “straight & unfiltered” and one taken through a soft-focus filter to add the glows around the stars and central, brilliant Jupiter. I then blended the filtered images onto the normal images in Photoshop with the Lighten blend mode.

December 31, 2012February 9, 2013

A Truly Amazing Sky — A New Year’s Gift

As we end 2012 and start a new year, I wish everyone a very happy 2013 and leave you with this view of a very amazing sky.

This is a 360° panorama of the Milky Way over Timor Cottage on a very clear night in mid-December in New South Wales, Australia. May all your skies be as wonderful and as inspiring as this in the coming year.

Indeed, we have some potentially remarkable sights to look forward to, with the prospects of two bright comets in 2013: Comet PANSTARRS in March and Comet ISON in November and December.

Let’s hope for more amazing skies in 2013. Keep looking up!

December 28, 2012December 28, 2012

Zooming into Canis Major – #3

In the third instalment in my trilogy of Canis Major zooms, I present this close-up of another neat nebula in the Great Hunting Dog, called Thor’s Helmet.

You can tell just by the colour that this is a different type of nebula than the typical red hydrogen gas clouds, such as the Seagull Nebula of my previous post. Yes, this is glowing gas but this nebula originates from a different source than most. Rather than being a site where stars form this is a nebula surrounding an aging star, a massive superhot star that is shedding shells of gas in an effort to lose weight – or mass as we should say.

Intense winds from the star blow the gas into bubbles, and cause it to fluoresce in shades of cyan. The central star is one of a rare stellar type called a Wolf-Rayet star, named for the pair of French astronomers who discovered this class of star in the 19th century. WR stars are likely candidates to explode as supernovas.

This particular Wolf-Rayet nebula, catalogued as NGC 2359, has a complex set of intersecting bubbles that, through the eyepiece, do take on the appearance of a Viking helmet with protruding horns, like you see in the Bugs Bunny cartoon operas! It’s a neat object to look at with as big a telescope as you can muster. And, as you can see, it’s rather photogenic as well, embedded in a rich field with faint star cluster companions.

December 28, 2012December 28, 2012

Zooming into Canis Major – #2

Zooming in closer yet again to the field in Canis Major I showed in my previous post, I’m now framing the large nebula known as the Seagull. Perhaps you can see him flying through the stars.

The catalog number for this object is IC 2177, but the bright round nebula at right (the head of the Seagull?) is object #1 in the catalog of Australian astronomer Colin Gum. It’s also object #2327 in the familiar NGC listing that all stargazers use.

Some of this nebulosity is just visible through a small telescope, especially with the aid of a nebula filter than accentuates the emission lines – the colours – emitted by these kinds of glowing gas clouds.

This is certainly a photogenic field, with a nice mix of pinks, blues, purples and deep reds.

I used my 4-inch (105mm aperture) f/5.8 apo refractor to shoot this target, so the field is fairly narrow, framing what a telescope would show at very low power.

(FYI – The image info listed at left, automatically picked off the image’s EXIF data by the WordPress blog software, fails to record the focal length of the optics properly, as I didn’t use a standard camera lens but a telescope the camera doesn’t know about.)

I’ve been after a good shot of this object for some years, but haven’t been successful until this past observing run in Australia, in December 2012. While I can see and shoot the Seagull Nebula from home in Alberta, it’s always very low in my home sky. From Australia the challenge was framing the field with the Seagull overhead at the zenith. Just looking through the camera aimed straight up took some ground grovelling effort. Plus avoiding having the telescope hit the tripod as it tracked the object over the hour or so worth of exposures – typically 4 to 5 that I then stack to reduce noise.

December 28, 2012December 28, 2012

Zooming into Canis Major – #1

My last post featured a wide view of Canis Major. Here, we zoom in closer to one of the most interesting regions in that constellation, filled with nebulas and clusters.

The prominent red arc is the Seagull Nebula, aka IC 2177. Above and to the right of the Seagull is a clump of stars called Messier 50, which lies over the border in the constellation of Monoceros the Unicorn.

At the lower left edge of the frame sits a pair of dissimilar star clusters, Messier 46 (the left one) and Messier 47 (the right one). M46 is a dense rich cluster of stars while M47 is brighter but looser and more scattered.

Several other non-Messier clusters punctuate the field. This is a great area of sky to explore with binoculars.

Just below centre you might see a small green-blue patch. That’s the nebula called Thor’s Helmet, or NGC 2359, a fine telescopic object.

If you get a clear night this season when the Moon is out of the way and you can head to a dark sky, Canis Major, the Hunting Dog, is a great hunting ground for deep-sky fans.

As the data at left shows, I shot this with a 135mm telephoto lens, giving a field of view similar to what binoculars would show.

December 27, 2012December 27, 2012

Canis Major and the Dog Star

Shining in the southern sky these nights are the stars of Canis Major, the big hunting dog of Orion the Hunter. Among them is the famous Dog Star, Sirius, the brightest star in the night sky.

Can you see a dog outlined in stars? Sirius marks his head – or it is sometimes depicted as a jewel in his collar. His hind legs and tail are at the bottom of the frame.

I shot this earlier this month from Australia, where Sirius and Canis Major stand high overhead. From northern latitudes you can see these stars due south low in the sky about midnight. Sirius is hard to miss, often sparkling through many colours as our atmosphere distorts its light. But as the photo shows, it is really a hot blue-white star. While it is intrinsically a bright star, much of its brilliance in our sky comes from its proximity, only 9 light years away from us.

For this portrait of the celestial canine I used a 50mm “normal” lens. The atmosphere provided some natural haze this night, to add the glows around the stars accentuating their colours.

This area of sky also contains several nebulas, notably the red arc of the Seagull Nebula to the left of Sirius. Below Sirius you can also see the star cluster Messier 41, a good target for binoculars.

Toward the left edge of the frame you can see a pair of star clusters, Messier 46 and Messier 47, two other excellent binocular objects in the Milky Way, which runs down the frame to the left of Canis Major. The dog is just climbing out of the Milky Way after a swim in this river of stars.

December 26, 2012December 26, 2012

The Christmas Tree Cluster

The current night sky contains another seasonal sight, a cluster of stars called the Christmas Tree Cluster. Turn the image upside down and you might see it!

The bright star lies at the base of the Christmas tree and at the bottom of a tall triangle of blue and yellow stars that outlines – or decorates – the tree. At the top of the tree sits the dark Cone Nebula. The Tree also encompasses a bright blue dusty nebula reflecting the light of nearby stars and swirls of pink glowing hydrogen. At right sits a rich cluster of stars dimmed yellow by intervening dust. At bottom (south) in this photo you can also see a small V-shaped object. That’s Hubble’s Variable Nebula, a dust cloud studied by Edwin Hubble, one that varies in intensity with fluctuations in the main star embedded at its tip.

This rich area of sky lies above (north of) the subject of my previous post, the Rosette Nebula in the constellation of Monoceros the Unicorn. Very little of this is visible to the eye. The magic of photography is how it coaxes detail out of the sky that the eye alone cannot see.

December 26, 2012December 26, 2012

A Cosmic Wreath in the Sky

This is the Rosette Nebula, a celestial wreath 5,000 light years in the northern winter sky.

It is one of the most photogenic of nebulas, but is barely visible to even an aided eye as a ghostly grey arc of light around the central star cluster. Winds from the group of hot stars at the centre of the Rosette are blowing a hole in the cloud, creating the wreath-like shape of the Rosette.

While I shot this earlier this month from Australia, the Rosette lies far enough north in the constellation of Monoceros that northerners can see this cosmic wreath on any dark and clear winter night. It makes a beautiful decoration in our holiday sky.

Happy holidays to all!

December 19, 2012December 19, 2012

The Down Under Waxing Moon

To northern eyes this looks like an old Moon in the morning sky, but this is really a young Moon in the evening sky – seen from Australia.

This was the waxing crescent Moon a few nights ago in the early evening sky. Because I took this from a latitude of 30° south, the Moon is turned over almost 90° from the way northern hemisphere viewers would see it from Canada or the northern U.S.

For this image, I shot ten exposures from 1/30s to 15 seconds and merged them into one “high dynamic range” composite using Photomatix Pro software. The result is an image with detail in both the bright sunlit crescent and in the dark side of the Moon visible here lit by Earthshine, sunlight reflected off the Earth. The resulting “HDR image” compressed the wide range of brightness into one image, to show the Moon the way your eye would see it but that photo technology is still not capable of recording in one exposure.

December 18, 2012December 18, 2012

The Colourful Clouds of Orion – #2

Swirls of pink, red and blue nebulas surround the Belt and Sword of Orion the Hunter.

For this closeup of Orion I used a 135mm telephoto lens under dark Australian skies to grab long exposures to reveal not only the bright Orion Nebula at bottom in Orion’s Sword, but also the Horsehead Nebula (below the left star of Orion’s Belt), Barnard’s Loop (at left) and the mass of red nebulosity between the Loop and the Belt & Sword. At right is a faint blue nebula reflecting the light of the hot blue stars in the area.

This is a gorgeous area of sky for the camera, but only the brightest nebulas, the tip of the cosmic iceberg, are visible to the eye even with the aid of a telescope.

December 18, 2012December 18, 2012

The Colourful Clouds of Orion – #1

The constellation Orion is a hotbed of star formation, from masses of colourful clouds.

I shot this portrait of Orion the Hunter a few nights ago in Australia where Orion stands upside down compared to our view from up north. But I’ve turned around the photo here to put him right side up with head at the top and feet at the bottom.

The three stars in a row in the middle are his famous Belt stars. Below shines the nebulas that outline his Sword, among them the Orion Nebula, the subject of an earlier post last week.

The giant arc is Barnard’s Loop, a bubble blown in space by the winds from hot new stars. The bubble around Orion’s head at top is a similar interstellar bubble. Most stars here are blue-white and hot, but the distinctively orange star is the red giant Betelgeuse, a good candidate for a supernova explosion.

Orion stands high in the sky at midnight these nights, summer here in Australia, but winter at home in Canada.

December 17, 2012December 17, 2012

Remains of a Star: The Vela Supernova Remnant

Amid a maze of glowing nebulas sits a tracery of magenta and cyan that was once a star.

This image takes in the Vela Supernova Remnant. You can see it as the lacework of gas in the centre of the field. Oddly enough, it sits in the middle of the vast Gum Nebula, the subject of my previous post, an object also thought to be a supernova remnant but one much older and closer. The Vela Supernova Remnant here likely comes from a supergiant star that exploded about 10,000 years ago. It, too, would have been quite a sight to the earliest of civilizations.

The field in the southern constellation of Vela also contains many other classic red and pink nebulas, but ones that are forming new stars, not the remains of dead ones. Most carry designations from astronomer Colin Gum’s catalog from the 1950s and have no numbers from the more familiar NGC or IC catalogs amateur stargazers refer to in their scanning of the skies. Yet, these Gum nebulas show up easily in photos.

I used a 135mm telephoto lens to take this image and it encompasses a field similar to what binoculars would frame. Except, it takes long exposure photos to show these nebulas. I looked last night at the Vela SNR with my 25cm reflector telescope and could just barely see the main arc of nebulosity as a grey ghost in the eyepiece. And that was under perfect dark Australian sky conditions.

December 17, 2012December 17, 2012

Giant Bubble in the Southern Sky

The southern sky contains what must be the largest nebula in our sky, a giant bubble spanning a wide swath of the Milky Way.

This is the object known as the Gum Nebula. You can see it in my previous post, in the ultrawide view of the southern sky. Here I’m framing it with a normal 50mm lens that covers about 50° of sky. The Gum Nebula is completely invisible to the eye and shows up only on photos. It wasn’t even discovered until the 1950s, by Australian astronomer Colin Gum. It is #12 in his catalog of southern sky nebulas. I’ve always thought this was an example of an interstellar bubble, blown by intense winds from hot blue stars, of which there are many in this part of the Milky Way in Vela and Puppis. At left are the four stars of the False Cross in Carina and Vela.

But some sources claim this is a supernova remnant, the blasted remains of a star that blew up 1 to 2 million years ago. It is big because it is close by, just 450 to 1500 light years away depending on what side if the remnant you measure. If that’s the case, the star that exploded would have been quite a shadow-casting sight in our prehistoric sky, assuming it was that close to us when it blew up and was in the night sky at the time.

Either way, it is a great target for amateur photographers, and now with digital cameras it is easy to record. This night, some haze moving through added the photogenic glows around all the stars to bring out their colours.

December 16, 2012December 16, 2012

Ultrawide Southern Sky

This horizon-to-horizon image takes in a broad sweep of the southern Milky Way from Orion to the Southern Cross.

At upper left shines bright Jupiter in Taurus and the stars of Orion, upside down. To the right of Orion is Sirius in Canis Major, the brightest star in the night sky. To the right of Sirius above the Milky Way is Canopus, the second brightest star in the night sky and one we don’t see from up north. The two satellite galaxy Magellanic Clouds are at upper right. Below them is the bright Milky Way through Carina and Crux, the Southern Cross. Alpha and Beta Centauri are just above the dark trees at right. This is the entire Milky Way you see on an early austral summer night from down under.

What stands out is the huge red bubble of gas called the Gum Nebula in Vela and Carina. It is strictly a photographic object but shows up well on red-sensitive digital cameras.

I shot this with a filter-modified Canon 5D Mark II camera and a 15mm wide-angle lens on a mount tracking the stars. It is a stack of four 6-minute exposures, shot from Australia a few nights ago under nearly perfect sky conditions.

December 12, 2012December 12, 2012

The Amazing Orion Nebula

My Australian nights are proving to be frequently and thankfully clear enough that I’ve got the luxury of shooting some familiar “home sky” objects. This is the famous Orion Nebula in the Sword of Orion, about 1500 light years away.

I’ve shot this nebula many times from the northern hemisphere but my Australian skies are darker than at home, and the nights a lot warmer than when this object is up in our winter sky.

The Orion Nebula is a complex consisting of Messier 42, the main nebula, M43, a small nebula attached to the north (above) and the bluish Running Man Nebula (can you see his dark figure?) at top that is officially catalogued as NGC 1973-5-7. Together, these make up the largest region of star formation in our corner of the Milky Way. It’s easy to see with the unaided eye on a dark night.

To shoot this, I blended three different exposures, short (4 x 1 minute), medium (4 x 5 minutes) and long (4 x 15 minutes), to preserve all the details from the intensely bright core our to the faint tendrils extending into deep space. I stacked the 4 frames taken at each of the exposure times, then blended those stacks using masks in Photoshop CS6 (and its wonderful and editable Refine Mask function) to mask out the overexposed area of the longer exposure and let the shorter exposure content shine through. The result is that the core still shows the little cluster of stars, the Trapezium, and the characteristic green tint of the core. But I applied lots of Curves to bring out the fainter bits and swirls in the periphery.

I shot this through my Astro-Physics Traveler 105mm refractor at f/5.8 using the filter-modified Canon 5D MkII camera, at ISO 400. This turned out to be certainly my best shot of Orion yet in my library.

December 11, 2012December 11, 2012

Southern Milky Way in the Blue of Dawn

At the end of a nearly perfect night of southern stargazing, I shot this wide-angle portrait of the southern Milky Way embedded in the deep blue of morning twilight.

In December at dawn, the southern Milky Way extends from Orion (at the extreme right) down through Canis Major, Puppis and Vela (where you can see a large faint red bubble-shaped nebula high in the south) then continues east (left) into Carina and Crux. The red Carina Nebula sits in the Milky Way and the Southern Cross is at left, rising before the two Pointer Stars, Alpha and Beta Centauri. The Magellanic Clouds sits above the cottage I’m using as my southern hemisphere home for stargazing while I am in Australia.

December 11, 2012December 11, 2012

Southern Spectacular in Carina

The Carina Nebula ranks as one of the most spectacular sights in the southern sky.

I shot this last night under perfect conditions. I’ve shot this nebula many times before but had to have a go at it again – I think this version is the best yet of many I’ve taken over the years of coming to the southern hemisphere to shoot the sky. I shot this through my 4-inch apo refractor with a filter-modified Canon 5D MkII camera. It’s a stack of five 12-minute exposures at ISO 400.

This massive nebula is the site of loads of star formation, and home to one massive young star, Eta Carinae, that is a prime candidate for a supernova explosion sometime soon. That will certainly stir things up in Carina. This object sits over 6,000 light years away in the next spiral arm in from ours, the Carina-Sagittarius Arm of the Milky Way.

Through the telescope it fills the field with intricate shades of grey — the colours show up only in photos – with one bright yellow star at the centre, Eta Carinae itself shrouded in the golden-hued nebula it cast off during its last explosive outburst in the 1840s.

Like the Large Magellanic Cloud, this is one object worth the trip to southern skies just to see for yourself.

December 10, 2012December 10, 2012

In the Lair of the Tarantula Nebula

This is one of the most spectacular areas of the southern sky, around the lair of the Tarantula Nebula.

I shot this close up of the Large Magellanic Cloud last night, December 10, 2012 to frame the most interesting part of the LMC, the massive Tarantula Nebula. This star-forming region is much larger than any in our Milky Way, yet exists in a small dwarf galaxy that is a satellite of our Milky Way. But tidal forces from our Milky Way are torturing the Magellanic Clouds and stirring up massive amounts of star formation. If the Tarantula were as close to us as is the Orion Nebula some 1500 light years from us, the Tarantula would cover 30° of sky and cast shadows at night. Good thing perhaps that the wicked Tarantula is 160,000 light years away.

I shot this with my 105mm apo refractor. It’s a stack of 5 x 12 minute guided exposures, using the filter-modified Canon 5D MkII camera.

This is a wonderful region of sky to explore with any telescope. I had a great look at it through my 10-inch Dobsonian reflector last night. Well worth the trip to the southern hemisphere to see!

December 9, 2012December 9, 2012

Australian Sky Panorama

This is the southern hemisphere sky in a 360° panorama.

From left to right in the sky, you can see:

– in the South: the two Magellanic Clouds, satellite galaxies of the Milky Way

– in the West: the diagonal glow of Zodiacal Light

– in the North: Orion, Jupiter and the Pleiades above the outline of Timor Rock

– in the East: the southern Milky Way just rising

I shot this last night in the early evening, Sunday, December 9, from my observing site in Australia, Timor Cottage at Coonabarabran, NSW. It’s a panorama of 8 images, each a 1 minute untracked exposure with the 10-22mm lens at 10mm. I’m amazed at how well the sections join together, considering the stars are moving from one frame to the next and about 16 minutes separates the beginning and end frames.

December 7, 2012December 7, 2012

Catching the Zodiacal Light

From a truly dark sky site, subtle sky glows become obvious. This is the Zodiacal Light of evening.

The Sun has long set and the very last glow of twilight is colouring the sky just above the hills. But reaching up from the sunset point in the northwest is a long triangular glow extending far to the south. This is called the Zodiacal Light – it does not originate in our atmosphere but is from sunlight reflecting off comet dust orbiting the inner solar system in the same plane as Earth’s orbit. Or at least that’s where we see it appearing the brightest, as a glow brightest near the Sun and extending along the ecliptic plane, where we find the constellations of the Zodiac. Here it appears in Capricornus and Aquarius.

I shot this two nights ago, from Coonabarabran, Australia, so the orientation of the Zodiacal Light is different from what we see from the Northern Hemisphere. Here it extends up from left to right. From home in Canada – and you can see the Light from northern latitudes on a dark night – it would be angled up from right to left, a mirror image of what we see here.

The subtle glow of Zodiacal Light is best seen in the evening sky in spring, no matter your hemisphere. I took this on December 6, 2012, still officially spring in the southern hemisphere if you assume southern summer starts on the solstice, December 21. However, Australians say summer begins December 1, so this is a portrait of the Zodiacal Light on a warm summer evening down under.

December 7, 2012December 7, 2012

Visiting The Dish – The Parkes Radio Telescope

On Friday I had the pleasure and privilege of giving a talk at “The Dish.”

This is the Parkes Radio Telescope, a big 64-metre diameter dish antenna used to explore the radio sky. To the public it is famous for starring in the Australian movie, The Dish, that told the story, somewhat accurately but with liberal license throughout, of how the The Dish was used to receive the first TV signals from the Apollo 11 moon landing in 1969.

Next week The Dish celebrates an important anniversary, 50 years since December 14, 1962 when Parkes received the signals from the first successful interplanetary probe, Mariner 2, flying past Venus, revealing that planet’s hellish conditions for the first time.

While The Dish is called upon occasionally to serve as a ground station for planet probes, its primary mission is to record natural radio signals from deep space objects, notably pulsars, spinning neutron stars. CSIRO’s website presents lots of information on the Parkes telescope.

Last night I presented a talk and picture show about the wonderful sky events in 2012, highlighted by the Great Australian Eclipse, to a nearly full house of local amateur astronomers at the Visitor Centre, where I took this photo. The talk was part of the monthly meeting, open to the public, of the Central West Astronomical Society, a very active club of which I am proud to be an honourary member. Whenever I am in Australia I try to get to Parkes on the club’s meeting night, to give a talk to the group and to meet up again with many of my Australian astronomy friends. It was a great evening. Thank you all!

December 5, 2012December 5, 2012

Depth of Detail in the Large Magellanic Cloud

If this was the only unique object in the southern sky that we couldn’t see from up North, then it would still be worth travelling south of the equator to see the southern sky.

This is the Large Magellanic Cloud, a satellite galaxy to our Milky Way. Being “just” 160,000 light years away (as opposed to millions of light years for most galaxies) this object is large (it fills the field of binoculars) and is rich in detail. Just look at all the pinkish nebulas dotting its ragged structure. The biggest is near the bottom, the massive Tarantula Nebula. Through a telescope there is so much to see in this object it takes careful comparisons with charts and atlases over several nights just to figure out what all the nebulas and clusters are in the eyepiece. It is a deep-sky observer’s dream object. While several professional astronomers have made their careers studying just the Magellanic Clouds.

Once classed as an irregular, ragged galaxy, the “LMC” is now thought of as a barred spiral. I think this photo suggests the two spiral arms coming off the top and bottom of the central elongated bar.

I shot this last night, under a perfect night of viewing in Coonabarabran, Australia, using a 135mm telephoto lens. The field is similar to what you see in binoculars though the long exposure (this is a stack of ten 5-minute tracked exposures) brings out more detail than the eye can see. Compare this wide view with a higher magnification shot I took two years ago from the same location. Both are good but I like this wider view better as it sets this big object into the celestial frame of the surrounding night sky.

December 5, 2012December 5, 2012

Cottage Under the Southern Stars

Here’s what heaven on Earth looks like to an amateur astronomer.

It’s a cottage all to myself under some of the darkest skies on Earth, and in the southern hemisphere where all the best stuff is in the sky. This is Timor Cottage near Coonabarabran, NSW, Australia, the self-proclaimed Astronomy Capital of Australia. Near Coona sits Siding Spring Observatory, home to Australia’s largest collection of optical research telescopes. I’m staying nearby, at this cottage under the stars doing my own southern sky explorations.

I was here in December 2010 but had to contend with torrential rains and floods two years ago. As you can see, the weather is much better in 2012!

This is a one minute exposure looking south, toward the most prominent objects in the southern evening sky at this time of year: the two Magellanic Clouds. They look like detached parts of the Milky Way but are separate dwarf galaxies orbiting our Galaxy and in the process of being ripped apart by our Galaxy’s tidal forces.

The red light at left is my other camera taking a shot of the Clouds through a telescope, the subject of my next blog.

It’s a perfect night when the only clouds in the sky are the Magellanic Clouds!

December 2, 2012December 2, 2012

Whitsunday Sunset

This was a perfect sunset for displaying the subtle shades of twilight.

On this evening the sky over the ocean showed off the classic sunset gradient from deep orange though yellow, purple and into deep twilight blue. I shot this on the water on my cruise around the Whitsunday Islands on board the Solway Lass. Note the dark reflections of clouds in the water.

We’re looking west, of course – the Sun still sets in the west in the southern hemisphere! – which is back toward the mainland of Queensland, Australia.

December 2, 2012December 2, 2012

Island Moon At Sunset

One of the great joys of sailing and being out on the water is the wonderful sunsets. In this case, sunset included a fine moonrise.

This is the gibbous Moon of November 26 in the evening sky over the Whitsunday Islands in Australia. On this evening we were moored in Baur Bay, at South Molle Island. The bright waxing Moon shines amid the red clouds in the east still lit by the last rays of the setting Sun from the west. It is everyday scenes like this, painted with the wonderful palette of colours only the sky can provide, that you begin to appreciate all the more – or more to the point, simply see – as you become “sky aware.” So no great science lessons to learn here – just some beautiful colours to soothe the soul as gentle waves lap against the side of the ship.

November 30, 2012November 30, 2012

Sailing Toward Orion

Not so long ago sailors used the Moon, Jupiter and the stars to chart their course on Earth. All are in this moonlit seascape.

I took this shot on November 27, as we set sail toward Hook Passage in the Whitsunday Islands, Queensland, Australia. The ship is the Solway Lass, a 110-year-old sailing ship that is now the oldest commercial ship plying the waters around Australia. It has been modernized and refitted, and at night runs with engines, not sails. And today, of course, GPS keeps the skipper informed of where the ship is. But before GPS and radio navigation, sailors used the sky to determine where on Earth they were.

Sextant sightings of the Sun and stars could give them their latitude and longitude. One star often used was Canopus, visible at far right in this image. Canopus has long been associated with the sea. It is the brightest star in Carina the Keel, once part of the sprawling constellation Argo Navis, the ship in the Greek legend of Jason and the Argonauts. Today, Canopus is still sighted by robot spacecraft bound for the planets to help them determine their position in the solar system.

Sirius and the stars of Orion (lying on his side here at a latitude of 20° South) appear through the rigging. At upper left is the bright glow of the nearly Full Moon, near the star Aldebaran and the Hyades star cluster.

Before the acceptance in the late 1700s of the chronometer as an accurate time-keeping device, the position of the Moon near bright stars served as an astronomical clock in the sky to provide sailors with local time. Another source of time (more for land-based navigators) was the changing positions of the moons of Jupiter — Jupiter is the bright star-like object at left.

I just finished a superb 6 days of sailing around the Whitsundays and will have 2 or 3 more sea-bound posts from this wonderful area of the world.

November 22, 2012

Tropical Twilight

Oh, to be on the beach in the tropics now that winter’s here at home.

That’s where I was tonight, at the same beach on Magnetic Island, Queensland where I shot last night’s images of cloud shadows. You can see some of the same effect here, as the few darker clouds cast their dark shadows across the twilight. But in the clearer sky tonight, the classic colours of twilight are more pronounced than they were the previous night. The sunset sky goes from deep yellow near the horizon, through pinkish-purple and into deep blue high in the sky. The “twilight purple” is caused by red sunlight still illuminating the high atmosphere.

We see the same colour effects at temperate latitudes. It’s just a lot more pleasant enjoying a sunset on a warm beach in winter.

November 21, 2012

Cloud Shadows on the Beach

I went to the beach to shoot the sunset and saw one of the best examples of cloud shadows I’d ever seen.

These are called “crepuscular rays,” and are shadows cast across the atmosphere by clouds, in this case in the west blocking the light of the setting Sun. However, here I’m shooting east in the direction opposite the sunset, to see the shadows converging on the anti-Sun point.

The effect is really stunning, yet I doubt anyone on the beach paid much attention to it. But then again, that’s the whole point of my AmazingSky blog — to call attention to neat stuff you can see in the sky if you only look up.

The site is Horseshoe Bay on the north end of Magnetic Island, off the coast of Queensland, near Townsville. I’m here for two days enjoying the island life. It has now been one week since the total eclipse of the Sun. Hard to imagine!

November 20, 2012

The Great Australian Eclipse – The Closeup Movie

This is the “director’s cut” movie of the November 14 total eclipse of the Sun in Australia, unabridged and unedited.

I shot this movie of the eclipse through a telescope to provide a frame-filling closeup view of totality. This is the entire eclipse, from just before totality until well after. So it includes both diamond rings: at the onset of totality and as totality ends.

A few seconds into the movie I remove the solar filter which produces a flash of light until the camera readjusts to the new exposure. Then you really see the eclipsed Sun!

We got 1m28s of totality from our viewing site near Lakeland Downs, Queensland. But the movie times out at slightly less, because at several points where you hear a shutter click, I took a still frame which interrupts the movie. You can see some of those still images in earlier blog posts.

My timing was a little off, as I opened up the exposure to reveal more of the outer corona only moments before the end of totality, so the first moment of the final diamond ring is a little overexposed. During totality I was looking with binoculars, and made the mistake of going over and checking on my other wide-angle time-lapse camera. That wasted time needlessly. I should have spent more time attending to the movie camera and taking more stills at various exposures. No eclipse every goes quite as planned. Losing 30 seconds of totality in order to seek out clearer skies did cost me some images and enjoyment time in the umbra. But our experience was far less stressful than those who dodged clouds (or failed to miss the clouds, in some cases) at sites closer to or at the coast.

The original of this movie is in full 1920 x 1080 HD, shot with the Canon 60Da through the 105mm f/5.8 Astro-Physics apo refractor, on an equatorial mount tracking the Sun. I rarely have the luxury of shooting an eclipse through such extravagant gear, as I would never haul that type of hefty gear now on an aircraft to remote sites. But this equipment emigrated to Australia in 2002 for the total eclipse in South Australia and has been here down under ever since. So this is its second Australian eclipse. Mine, too!

November 19, 2012

Southern Milky Way Setting & Zodiacal Light

On the eve of the November 14 total eclipse of the Sun, I was able to shoot the Milky Way setting amid the vertical glow of the evening Zodiacal Light.

This scene looks west toward the sunset point, but was taken well after sunset. The Milky Way and the area of Sagittarius where the centre of the Galaxy lies is just setting. The same area of sky contains a vertical pillar of light, very subtle, called the Zodiacal Light. This is sunlight reflected off dust particles orbiting the inner solar system and deposited by passing comets. The Zodiacal Light is best seen in the evening sky on dark moonless nights in spring, no matter what your hemisphere. But in this case it is November, spring in the southern hemisphere.

At left are the two Magellanic Clouds, satellite galaxies of the Milky Way, and visible at their best only from south of the equator. In this case we are at 16° South latitude.

The site is a lookout on the Mulligan Highway inland from Port Douglas where we made for the day before the eclipse and camped out overnight, along with a parking lot full of fellow eclipse chasers. But the morning still brought worrying clouds in the direction of the Sun, so we moved farther north to the site you see in my earlier Great Australian Eclipse blogs.

November 18, 2012

The Great Australian Eclipse – Stars & Planets in the Darkened Sky

During last week’s total eclipse, Venus was obvious above the Sun well before the shadow descended and the sky darkened. But during totality other stars and planets appeared.

But I suspect few noticed! During an eclipse your eyes are transfixed on the Sun and its corona. And on the other phenomena of light and shadow happening around you. However, I inspected my wide-angle frames and found faint images of Saturn and the stars Spica, Alpha and Beta Centauri, and three stars of the Southern Cross. I’ve labeled them here but you might not be able to pick them out on screen in the reduced resolution that appears in the blog. Similarly, I doubt anyone saw them visually. If you did you were wasting your time looking at the wrong stuff!

November 16, 2012November 16, 2012

Endeavour’s Site at Cooktown, Queensland

I began my journey to Australia with a visit to the replica of James Cook’s ship Endeavour in Sydney. I’m ending this part of my trip with a visit to where Cook beached the HMB Endeavour for repairs at what is now Cooktown in far north Queensland. This is where Cook spent the most time in Australia, though not by intention.

In 1770 Cook was sailing north along the Queensland coast, after visiting Tahiti the year before to see the transit of Venus. He inadvertently discovered the Great Barrier Reef. Endeavour ran aground on what is now called Endeavour Reef. The crew was able to repair the ship well enough and save themselves by getting Endeavour to this harbour at what is now Cooktown where the Cook River meets the Coral Sea. There, with the ship beached, they were able to effect more permanent repairs to its damaged hull.

The site is just below this viewpoint at an idyllic harbour. They stayed there for two months in July and August 1770, effecting repairs and sighting, among other curiosities, kangaroos for the first time.

I visited Cooktown yesterday as part of a 4WD trek up the Bloomfield Track north of Cape Tribulation and through the Daintree Rain Forest. At Cooktown its museum, converted from an old convent, contains the original main anchor and one of the large canons from Endeavour, recovered from where the crew tossed them overboard to lighten the ship’s load and gain draft to sail off the reef. They are some of the few pieces of Endeavour that still remain.

November 14, 2012

The Great Australian Eclipse – The Shadow Movie

This is 6 minutes of pre- and post-eclipse – and the all too short eclipse itself – compressed into 30 seconds. You can see the dark blue shadow of the Moon sweeping across the sky.

The long oval shadow comes in from behind us from the west and comes down to meet the Sun which is rising in the east. That moment when the shadow edge meets the Sun is second contact when totality begins in a diamond ring effect, and the Sun is entirely hidden behind the Moon.

The shadow then moves off to the right. As its left edge hits the Sun, the Sun emerges in another diamond ring and the eclipse is over. All too soon. Even at mid-eclipse the Sun is not centred in the oval shadow because we were not centred in the path of the shadow but instead drive well north of the centreline, to avoid cloud farther south. We saw 1m28s of totality, 30 seconds less than people at the centreline or on the coast. But we had no annoying clouds to worry about.

Also note Venus at upper left. And the hugs and kisses at the end!

– Alan, November 15, 2012 / © Alan Dyer 2012

November 14, 2012

The Great Australian Eclipse – Our Happy Group!

OK, one last eclipse post! Here’s our happy band of Canadian chasers, post-eclipse.

Some were seeing their first eclipse. A few others, myself included, were chalking up eclipse #14. Eclipse virgin or veteran, the experience is always breathtaking and unbelievable. Moments after the eclipse ends you cannot believe you saw what you did – the sight is so unearthly. And you want to see another. The next total eclipse of the Sun is November 3, 2013, in the mid-Atlantic and over central Africa.

November 13, 2012November 13, 2012

The Great Australian Eclipse – Second Diamond Ring

This is the sight eclipse chasers hate to see, yet celebrate the most! It is the diamond ring that ends totality.

This was the “third contact” diamond ring when the Sun returned in an explosion of light from behind the edge of the Moon.

Compare this view to my earlier blog, and you’ll see that the second diamond ring at the end of totality did not happen opposite the first diamond ring. That’s because we were well off the centreline of the Moon’s shadow, so from our perspective the Moon travelled across the Sun’s disk slightly off-centre.

From where we ended up in our chase for clear skies, we experienced 1m28s of totality, well under the 2 minutes maximum that others saw near the centreline. But we felt 1m28s of clear skies was better than 2 minutes under partly cloudy skies. Indeed, some on the coast saw the Sun only briefly during totality, or not at all.

Instead, while the last minute move was stressing, once we were set up, we had relaxed assurance we were going to see the whole show!

November 13, 2012

The Great Australian Eclipse – Outer Corona

For this shot I overexposed the inner corona on purpose to reveal more of the extent of the streamers in the Sun’s outer corona.

The pink at left is the chromosphere layer shining from behind the Moon just before the Moon uncovered the blindingly bright photosphere with a burst of light, the diamond ring.

It takes a lot of specialized processing, far beyond what I’ve done here, and stacking of multiple exposures to reveal the delicacy of structures that you can see with your aided eyes during a total eclipse. There is nothing more astonishing in the sky for its complexity and yet subtleness than the Sun’s corona. It is the main attraction at any total solar eclipse. You have not lived astronomically until you have seen the corona of the Sun with your own eyes.

November 13, 2012

The Great Australian Eclipse – Inner Corona

Taken shortly into totality, this shot shows some of the complex structure of the Sun’s corona, and a cluster of red prominences peaking out from behind the bottom edge of the Moon.

For the November 14, 2012 eclipse I shot two cameras. One, with a wide-angle lens, was automatically taking a frame every second. Three of those frames are in a previous blog. For this shot I used a second camera looking through a 4-inch refractor telescope I keep stored in Australia. It worked great! I seldom get to shoot an eclipse through a telescope, as so many eclipses are in remote locations where carting a telescope and mount are impractical. But for an Oz eclipse (I’ve seen two from Australia now, in 2002 and now in 2012) I get to use my Oz gear.

Because the Sun is nearing solar maximum its corona appeared evenly distributed around the Sun, with streamers reaching out in all directions. At solar minima eclipses the corona extends just east-west with little over the poles.

This image, like the other closeups I’m posting, are still frames shot while the camera was taking an HD movie. Firing the shutter while the movie is recording interrupts the movie but records a full-resolution still frame, a very nice way to get two forms of media with one camera.

November 13, 2012

The Great Australian Eclipse – Diamond Ring #1

The last bit of the Sun shines from behind the ragged edge of the Moon as the total eclipse begins in Australia.

This is “second contact,” and the first diamond ring effect that heralds the start of totality. The Moon (the dark disk) is just about to completely cover the Sun. You can see the pink chromosphere layer of the Sun’s surface and a flame-like prominence at 4 o’clock position. The Sun’s atmosphere, the corona, is just beginning to show.

I took this November 14, 2012 from a site near Lakeland Downs, Queensland, Australia. While we did look through some thin cirrus clouds, they didn’t hamper viewing at all, and were not the concern that the thicker clouds were at other sites, especially at the beaches.

November 13, 2012

The Great Australian Eclipse – Success!

It wouldn’t be an eclipse without a chase. But in the end we had a nearly perfect and cloudless view of the entire eclipse — the Great Australian Eclipse. We were ecstatic!

This collage of wide-angle shots shows the motion of the Moon’s conical shadow. At top, you can see the bottom edge of the shadow just touching the Sun. This was second contact and the diamond ring that begins totality. The middle frame was taken near mid-eclipse and shows the bright horizon beyond the Moon’s shadow. However, the Sun is not centred on the shadow because we ended up well north of the centreline, sacrificing as much as 30+ seconds of totality to get assured clear skies. The bottom frame was taken at the end of totality as the first bit of sunlight bursts out from behind the Moon at third contact and the final diamond ring. Notice the Sun sitting at the well-defined left edge of the Moon’s shadow. The shadow moved off to the right.

Why did we end up off-centre? Clouds! The day before, at our 11 am weather briefing meeting, we decided not to stay on the beach but to move inland to one of the sites we selected from the previous day’s reconnaissance. The forecast was not even accurately “predicting” the current conditions at the time, saying the sky should then have been clear. It was raining. We did not trust the predictions that skies would clear by eclipse time on Wednesday morning.

We drove inland on Tuesday afternoon, getting to our choice site at the James Earl Lookout on the Development Road about 4 pm, to avoid driving in the dark and to get there before the parking area filled up. It was a good plan. We arrived to find a few people there but with room for all our cars filled with 20+ Canadians. We staked our ground with tripods, did a little stargazing after dark, then settled in to spend the night in our cars.

At dawn we got everything ready to go, only to see puffs of orographic clouds forming over the hills in the direction of the Sun. I did not like it. So with an hour to go before totality we packed up and moved down onto the plains away from the hills to a site near Lakeland Downs, the site you see here. Apart from some high cirrus clouds, skies were superb.

As it turned out, folks a few miles away at the Lookout did see it, but by the skin of their teeth. Clouds obscured the Sun just before and just after totality. That’s too nerve-wracking for me. And from the beaches, some people were clouded out, others saw all of totality, others saw just a portion of the main event. It was hit and miss. From home at Oak Beach we might have seen it but only just. We were very happy with our decisions to move and flexibility to be able to do so.

I’ll post some close-up shots of the eclipse shortly.

Tonight, we party!

November 12, 2012

Our Eclipse Group at Work

Nothing could be farther from an astrophoto than this, but this is what it takes to get a great shot – planning!

Here is our little group of Canadian eclipse chasers sitting around the patio table planning alternate viewing sites that we had inspected earlier that day on the Monday, two days before the eclipse. Maps, photos and weather forecasts all go into the mix to make a decision where best to be for the total eclipse of the Sun.

We found some good inland sites but getting to those would require leaving the comforts of home the afternoon before the eclipse to be in place for dawn on Wednesday and avoid driving the roo and cattle infested outback roads at night. We would prefer to stay on the beach, and weather prospects are improving. But if the eclipse had been this morning we would not have seen it from this location.

November 12, 2012

Sign on the Centreline

I’m in eclipse country here, as the sign proclaims, just about on the centreline of the coming Moon’s shadow.

Today we drove 3 to 4 hours out onto what is called the Development Road or the Mulligan Highway, inland from the beaches where we are staying. This is the road that goes up to Cooktown (where Captain James Cook beached the Endeavour in 1770) from Port Douglas, but via the inland route. As you can see it is dry! That’s a good thing. While the coast was cloudy and rainy today, Monday, the inland sites we inspected were sunny, with word from the locals that the morning at eclipse time was perfectly clear. As it always is they promised us!

So we have some Plan B sites selected, and checked out with the local Queensland Police to make sure we’re OK to use them. However, weather forecasts for Wednesday morning at eclipse time are promising clear skies on the coast where we would prefer to stay in convenient comfort.

Not far from here, near the Palmer River Roadhouse, some 8,000 people have gathered in the dusty Outback for a festival of music and “new age healing.” We’re seeing lots of the participants on the road (often driving beat-up vans) looking like they’ve been transported by time machine from the 1960s and Woodstock. Eclipses attract many people of all interests to the track of the Moon’s shadow. Good luck to them … and us, two days from now.

November 11, 2012

Two Days to Go Until the Eclipse

This was the sky at eclipse time, two days prior to the total eclipse of the Sun.

Had the eclipse been today we likely would have missed it. The Sun broke through briefly but minutes later the rain seen here off shore was over us. But a few minutes later it was clear and sunny again. It will be a game of chance to be sure.

Today, we travel inland to scout out viewing sites 3 hours away over the Dividing Range on the Development Road as a Plan B.

November 11, 2012

On the Beach — Stargazing

This is stargazing in the tropics — on the beach, in shorts and sandals.

Here’s some of our eclipse chasing group enjoying a view of the southern hemisphere night sky, albeit though clouds. Jupiter is the bright object at left, Orion is rising on his side in the middle, Sirius is just above our stargazers, while Canopus is at far right. The Pleiades is at far left. We’re looking east, from a latitude of 16° south of the equator, where the sky takes on a completely new appearance that baffles and delights even seasoned northern stargazers.

November 10, 2012

Three Days to Go Until the Eclipse

Skies and spirits brightened this morning as we were greeted to a wonderfully clear sunrise.

I took this moments ago on the morning of Sunday, November 11, three days before the total eclipse. If the eclipse had been this morning we would have seen it in grand style.

Nevertheless, we will continue our scouting of inland locations over the Dividing Range, at sites some 2 to 3 hours drive away. If the weather forecast looks gloomy the day before we will make a run for it inland but will have to make that call the afternoon before the eclipse to avoid driving in the dark with roos on the road. The eclipse happens an hour after sunrise on Wednesday, with the Sun a little higher than its position here. Ideally, we watch the eclipse from where I took this photo! But one must always have a Plan B and C in pocket.

November 9, 2012

Four Days to Go Until the Eclipse

This is sunrise, four days before the November 14 total eclipse of the Sun, from our preferred viewing site on the coast of Queensland, Australia.

In four days, the Moon, which you can see as a waning crescent at upper left, will pass across the face of the Sun.

We’re here at our Beach House at Oak Beach, just south of Port Douglas, right on the eclipse centreline. The site is fantastic and we may have the beach pretty much to ourselves, or at least just for the residents of the beach houses long Oak Beach Road. However, the clouds are worrying. A system moving through is blanketing the area in cloud but promises to move off by eclipse morning. The total eclipse occurs about an hour after sunrise. So this is the view we’ll have, though we have a kilometre of beach to pick from.

However, we just spent one of several days scouting out alternative Plan B sites along the coast and inland. Mobility is often the key to success when chasing eclipses. It is a chase after all, and being able to see an eclipse right from your front yard (or in our case, front beach) is always the ideal plan. But plans often change.

There are lots of eclipse chasers here — about 40,000 have converged on Port Douglas area, which even at peak tourist season (which it is not now) handles only 10,000 people at a given time.

November 6, 2012November 6, 2012

Crossing the Tropic of Capricorn

Today on my drive north to the path of the November 14 total eclipse in Australia, I crossed the Tropic of Capricorn and am now officially in the tropics.

This is one of the many monuments that the demarcates this important line around the world, all located at 23.5° south latitude (or thereabouts). This one is in Rockhampton, Queensland. It’s actually at 23° 23′ 59″ S but that’s close enough for tourists. For photos of other Tropic of Capricorn monuments see Wikipedia’s page.

The Tropic of Capricorn is one of the world’s four main lines of latitude defined by the tilt of the Earth: The Arctic and Antarctic Circles at 66.5° N and S, and the Tropics of Cancer and Capricorn, at 23.5° N and S. The names for the Tropic lines come from the two constellations where the Sun used to be located millennia ago on the June and December solstices: Cancer and Capricornus. The precession motion of the Earth’s axis has since moved the Sun into Gemini and Sagittarius on those key annual dates.

The Tropic of Capricorn is the southernmost latitude on our planet where the Sun can appear directly overhead at the zenith, and then only on one day, the December solstice. I was here close to that date a few years ago and can attest to the lack of shadows at “high noon” at solstice on a Tropic line.

The zone on Earth between the two Tropic lines, between 23.5° N and 23.5° S, is of course called the Tropics. While the Sun may not always be overhead in the tropics it certainly is always high at mid-day. And hot!

Next stop: Magnetic Island, named by James Cook in 1770 as he thought the island was affecting his compass in strange ways.

October 31, 2012

Endeavour in Dock

Its modern day namesake ship, the Space Shuttle Endeavour, made the news of late, on its last voyage to its museum home. But this is the Endeavour that the Shuttle is named for and a ship that also made scientific history.

This is the modern but authentically crafted replica of HMB Endeavour, the ship Lt. James Cook commanded on his first round the world expedition. The principle goal was to observe the June 1769 transit of Venus from Tahiti. But Cook sailed on to map the then unknown coastline of New Zealand and the east coast of New Holland, now Australia. It was an astronomical expedition that changed the world.

The replica Endeavour just completed a circumnavigation of Australia, something the original ship never did, and now is moored at the National Maritime Museum in Darling Harbour, Sydney. I visited it October 30 as part of my homage to Cook and my own astronomical expedition to see the total eclipse of the Sun. In a couple of weeks I’ll be in Cooktown near the top end of Queensland where, in 1770, the original Endeavour ran aground on the Barrier Reef. An anchor from the original ship is still there.

October 30, 2012October 31, 2012

Halo over the Harbour

Here’s my first astrophoto from the land down under in 2012.

I’m in Australia for the solar eclipse, now two weeks away. With luck we will see the Sun disappear in a spectacular early morning event. But for now, here’s the Sun creating a solar halo shining in the sky over the icon of Australia, the Sydney Opera House.

After a couple of days in Sydney I head up the coast, collect and check out my telescope gear in storage for the last couple of years, and then begin the long drive up to northern Queensland and the rendezvous with friends … and the Moon’s shadow.

October 15, 2012October 16, 2012

Jupiter Rising

Look east now late at night and you’ll see Jupiter rising amid the stars of Taurus.

I took this shot a week ago from my rural backyard on the last clear night I’ve had. Remarkably, I had bought a new camera – a Canon 60Da – earlier that day and was actually able to try it out. This is the first real shot I took with it. It shows Jupiter amid the horns of Taurus the bull, and below the Pleiades. A faint aurora lights up the northern sky at left.

There have been some superb aurora displays in the last week but clouds just got in the way.

This is my 200th blog post since I began AmazingSky.net in early 2011. I hope you have enjoyed the images and will continue to do so. Thanks for looking!

October 7, 2012October 7, 2012

Regal Colours of Cassiopeia

Sitting on the border of Queen Cassiopeia and King Cepheus is this royal cloak of pinks and reds.

Too faint to see even in a small telescope, the main cloud of nebulosity is called NGC 7822, with a companion cloud below known as Cederblad 214. Rather cold names for a stunning region of space.

I love the colours in this field. The camera I use is modified to bring out the reds of glowing hydrogen but also nicely picks up blues and purples, which mix to provide subtle shades of pink and magenta. There are even yellows and greens from dust clouds.

Yes, I’ve certainly punched up the colour and contrast quite a bit from what came out of the camera, but I tried to retain a “natural” colour balance, not skewing the palette too far to the deeply saturated monotone red I see in some images of nebulas.

I shot this Saturday night, October 6, from my backyard on a fine autumn night for stargazing and star shooting. It’s a stack of eight 12-minute exposures, “median” combined to eliminate the satellite trails that crossed several frames.

October 5, 2012May 28, 2013

Moonrise on the Badlands

The Moon rises over a lunar-like landscape on Earth.

Well not quite. The badlands of Dinosaur Park, Alberta may look desolate but they were created by forces the Moon has never seen, namely water erosion. And they are “bad” only because we can’t farm them. But to the deer wandering across the top of the hill – and perhaps gazing at the Moon, too – the badlands are a fine place to live.

I shot this image as part of 600-frame time-lapse movie of moonrise, on September 30, the night that produced images for my last few posts. It was a very good night indeed.

October 2, 2012October 2, 2012

Big Dipper Over the Badlands

The Big Dipper swings low over the Badlands of Dinosaur Provincial Park, with an aurora added for good measure.

This another shot from my very productive night last Sunday out at Dinosaur Park, 100 km east of me. Here the curtains of aurora that made the news that evening shimmer below the iconic seven stars of the Big Dipper, now low in the northern sky on autumn evenings.

Light from the Full Moon provides the illumination. People wonder how we astrophotographers can take pictures of the stars in the daytime. We don’t. We take them at night, letting the Moon light the scene. Its light is just reflected sunlight, so a long enough exposure (and in this case it was only 8 seconds) records the landscape looking as if it were daytime, complete with blue sky, but with stars – and this night an aurora – in the sky.

October 2, 2012

Aurora Highway

Traffic seems to drive off into the Northern Lights, on a highway to heaven.

On the way home Sunday night the aurora exploded again in a burst of brilliance. I pulled over by the side of the road and grabbed some shots. I’m looking north here, with the Big Dipper also in the frame. For this shot I layered in two exposures for the ground to get a more complete sweep of the taillights. But the sky is from a single frame.

This was the widely-seen aurora of September 30, 2012. This scene of mad motion down the highway contrasts with the quiet solitude of the badlands landscape of the previous post.

October 1, 2012October 1, 2012

Northern Lights Dancing Over the Badlands

It was a marvellous night – a triple act: with a fabulous sunset, a beautiful moonrise, then as the sky got dark the aurora came out and danced.

Sunday night I headed out to Dinosaur Provincial Park near Brooks, Alberta, site of the world’s best late-Cretaceous fossil finds, and a striking landscape of eroded badlands. I was just finishing taking frames for a sunset-to-twilight time-lapse movie when the aurora kicked up in activity, quite bright at first, despite the light from the nearly Full Moon, which is illuminating the landscape. I swung the camera around, loaded in a new memory card and begun shooting another time-lapse sequence of the dancing northern lights in the moonlight.

While the display faded to the eye over the next hour, the camera still nicely picked up the subtle colours, like the magenta hues. I shot 330 frames, each 8 seconds long at ISO 800 and f/2.8 with a 16-35mm lens and Canon 5D MkII camera.They’ll make a great movie sequence.

It was a 40-gigabyte night, as the second camera was shooting the moonrise over the badlands. But then I pressed it into service as well shooting the aurora. It was a great night to be at a location as wonderful as Dinosaur Park.

September 30, 2012September 30, 2012

Pioneer Harvest Moon

The annual Harvest Moon shines over a scene from pioneering farm days.

One of the last remaining wood grain elevators still stands as a historic roadside attraction near the little hamlet of Dorothy, Alberta. It’s seen better days.

But in its time it took part in many a harvest in the Red Deer River valley. There were once no less three grain elevators here and railway tracks to take away the bountiful harvest. That was back in the 1910s and 1920s when Dorothy was a little boom town. But the prosperity waned in the Depression Years, and never returned. In the 1960s, the railway tracks were pulled up, and two of the elevators torn down.

Now, Dorothy is one of the ghost towns amid the badlands of the Red Deer River valley.

I shot this Saturday night, as the Full “Harvest” Moon rose over the hills, shining in the blue shadow of the Earth. This is one frame of 450 in a time-lapse sequence.

September 29, 2012

Harvesting the Wind

The Harvest Moon rises behind a new crop, a wind turbine harvesting the wind.

I shot this Friday evening, September 28, technically the day before Full Moon and the annual Harvest Moon. The location is amid the Wintering Hills Wind Farm northeast of me and south of Drumheller, Alberta.

This is one frame of 450 in a time-lapse sequence going from sunset into twilight with the Moon rising through the clouds. The changing colours were wonderful.

September 27, 2012September 27, 2012

Sunset on the City

The Sun sets in a ball of fire behind the skyline of Calgary.

For this shot on September 27 I found a spot on an overpass on the Ring Road east of Calgary to look west. Using an app for the iPad, LightTrac, I was able to locate the exact spot where the Sun would set behind the skyline, including the new 50-storey Bow Tower.

Getting the Sun big compared to the buildings means shooting from a distance with a telephoto lens. I used a 200mm and 1.4x extender here.

It would have been nice to have shot from a higher altitude but such places are hard to find east of Calgary where the land flattens out onto the prairie. However, this was a good test of the technique for lining up a rising or setting Sun or Moon with a photogenic foreground. That’ll come in handy this weekend for the Harvest Moon.

September 27, 2012September 27, 2012

City of Stars

Some 3 billion years from now we are going to collide with this galaxy.

This is the famous Andromeda Galaxy, now 2.5 million light years from us but getting closer by the day! Andromeda, a.k.a. Messier 31, is the most distant object readily visible to the naked eye. It now shines high overhead for us in the northern hemisphere.

I asked Siri, my iPad assistant, how many stars are in the Andromeda Galaxy, and she said one trillion. She’s right. Recent estimates put Andromeda’s stellar population at 3 or 4 times that of our own Milky Way Galaxy. It’s also bigger. Measuring from the outermost extremities of the disk gives a diameter of over 200,000 light years, twice the size of our home galaxy.

I took this shot last week. It’s stack of five 15-minute exposures with a new Lunt 80mm refractor. The long exposures bring out the faint halo of stars extending beyond the main bright disk, the part you see in a telescope. You can also see Andromeda’s two close companion galaxies: M32, looking like a fuzzy star below the core; and M110, the elliptical galaxy above the core and connected to the main galaxy by a bridge of faint stars.

September 25, 2012September 25, 2012

Star Birth Site

In contrast to last Saturday’s post, Star Death Site, this is a place where stars are born.

This magenta cloud is where dozens of new stars are forming. One centre of star formation is the finger at right jutting into the hollowed out core of the nebula. Ultra-violet radiation from nearby hot stars is eroding away this dark finger of dust and gas, causing its rim to glow. This is a feature similar to the famous “Pillars of Creation” depicting in Hubble Space Telescope views of another nebula, the Eagle Nebula. However, this giant wreath of hydrogen 3000 light years away has no name, just the catalog number IC 1396. It’s in Cepheus, high in the northern autumn sky.

An added attraction of the scene is the orange star at top, Herschel’s Garnet Star, a.k.a. mu Cephei. This red supergiant is one of the largest stars known. If it replaced our Sun the Garnet Star would engulf all the planets out to Jupiter. Including its profuse radiation emitted in the infrared, the Garnet Star outshines the Sun by 350,000 times. It is squandering its energy so quickly this supergiant is destined to explode as a supernova, perhaps leaving behind a remnant like the Veil Nebula I described in that earlier blog from a few days ago.

These deep space wonders are all part of the great cycle of stardust that fuels the Galaxy.

September 24, 2012

A Ball of Fire Descending

Smoke reddened the Sun and turned it into a ball of fire setting into the west.

This was Monday night, September 24, looking toward the hills in the west end of Calgary. I positioned myself on the north side of the Bow River across from the downtown core, at the top of the river valley to catch the Sun in this telephoto shot. The other camera was taking a time-lapse sequence in a wider scene with the Bow River in view.

We are certainly having some fine sunsets of late, thanks to forest fire smoke.

September 23, 2012September 23, 2012

Driving into the Equinox Sun

At equinox the Sun sets due west and shines into the eyes of drivers heading west into the sunset.

This was the scene Friday night on Highway 1, heading to Banff out of Calgary. I set up beside the highway to catch the scene of the Sun going down at the end of the road. I was hoping for more smoke and haze to dim the Sun to a clearly defined disk rather than deal with a bright glow. But you shoot what the sky gives you.

This is one frame from a 315-frame time-lapse movie of the traffic madly moving down Highway 1 (a true to life recording!) and the Sun glow setting behind the Rockies.

September 23, 2012September 23, 2012

Right Angle Moon

Saturday night was a fine evening for witnessing the geometry of the night sky.

This is sunset on the evening of the autumnal equinox, September 22, 2012, with a first quarter Moon in the sky. The image illustrates the geometry of the quarter Moon’s position, which is always 90° away from the Sun, a quarter of the way around its orbit in its monthly cycle.

In this case, because the Sun (at right) was on the equinox position on the ecliptic, it was setting due west this night (something it does only on the dates of the fall or spring equinox). This put the quarter Moon (at left) 90° away, due south at sunset.

Draw a line from the Moon to your eye (the camera) and then back out to the Sun and it forms a 90° right angle. This geometry holds true for any quarter Moon, but being equinox the Sun and Moon were nicely aligned due west and south, making their right angle arrangement more obvious.

I took this shot from the grounds of the Rothney Astrophysical Observatory on the occasion of their monthly Open House.

September 22, 2012October 9, 2013

Star Death Site

This is the graveyard of where a star died at the dawn of civilization.

The Veil Nebula, made of several fragments, is the remains of a star that exploded as a supernova some 5000 to 8000 years ago. With a telescope you can see this deep sky wonder high overhead these nights, in Cygnus the swan. A decent sized telescope, say 15 to 25cm diameter, can show a lot of the detail recorded here, but only in black-and-white. It takes a photo to pick up the magentas, from glowing hydrogen, and cyans, from oxygen being excited into shining by the shockwave created as the expanding cloud ploughs into the surrounding interstellar gas.

The whole complex is called the Veil Nebula but the segment at right passing through the star 52 Cygni is called the Witch’s Broom Nebula.

I shot this from home a couple of nights ago during a continuing run of typically fine fall weather, which usually brings the best nights of the year for astronomy. For this shot I used a new Lunt 80mm apochromatic refractor on loan for testing. It works very well! This is a stack of five 15-minute exposures.

September 16, 2012September 16, 2012

Star Party Sunset in the Badlands

A hundred or so stargazers were treated to a beautiful sunset in the badlands of the Red Deer River valley on Saturday night.

This was the setting for the annual Alberta Star Party, at a campground north of Drumheller, Alberta, amid the late Cretaceous sediments of the badlands. This is big sky country.

Earlier in the week the night sky was clear and inviting. But this night the clouds served only to provide a fine sunset. They failed to disappear after nightfall. However, on a such a night, a good time is still had by all as everyone enjoys the company of fellow stargazers during the last of the fine weather before star party season ends for another year.

I took this 360° panorama with a handheld camera, and stitched the segments in Adobe Photoshop CS6.

September 14, 2012September 14, 2012

Star Trail Reflections

The stars of the southern sky arc over the peaks of the Lake Louise Range in this half-hour’s worth of exposures.

For this shot I took 35 frames from a 200-frame time-lapse movie and stacked them to create star trails moving over about 25 minutes time when the sky was dark and moonless. I also layered in the moonlit landscape from a frame taken at the very end of the time-lapse sequence when the Moon has risen and was lighting the mountains and trees. So this scene is a bit of a Photoshop fake, but only so far as to merge exposures taken a couple of hours apart from the same fixed camera to combine the sky and stars from when the Moon was not in the sky with the ground from when it was, so the ground isn’t too dark and featureless.

What most people find surprising about star trail shots is the range of colours displayed. Some of the magenta trails come from a little chromatic aberration in the lens. But nevertheless, stars do exhibit lots of colours, but usually only in time exposures like this. As a bonus one frame captures either a meteor or an Iridium satellite flare at right above Mount Victoria.

I took the images for this scene on Friday, September 7, on a shoot at Herbert Lake in Banff.

September 12, 2012September 12, 2012

September Dawn

Here was the scene on September 12, with Venus and the Moon in conjunction in the dawn sky.

Orion stands above the trees, and at top is Jupiter amid the stars of Taurus. The star Sirius is just rising below Orion. And both the Moon, here overexposed of necessity, and Venus shine together below the clump of stars called the Beehive star cluster in Cancer. This was quite a celestial panorama in the morning twilight.

This is a stack of two 2-minute exposures taken just as dawn’s light was breaking, so I get the Milky Way and even a touch of Zodiacal Light in the scene, as well as the colours of twilight. Pity I can’t avoid the lens flares!

September 11, 2012September 11, 2012

Milky Way Amid the Trees

This is the classic summer campsite shot, looking up through the trees to the Milky Way.

I shot this Saturday night from a favourite viewpoint in Banff at Saskatchewan River Crossing. The night proved to be less than the perfectly clear I had hoped for, so I settled for Plan B and shots looking up to a nearby nightscape scene, rather than out across a landscape and into horizon clouds. Some drifting clouds in this shot blur the stars.

This is an example of the type of simple nightscape anyone can do with a camera on a tripod. There’s no tracking going on here, just a short 70-second exposure, enough to pick up the Milky Way. The little trailing of the stars that results isn’t objectionable. I could have shortened the exposure and decreased the trailing but only by going to a higher ISO speed like ISO 3200 which, with the Canon 7D camera, is pushing it too much for noise in a shot like this.

Better still would have been to place the camera on a tracking platform. expose longer at an even slower, less noisy ISO speed, and then let the trees blur from the camera’s motion as it followed the stars. It would have simply looked like a windy night.

Or, it’s possible to combine tracked and untracked exposures, one for the sky and one for the ground, using Photoshop magic.

But I did neither here. This is an unadulterated image of the summer sky shining through trees.

September 9, 2012September 9, 2012

Milky Way Over Calm Water

This is a scene I’ve been after for some time – the Milky Way and stars reflected in calm water.

In Friday night I was at a small lake, a pond really, at the south end of the Icefields Parkway in Banff. Herbert Lake is small enough it is usually calm and reflective. Friday night was as clear and calm as you could hope for. This image is from the beginning of the night with some blue twilight still illuminating the sky, but no moonlight. The waning Moon did not rise until 11:30 pm. I shot this prior to starting a 3-hour time-lapse from the same position on the lakeshore.

The scene is looking south toward glacier-clad Mount Temple and Mount Fairview near Lake Louise.

This is a single exposure with the Canon 5D MkII and 16-35mm lens.

September 4, 2012

The Sky on Fire with Northern Lights

At last … a good display of northern lights towering up the sky.

The evening of Tuesday, September 4 provided the best aurora display I’ve seen in recent years. It was fairly bright and reached up to the zenith and beyond into the south. Colours were green, with just a hint of high-altitude red visible to the naked eye. The camera picks up the colours of an aurora better than the eye can see.

I shot this aurora from my rural backyard. The display came up quite quickly over 10 to 15 minutes starting about 11 p.m., and, as usual, started as an arc across the northeast then rose higher to cover all the northern sky up to the zenith, as shown in this horizon-to-zenith image. The light from the waning gibbous Moon just off camera to the right illuminated the foreground. The show was short-lived. By 12:30 a.m. the auroral curtains had faded into obscurity.

– Alan, September 4, 2012

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